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Dovima, photographed for Look magazine, 1957 Photographer: Tony Vaccaro (American; 1922–2022)
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The Martyrdom of St Sebastian, Andrea Vaccaro, 1640
Palazzo delle Poste #napoli #artandarchitecture #architecture #modernism #vaccaro #urbanexploration #originalphotographer #italiapm #ig_napoli #ig_naples #ig_architecture #piazzamatteotti (presso Rome, Italy) https://www.instagram.com/p/COo50J0BS_k/?igshid=e3jf4gt75z4b
giuseppe vaccaro - area di gioco dei bambini, asilo a piacenza 1953-1962
Andrea Vaccaro - Saint Agatha (c.1635) Museo del Prado, Madrid
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“La Prophétie de l'Horloge” d'Eli Roth - d'après le roman “La Pendule d'Halloween” de John Bellairs (1973) - avec Jack Black, Cate Blanchett, Kyle MacLachlan et Owen Vaccaro, octobre 2018.
By Ioannis Tzortzakakis and Jean Marie Carey
Architect and painter Ferdinando Sanfelice died in Naples on 1 April 1748. Associated with Late Baroque or Rococo Napolitano styles, the effect of his buildings came not through the juxtaposition of decorative features, but through an imaginative use of the architectural elements at his disposal.
Born into a noble family, Sanfelice began studying law, which later he abandoned to join the workshop of the Baroque painter and architect Francesco Solimena (1657 – 1747). There he gained the nickname Vaccaro.
Bernardo de Dominici (1683 – 1759) gives us the main source for Sanfelice’s life and work in his book Vite de’ pittori, scultori, ed architetti Napoletani (1745, Vol. III, pp. 639-659). De Dominici described Sanfelice as:
Of high stature, of robust and well-proportioned complexion, with white skin, black eyes and hair pulling on the blonde.
He excelled in three areas: architecture (both secular and ecclesiastical), design and the preparation of temporary displays; while he became famous for his staircases and soon one of the principal architects in Naples in the first half of the 18th century. His artistic legacy can be seen in Naples, Capodimonte, Capua, Pozzuoli, Salerno, Nola, Ottaviano and Nardò, Apulia. Sanfelice was born in Naples, 18 February 1675.
Reference: Daniela Campanelli, "Sanfelice, Ferdinando" Grove Art Online. Oxford Art Online. Oxford University Press.
Portrait Ferdinando Sanfelice, 1735, probably by Francesco Solimena.
Portal of Palazzo Pignatelli in Monteleone (Puglia).
Campanile (bell tower) of Santa Annunziata in Salerno.
Portal of Palazzo Filomarino in Naples.
The staircases in Palazzo dello Spagnolo in Naples.
The staircases in the Palazzo Serra di Cassano in Naples.
Further reading: Elena Papagna (2015) «Feste di piazza e cerimonie di palazzo nella Napoli borbonica : le celebrazioni per la nascita della real prole », Mélanges de l’École française de Rome - Italie et Méditerranée modernes et contemporaines [En ligne] 127-1, mis en ligne le 16 septembre 2015, consulté le 01 avril 2017. DOI : 10.4000/mefrim.2194.
Anthony Blunt (1975) Neapolitan Baroque and Rococo Architecture (Zwemmer Studies in Architecture), London: A. Zwemmer. Reprinted in 1987 by Harper Collins.
Solomon Worshiping a Pagan God Domenico Antonio Vaccaro (Italian; 1678–1745) ca. between 1695 and 1700 Oil on canvas Detroit Institute of Arts, Detroit, Michigan
And Solomon did evil in the sight of the Lord, and went not fully after the Lord, as did David his father. Then did Solomon build an high place for Chemosh, the abomination of Moab, in the hill that is before Jerusalem, and for Molech, the abomination of the children of Ammon. And likewise did he for all his strange wives, which burnt incense and sacrificed unto their gods. And the Lord was angry with Solomon, because his heart was turned from the Lord God of Israel, which had appeared unto him twice, And had commanded him concerning this thing, that he should not go after other gods: but he kept not that which the Lord commanded. (1 Kings 11:7)
