Corset, c.1900-1905
Yellow satin over fawn corded silk; top edge bound with yellow satin ribbon and trimmed with white Maltese bobbin lace.
via manchester art gallery
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Corset, c.1900-1905
Yellow satin over fawn corded silk; top edge bound with yellow satin ribbon and trimmed with white Maltese bobbin lace.
via manchester art gallery

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Today's outfit of the day is this 1957 Jaques Fath evening dress worn by Lady Gladwyn, the wife of a British ambassador to Paris when hosting the Queen and Prince Phillip at the Louvre. It is made of lilac lace with a silk petticoat and a velvet sash. The underpinnings are as beautiful as the dress itself, featuring a corset bodice and a petticoat of various layers of netting (two in the front and five in the back attached to a pink lining). The hem is also lined with wire to keep its shape. Via the V&A.
A shift, stays, and quilted petticoat project from grad school. My summer housing had this field of dandelions next door, it was early pandemic and my roommate and I weren't going anywhere so obviously a whole evening became a photoshoot.
1830’s underpinnings, 2021
Handworked linen chemise, cotton twill hand-corded transitional corset, cotton corded petticoat, two tucked cotton petticoats, organdie pleated petticoat.
With matching hand-corded cotton twill facemask
Underpinnings (1900-03)

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Pattern for a (riding) Habit Shirt, Lady's Magazine 1813.
Pattern for a Tucker, Lady's Magazine May 1813.
Pattern for a (riding) Habit Shirt for a Dress, Lady's Magazine September 1812.