Straight Apology VS Byler Apology


#dc#dc comics#batman#tim drake#batfam#bruce wayne#dick grayson#batfamily#dc fanart
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Straight Apology VS Byler Apology

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I really love how representative of Alicent's mental state her wardrobe is. This dress is far from being my favorite, but I'm obsessed with how speaking it is!!
It first appears to as green and heavy as her outfits from the second half of S1 (when she held the most political power and was the most involved in the green scheming).
Then, you look at the openings of the gown, the sleeves and the front, and it almost seems like a second dress is hiding beneath, closer to her skin. The fabric is lightweight and softer, it's the same colour as her very first outfit in series, before Otto starts corrupting her, and the Dragonstone dress she wore right before.
The gown is showing where Alicent stands, she's baring the Green faction, she's cosplaying it. But under this sight, the real Alicent, the girl who was loyal to Rhaenyra, is the one working and trying to break free. That dress represents how despite what the others characters see, she's no longer loyal to the Greens.
She's wearing it around Aemond as she tries to manipulate him into leaving. The lighting is nearly hiding the blue of the dress, making it green. It emphasizes how good at pretending she is, it reminds the audience that even though she no longer wants to partake in the game (never really did), she knows how to play.
It's even more speaking when earlier, we saw Alicent planting the first seed of her new plan after she got back to the Red Keep. She's committing treason, in her Dragonstone dress, in front of none other than Helaena, the very person she's trying to save there. Her daughter is the only Green member she's allowing to see her true colour and intentions because Alicent is expecting her to follow along the betrayal.
That dress is a giant "I'm a traitor" sign and it's totally amazing!
Something I love about Heated Rivalry is that it's not a choice is a theme but not in a respectability politics "homophobia is wrong because it's not a choice" way.
Ilya is bi and he can't turn off who he is any more than Shane and Scott can.
Scott never wanted to put anyone between a rock and a hard place, he planned on not entering a relationship til he was no longer part of the hockey league. But he fell hard and fast for Kip regardless.
unpopular Merlin opinions that would get me chased out of camelot with pitchforks:
some of yall only hate uther because the narrative tells you to while simultaneously stanning characters who inherited half his worldview
the fandom babies merlin so much that people forget he also lies, manipulates, enables violence, and makes catastrophic decisions constantly
āthe ending was good actually because tragedy and true to arthurian myth yada yada bsā no it was rushed and underdeveloped. tragedy still needs payoff.
this fandom will write 40k essays about how tragic arthur is for having daddy issues and then call morgana irrational for developing murderous rage after years of abuse and isolation
arthurās growth gets insanely overstated because the bar is literally underground next to the old religion
ācamelot became betterā DID IT??? DID IT REALLY??? WE GOT LIKE TWO EPISODES OF PROGRESS AND THEN EVERYONE DIED
the finale feels like the writers got put into a room with a countdown timer and a vague memory of arthurian legend
some of yall hate gwen for the crime of interrupting your yaoi headcanons and i NEED you to be serious for one second
merthur fandom sometimes acts like gwen personally broke into the writers room and forced the show to be heterosexual at swordpoint
the obsession with āfixingā characters into soft wholesome uwu versions of themselves removes literally all the tension that made them interesting in the first place
āarthur wouldāve accepted merlinās magic eventuallyā based on WHAT. VIBES??? HE ONLY FORGAVE MERLIN CUZ HE WAS DYING.
this fandom babies the male characters so hard youād think camelot was a daycare
there are people in this fandom who care more about whether merlin and arthur kissed than about the actual themes of oppression, fear, loyalty, and corruption and honestly i respect the commitment to missing the point entirely
if morgana had been played by a less attractive actress half this fandom wouldāve turned on her by season 2 and i stand by that
elyan deserved better but this fandom remembers him once every solar eclipse
gaius spent years enabling an insanely dangerous status quo and the fandom treats him like everyoneās wise grandpa instead of the courtās number one professional secret keeper
mordred was literally a child shaped by prophecy, fear, manipulation, and rejection and the fandom still talks about him like he personally logged into the writers room to ruin merthur
this fandom excuses every terrible thing arthur does because bradley james is good looking
the fandom acts like the knights were this inseparable legendary friend group meanwhile half their bonding happened offscreen in everyoneās imagination
āarthur was trying his bestā his best was frequently terrible ā¤ļø
this fandom has a bizarre tendency to interpret every womanās anger as irrational while treating every manās rage as heartbreaking and profound
people rewrite merlin into this innocent awkward little guy when canon merlin is fully capable of being passive aggressive, cruel, manipulative, reckless, and terrifyingly devoted
hunith is one of the only people in this entire show with functioning brain cells and nobody talks about her because she isnāt a sad wet man
Kara did not singlehandedly destroy the kingdom oh my GOD
Nimueh had more presence in one season than some characters had in the entire show
the druids as a whole feel less like an actual culture and more like the writers spawning mysterious forest children whenever merlin needed angst
the sidhe plotline genuinely feels like a collective hallucination
soooo i was rewatching ep 4⦠yeah yeah i know, again š but i wanted to look into the second feist song used in the show
so. RESEARCH!!!
this whole time i thought this was a straight shot through the shower glass
but no ā weāre watching it through the mirror above the sink
the faucet + counter in the foreground are real everything else is reflection
and now that i see it, i literally canāt unsee it and feel a little stupid for not clocking it earlier š
and honestly⦠was that intentional?
because at this point in the story, theyāre still just āfuck buddiesā their feelings are hidden ā even from themselves they havenāt even named what this is yet
theyāre not something weāre āallowedā to witness directly so the camera doesnāt let us be in that space with them
it keeps us outside of it watching indirectly through a reflection
like weāre not supposed to be there like weāre intruding on something private
orā¦
Itās just a sexier shot this way š as we have seen them directly in earlier shots....
What do you guys think?

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The Pitt and Public Health: A Story of Radical Hope and the Work of Dreaming
Wherein I discuss The Pitt through a lens of public health praxis, disabled theory, and radical hope.
okay y'all, be warned this is a long one (5.1k words). it's contained in full under the cut, but i also crossposted on my substack HERE if you want slightly better UI or an audio recording of it :)
this piece begins with some background on radical hope, then it moves into discussions of public health praxis and frameworks that i find to be relevant to The Pitt, and finally i move into some contained character studies within the context of radical hope/the work of dreaming/healthcare. i chose to discuss Robby, Trinity, Dennis, Baran, and Cassie in particular, although i definitely think the points i make here could be applied to many more characters in the show!
tagging @tanely @lancey-lance-963 @puppydogwhitaker @ineffablepretzel since i know y'all were keen for this nonsense<3
keep reading if you please <3
Obsessed with the idea that The Road is making these women deal with their trauma, and somehow that trauma is both individual AND intergenerational within each of them because they've lived for so long through so many different time periods where (witchy) women were persecuted in different ways physically, socially, etc. Then you have Alice, who actually has generational family trauma to deal with around her mother and whatever curse may or may not be passed down to her. (Side note: that makes her like a normal age, right?) Lilia also seemed to deal with some kind of ancestral trauma in her ep. 3 vision, maybe? And then there's the whole maiden mother crone thing, where Agatha literally seems to be carrying these three generations of women around her neck, which is a symbol of protection but also a burden, as it's a locket that (probably) carries the hair of her (not?) dead child, which is her biggest trauma - and a symbol that for her, the line ends here, there will be no future generations to carry on. Idk I'm rambling but it's fascinating yall. Can't wait to see what kinda shit Rio has to deal with.
Has May Ever Actually Chosen Her Own Path?
So this started because I was rewatching Season 5 ā specifically episode 5x15 of 9-1-1 ā and it made me realize something I hadnāt fully processed before.
Right now, everyone (myself included) is focused on Season 9.
All the analysis, all the theories ā theyāre centered on whatās currently happening.
But rewatching older seasons?
It unlocks completely different conversations.
And this one is about May.
First Thought: A Relationship That Just⦠Disappeared
Let me be very clear about something before I start.
This is not about ships.
I donāt care who you ship. Iām not talking about romance.
Iām talking about human relationships.
Because what doesnāt make sense to me is this:
How do two characters who had that level of connectionā¦
end up acting like strangers in the same room?
May & Eddie: Same Moment, Same Struggle
In that episode, May and Eddie have one of the most genuine conversations in the show.
She tells him she chose dispatch because of her mom ā because after Athena was attacked, that felt like a place where she could protect her.
And Eddie immediately gets it.
āTell me about it.ā
Because heās the same when it comes to family.
Then she says something even more important:
She realizes she lost sight of who she was ā of what she actually wanted.
And Eddie answers:
āWhen you figure it out⦠let me know.ā
That line matters.
Because in that moment, theyāre in the same place emotionally:
ā both stuck
ā both dealing with fear
ā both disconnected from their original path
So Why Is That Gone?
What I donāt understand is why that dynamic was completely dropped.
Not just romantically ā again, thatās not the point.
But as a human connection.
Because fast forward to Season 9, and May is dealing with the exact same internal conflict again:
ā law school
ā questioning her path
ā feeling lost
And yet⦠she doesnāt reconnect with the one person who already shared that moment with her.
Thatās not just a missed opportunity.
It feels unrealistic.
Bigger Issue: May Feels Isolated
And itās not just Eddie.
If weāre being honest?
May barely interacts with anyone.
Take away Harry and Ravi, and sheās almost completely disconnected from the rest of the core cast.
Buck, Eddie, Chimney ā they might as well be background noise in her storyline.
And that doesnāt make sense for a character who:
ā worked at dispatch
ā shared emotional moments with multiple people
ā is deeply connected to this world
Second Thought: Has May Ever Chosen Her Own Path?
This is where it gets more interesting.
Because rewatching Season 5 made me realize something:
May has never really followed a path that was fully hers.
The Athena Pattern
Letās break it down.
We find out Athena originally studied law.
Then she became a cop.
Now look at May:
ā She goes into law ā just like Athena
ā She questions it ā just like Athena did
ā She pivots ā again, mirroring that journey
At first, it feels like a natural influence.
But the more you look at it, the more it feels like imitation, not choice.
Season 9 Confirms It
In Season 9, May literally says:
āMaybe this isnāt what I want.ā
After finishing law school.
And it hits you:
Wait⦠did she ever actually want it?
Or was she just following a path that felt expected?
The Maddie Parallel (And Why It Matters)
This is where it gets really interesting narratively.
Because Mayās arc mirrors Maddieās ā but in reverse:
ā Maddie: nurse ā dispatch
ā May: dispatch ā possibly nurse
Theyāre almost like complementary archetypes.
Two sides of the same journey.
Which makes Mayās confusion even more intentional ā even more designed.
The Umbilical Cord Problem
So hereās my actual theory.
May is still, narratively, tied to Athena.
Not in a bad way. Not in a toxic way.
But in a way that prevents her from becoming fully independent.
Sheās orbiting her motherās identity instead of building her own.
And if the show wants her to become a fully realized character?
That connection needs to evolve.
Or, metaphorically speaking:
It needs to be cut.
Why Season 10 Could Change Everything
Hereās where the Theory Time kicks in.
There are a few real-world factors that might actually impact this:
ā Harry has been heavily developed in Season 9
ā Corinne Massiah (May) has already graduated
ā Elijah M. Cooper (Harry) mentioned focusing on studies
ā Angela Bassett will also be working on American Horror Story
So what does that mean?
Itās possible Season 10 will shift focus.
Less Harry.
More May.
Final Thought
This whole reflection started from a rewatch.
But it turned into something bigger.
Because May is one of those characters who has everything to be incredible:
ā strong foundation
ā emotional depth
ā narrative potential
And yet, right now?
She still feels⦠unfinished.
Your Turn š
Again ā no ships.
Just character and story.
Do you think Mayās arc has been inconsistent?
Do you see the Athena parallel too?
And most importantly:
What would you want to see for her in Season 10? š„