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Her grin widened, and in the yellowy puddle of light from the nearest lamp, it looked more wicked than it ever had. Fangs were emerging from her gumline, lengthening before Maki's eyes.
Rumors are spreading about Tsumugi's conspicuous lack of public appearances since the end of Danganronpa. Maki investigates against her better judgment.
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Maki and Theo compilation from a few days ago. I was having a normal one.
In the first pic, they're dressed as Yor and Loid's from Spy x Family! It's meant to be a reversal of the scene where Loid tries to kiss Yor to keep up lovey-dovey appearances, but Yor gets too embarrassed to go through with it.
I'll let the second pic speak for itself. Very much non-canon.
Summary: When Mikan finds a girl collapsed with a head wound, she can't help but help her out. Even if the girl very adamantly does not want to be helped.
For DR Rarepair Week 2024 Day Three: Self Care/Caring for the Other, hosted by @dr-rarepair-week-blog.
Chapter Rating: M for References of Alcoholism, Physical Abuse, and Child Abuse (aka Mikan references her life, so all of these triggers are potentially here).
Fic Rating: M for Reasons Listed Above.
AO3
It was a poem theyâd gone through in class earlier that day that did it.
Not that anything could really be blamed for this sort of thing.
Of course, if anything could be blamed for it, well, it would have to be Mikan herself. She did make the choice to take a different route back to her place than she normally did. Sure, sheâd always been told it was the sketchier route, and sure, it went through some shady streets by other peopleâs estimations, but if sheâs honest with herself, the better parts of town arenât always really better. If she takes the route she always takes, then sheâll still end up beingâŠ.
She brings it on herself, of course. She knows that. Besides, all of that abuse, it just means they actually like her, doesnât it? Like how the boys on the playground used to pull on her hair or throw rocks at her or tease her â boys are only mean to girls when they like them, and some boys (and girlsâŠand other people) never really grew out of that. Itâs certainly better thanâŠthan ignoring her, which people only really do when they donât care, when they would be happier if she didnât exist in the first place, and if sheâs honest, everyone would probably be happier if she didnât exist in the first place, which is why sheâs always been more than okay when theyâ
They went through that poem in class earlier, and Mikan paid as much attention as she could, and the cute girl who sat next to her carved a few of the lines from it into her arm over lunch, and sheâd cleaned her arm as much as she could and wrapped it up afterwards like she always did, and she didnât say anything like she always did (because sometimes that helps people remember things, and that means theyâll do better in their classes, and how can you forget someone after using a knife to write words into their flesh), and when she started walking back to her place, she looked at the bandages covering her arm and thought of the lines now permanently etched into her skin (she can do her best to prevent the scarring, but that doesnât mean it might not still happen) and decided it was time to take the road less traveled.
Or more traveled, maybe, just by people other than her.
But the thing is?
Mikan heard about how dangerous and treacherous these streets were from all of the people along her own street, from her mother and her motherâs many (near interchangeable) boyfriends, but itâs actuallyâŠ.
Itâs not that bad?
If anything, itâs calmer. Gentler. The breeze stirs the leaves on the trees and Mikan smells cherry blossoms instead of sewage or alcohol or vomit from the drunks next door. (Or blood, but thatâs more often hers than not, and if she tries a little harder, she can still smell blood, and itâs still hers â the stain on her bandage, which probably her motherâs newest boyfriend will notice first, when he laughs at her for being so clumsy.) The sidewalk isnât cracked and crumbling here, the streets are mostly paved, and the houses lookâŠnice. If she listens, she can hear children laughing somewhere.
Mikan passes by an orphanage, and she hates herself for wishing it, but she thinks maybe it would have been better to be here. But thatâsâŠthatâs selfish. And it makes it sound like she doesnât love her mother, which absolutely isnât true â she loves her mother! Even if her mother doesnât exactlyâ
A loud schlump sound breaks into her thoughts.
Mikan recognizes that sound. Itâs the same sound as the drunks next door when one of them gets hit over the head and drops to the ground; itâs the sound of a heavy body dropping but not really down. The sound of injury, usually.
And â as she always does (because sometimes that sound is someone she knows (never her mother, but occasionally one of her new boyfriends), not that that matters because they know her now, know that she can do exactly what she is about to do), Mikan rushes to the source of the sound.
If she hadnât paid attention in class that day, if she hadnât let her classmate carve those words into her arm, if she hadnât paused before heading back to her place and chosen to take a new route, then she wouldnât be here right now, and none of this would have happened.
Mikan rushes towards the sound, and she finds a girl around her edge, slumped against a wall, her dark hair pulled in two long ponytails, blood all over the top of her head and dripping down her face.
Thatâs when the shift happens, if it hadnât happened earlier â Mikan switching from herself into, well, still herself, but the version of herself sheâd like to be all the time, the one who doesnât have to be scared or afraid or anxious, the one who has control and doesnât have to resort to anything to be heard. She makes her way to the other girl, kneels down in front of her, and murmurs, soothing, âIâm Mikan Tsumiki, and Iâm here to help you. Iâm the best trained nurse in the areaââ She reaches out to take the girlâs hand in her own.
But the girl snatches her hand away and glares up at Mikan with cold red eyes. âIâm fiââ Then she collapses.
Mikan stares at the girl curiously for a moment. When the girl doesnât move again, she creeps forward and places two fingers on the pulse point at her neck. Weak. Wavering. Fleeting. Sheâs lost too much blood, probably, or that hit on her head did more damage than sheâd predicted. If itâs messed with her brain too terribly much, then thereâs nothing she can do about that. Mikanâs no brain surgeon; sheâs a nurse. Thereâs only so much she can do.
But what she can do is a lot.
~
Itâs quite a bit later before the girl wakes up.
Notably, this is because Mikan has her hands on a lot of medicine that she probably shouldnât have and wisely, in her estimation, decided to keep the girl out while she carried out all of her other checks and balances (it doesnât look like brain injury, but she really canât be sure without imaging technology that she doesnât have), while she pulled what did not look like glass out of her head and then stitched her skull back up (which was really what she needed the medicine for; the girl didnât seem like the sort who would stay still while she was doing all of that, and she certainly didnât want to make things worse), while she bandaged up the other miscellaneous bits and pieces she found during her examination (she was gentle and she was careful and she didnât do anything untoward), and while she, uh.
Well, she was just the slightest bit afraid of what the girl would do when she woke up.
So she may have, uh.
Strapped her down to the table.
Which of course is likely why the girl glares at her with fire in her eyes when she finally does wake up.
(Mikan was dozing. She couldnât just leave her patient alone when she definitely needed her help, and this little hovel separate from the place where she lives is actually....
Letâs just say Mikan likes being here better than she likes being there, and as long as she lets them know later that she was taking care of a patient, usually thereâs no punishment for not showing up. (Thereâs usually no punishment anyway because that would require either her mother or her motherâs current boyfriend or both of them to notice that she wasnât there, and that only happens when something goes wrong. Sometimes sheâs grateful to be away when something goes wrong, even if things still go wrong for her when she gets back.))
Whatâs weird is that the girl isnât yelling â not at her, not at the situation, not at anyone or anything that might be listening. Sheâs not struggling against her straps; maybe she was before Mikan roused from her rest, but if she had, it certainly wasnât enough to move the hospital bed or the bedsheets or the IV stand or anything, really. And sheâs notâŠ.
Sheâs not afraid.
(Or if she is, sheâs really, really good at hiding it.
Mikanâs a little jealous, if sheâs honest with herself, but that require being honest with herself, and Mikanâs not as good at that as someone else might want her to be. Sheâs very good at deluding herself, actually. It keeps her sane.)
The girlâs lack of fear sends Mikan back to stuttering, back to anxious, back to uncertain and unsure, and she stumbles over her words, tongue thick with barely waking, âL-l-like I said before, Iâm M-M-Mikan Tsumiki.â She stands and bows to the other girl. âI-I-Iâmââ She swallows, stands, takes the words sheâs about to say and strengthens herself with them, and then doesnât stutter when she says, âIâm your nurse. You collapsed with a head wound, and I made sure that you wereââ
âI told you. Iâm fine.â
âYouâre fine now,â Mikan gently corrects. âBecause I took care of you.â
The girl glares at her unblinking. âI would have been fine.â
âYou would have died.â
âThat would have been fine.â The girl should look away. She shouldnât mean that. She should be softening the steel of those words by refusing to meet Mikanâs eyes, by acting as though she is tough and it doesnât matter.
Except that this girl, whoever she is, is tough. She continues to hold Mikanâs gaze with those intense red eyes. Her tone doesnât change. She means exactly what she says. In her estimation, it would be fine.
Ah.
She knows that feeling.
And because she knows that feeling, Mikan canât tell this girl that it would not have been fine, no matter how much she may or may not believe that, because that would be like saying it to the version of herself who also believes it would be fine if she died. (Except that a part of Mikan still desperately wants to live, and she suspects thereâs something inside this girl that does, too.)
âW-w-well, um.â Mikan glances down to her hands, all earnestness lost under that crippling gaze. âI-I-I didnât think it wouldâŠit would be, um.â She stops herself. Shakes her head. âI wonât ask whoâŠwho hurt you, but.â She licks her lips. âBut if you ever get hurt like that again, y-y-you should come andâŠcome and f-f-find me. Iâll make sure that y-y-youâre notâŠ.â Her voice trails off, and she swallows. âIâll make sure that everything gets better.â
When the girl doesnât say anything in response, Mikan glances up again, anxious sweat beading at her forehead. The girlâs expression seems to have softened. Sheâs still staring at her, but at least she doesnât seem to be glaring at her anymore. ThatâsâŠthatâs good right?
âWhat if itâs someone else?â the girl asks, voice soft in the air between them. âWould you help them, too?â
Mikanâs eyes widen, and she straightens. âY-y-yes!!â She doesnât smile, although she wants to do so, because the question means that this girl, whoever she is, actually sees some value in her. Or, at least, in what sheâs capable of doing. âI-I-I donât....â Her gaze drops again, and she fidgets, pushing her uneven hair back out of her face. âEveryone needs help sometimes, and IâmâŠIâm good at helping people. E-e-even ifâŠeven if maybe they donât think they shouldâŠshould be.â
Only then does the girlâs gaze drop. Maybe sheâs considering it. Thinking about it. Maybeâ
âAre you going to let me go?â
âOh, oh, oh, y-y-yes!â Mikan goes to the bed and starts unbuckling the straps. âI-I-I was just worried you mightâŠyou might make things worse if youâŠif you tried to get outââ
âYou were scared that Iâd hurt you.â
âN-n-no!â Mikan flinches. âI-I-I m-mean, y-y-yes, b-b-but. I-I thought if I-I explained, th-thenââ
âYou were right.â
Mikan flinches again as the last of the straps slips off, as the buckle clanks against the metal of the hospital bed, as the girl smoothly sits up, turns on the edge of the mattress as Mikan backs up, and doesnât glance up at her. âI-I-IâŠI was?â She can hear her own voice growing higher, and she hates it the most when she squeaks.
âYes.â The girl pulls the IV out of her arm. Then she pushes herself off of the bed and stands for the first time at her full height; to Mikanâs surprise, theyâre the nearly the same size. The girl seemed so much smaller than her â not frail, just small. She still seems small now, but not in a way that makes her nonthreatening. Justâ
The girl meets Mikanâs eyes. âMaki,â she murmurs.
âH-h-huh?â
âMy name,â the girl says. âMaki Harukawa.â She doesnât smile, but she flushes the slightest bit (probably from standing, not from anything else) when she says, âThank you.â
Mikan blinks, and the girl disappears.
For a moment, Mikan whirls around, as though she might catch a glimpse of Maki again, but thereâs nothing, no one. She takes a deep breath in and crumples into the chair where sheâd been dozing before.
Sheâll probably never see her again. ThatâsâŠthatâs normal for random strangers (not normal for the drunks who live next door to her mother). And thatâsâŠthatâs fine, probably.
(But Mikan wants to see her again. Which is an awkward thing to want, considering it would mean that the girl was hurt somehow. She doesnât really want her to get hurt again.
ExceptâŠ.
Except she does.
(But Mikan is very, very good at lying to herself. So sheâll lie to herself about that one, too.))