#toxicmasculinity

back to that housewife thing, realising that all the creations and inventions that are man-made exist only because they were allowed to exist, by a woman taking off the mental and physical load from housework and children - the real stress. I too would have children and a big house, and have multiple careers at the same time, if there was someone in the background doing unpaid work, so that i can thrive. men allowed themselves to be in the protected, caccooned, role never having to deal with real life everyday responsibilities. they were the flower the women had to garden, and the women took on the role and toll of the gardener because that was the only way they were allowed to exist. the gardener exist to tend to flowers. but actually it was the gardener that made the flower, and the flower who was so jealous of the inability to create, that it made itself into this litlle fragile thing that can only bloom when tended to - a trait "traditionally" seen as feminine.

"SEEN" is Part II of The Trilogy—a fictional character study exploring toxic masculinity, rejection sensitivity, and the dangerous spiral of unchecked emotional immaturity. Through deliberately excessive stream-of-consciousness verse, this piece examines how wounded ego can metastasize into obsession, harassment, and self-destruction. The narrator's escalating behavior—from hurt feelings to stalking to performative misogyny—serves as a cautionary portrait of someone who chooses anger over accountability. This is not endorsement but examination: a mirror held up to the psychology of entitlement and the refusal to process rejection in healthy ways. The brief moments of self-awareness in the outro only deepen the tragedy, showing someone who sees their own toxicity but remains trapped in the pattern. A reflective essay on craft and ethics will follow Part III.