#top 30

Number 30: Evelyn Deavor (The Incredibles 2)

Starting off with a banger,

The Incredibles 2, in many ways, is not only a downgrade to the original movie, but a downgrade to the Pixar mark as a whole, in fact, many could argue that this movie bookmarked the start of Pixar's noticeable decline in quality and boldness.

Unfortunately, these same flaws carry over to the main "twist" villain of the motion picture, Evelyn Deavor, who, despite having a cool introduction and design as the Screenslaver (who I count as an extension of her character), has, in many ways, not only failed to live up to the audience's hype, but also the expectations of a well written antagonist in general.

Many videos have already been made on why she doesn't work as an antagonist, let alone a character, in fact, many of you who already saw the movie would even question what is she doing in a list like this, at number 30 no less, when some of those honourable mentions look far more worthy of this spot.

And the answer to that is simple:

She isn't.

At least not this iteration of her.

Roll in:

Number 30: Evelyn Deavor (LEGO The Incredibles)

In my modest opinion, LEGO The Incredibles is the definitive way to consume The Incredibles franchise in its entirety.

The videogame does an amazing job recreating the stories of both movies in a playable format, and outside of a handful of cutscenes during the first movie section of the game, that I hoped the developers would have kept the emotional impact of the original motion picture, I genuinely believe perfects the experience of not only the second, but also the first movie, making it a must play for fans of the franchise.

The improvements that this game makes to the story of The Incredibles 2 also carry over to Evelyn, in a lot of different ways:

1: Thanks to the game's more comedic tone, Evelyn's personality, twist, and plans become much more enjoyable, because now, we are no longer supposed to take her 100% seriously and we can just enjoy her jokes and how bats##t insane she is (she brainwashes all of the Supers using a device powered by a bicycle and simultaneously calls Bob to tell him that her wife is in danger, all the while running on said bicycle and pressing the honk).

2: Removes the subzero interrogation sequence from the movie and minimizes her backstory and motivations to a quick, one line mention. This may seem like a detriment on paper, but in practice, it unironically improves Evelyn's character and takes out many of her issues, because now, the focus is no longer her sympathetic backstory and motivations, instead, the focus now is how psychotic and crazy she is; the game focuses on the parts of her that worked in the source material and leaves out the parts that didn't, heck, Winston doesn't mention his backstory and motivations for helping the Supers at the beginning of the game, so for all we know, the death of their parents is an Evelyn exclusive problem, and she's just messed up like that.

3: Reduces the amount of scenes that she's in. Again, this may look like a detriment, but it actually works to create a sense of intrigue behind her actions: since she has fewer scenes, there's no risk that she overstays her welcome, and it leaves you wondering what her whole deal was when all is set and done.

This game was my first time experiencing the story of The Incredibles 2, and when playing it, I genuinely thought that Evelyn was a cool, interesting antagonist, and I was left wondering if she was even better in the actual source material (nope).

It's thanks to this game that I became an Evelyn fan, let alone an Evelyn enjoyer; yet with all of that said

she

still

Sucks.

Sure, the game patched out some of the most confusing parts of her original characterisation, but it's not like it reinvented the wheel or "salvaged" the character, it only made her more enjoyable to the players and watchers.

So why then?

Why go on an entire rant for this niche triple A game if it wasn't to reveal the first villain entry?

Well, you see, LEGO writers might have not reinvented the wheel with their adaptation of Evelyn, but as a bonus, they straight up created a new female villain to compensate for how lacking the main antagonist of The Incredibles 2 was.

An icy round of applause for...

Number 30: Brainfreezer (LEGO The Incredibles)

Meet Shelly Sundae, twin sister of Sally Sundae (both of them have cooler names in the Italian translation), ex-owner of the Ice Cream Parlor, and now renowned super villain known as Brainfreezer (which is not a ripoff of the Johnny Test character, as her wiki page likes to precise).

When it comes to the side content present inside of this game, the crime waves definitely stand out as one of the most unique additions to the LEGO formula in a while.

In order to get the player excited to play these side missions, the developers thought well to make them go through one of these crime waves right after the tutorial level.

But the true spark of genius came by putting the first part of the Brainfreezer side quest as the initial overworld mission, since they have by far the strongest hook out of all of these quests, and it's not even close.

Not only do both missions have the best atmosphere and screen filter out of all these waves, but they also do an amazing job at surprising the player and getting them invested.

The first one literally comes out of nowhere and shocks the player with the amount of new information they are getting, especially since the culprit behind it is an OC created for the game, blowing away movie fans who didn't expect them to be inside this game.

The second one is also pretty good, though nowhere near as special as the first, however it has the added bonus of culminating with the Brainfreezer boss fight, who, despite not being as good or mechanically interesting as some of the other battles in the game, I still really like it for a different reason:

Nostalgia.

The atmosphere, setup, and appearance of Brainfreezer and her boss chamber all heavily remind me of the Mister Freeze boss fight and level in LEGO Batman: The Videogame, my introduction to the Batman universe, and an undying childhood classic of mine.

The level in question is also one of the most unique levels from that game, even if it wasn't quite my favourite, so it's really difficult for me to not point out the similarities between that mission and the Brainfreezer ordeal when they both have the same, similar unique look to them.

What I like the most about Brainfreezer is her potential, not just the level of freedom inherent to a character who is given little to no explanation for her actions, but also the interesting bits of information that the game provides to us.

Shelly's sister, Sally, is a character who the player becomes invested in throughout the side quest, so when you learn the true identity of Brainfreezer (in case you hadn't figured it out already), you feel bad for the poor Sally, as her missing sister not only turned out to have become a horrendous ice cream monstrosity, but she now also is a dangerous supervillain who plans to mind control the entire city.

Plus, Shelly even starts to melt at the end of her boss fight! That's subtly horrifying if you reflect about the implications.

Brainfreezer, to me, is a character that's just really fun to think about, she's very "cool" and has a pretty design and storyline, and with this unexpected starting entry out of the way, it's time to move forward to the next unlikely candidate for this (entirely subjective) list.

Number 29: Malenia, Blade of Miquella (Elden Ring):

Despite enjoying both Lady Maria of the Astral Clocktower and Sister Frida more as bosses and liking Lady Maria more as a character, as an antagonist, Malenia is my favourite female "villain" in all of the Soulsborne genre.

I don't know why, but I truly click with her so much as an antagonist, even when truthfully she, like a lot of From Software's characters, tends to lean more in a morally grey area, not truly evil but not exactly good.

Malenia is an optional boss in Elden Ring, the smash hit GOTY of 2022, she's a demigod, daughter of the game's final Boss, and sister of Miquella, an important character in the Shadow of the Erdtree DLC.

I think that has to do with the myth surrounding her Boss fight; while it may not objectively be the best Boss fight of all time, the crazy amount of stories and legends that it spawned within the community do more than enough for me to consider her someone worth praising as one of gaming's greatest opponents.

I also just like how weird she is, she is the female boss with the most overtly sexualised design in the entire series, despite also being one of the humanoid women with the least amount of feminine traits in all of the Souls games.

In particular, I enjoy her disability and her sickness as an important part of her character, it makes her extremely cool to a lot of people who are also struggling with similar difficulties in real life, and I appreciate her for that.

I could go on and talk about the lore (which I've seen, don't worry) but honestly, I'm pretty confident in leaving this entry as vague as it is, to keep it in line with the game's way of storytelling.

In conclusion: go play Elden Ring.

It may take you more than a year if you actually plan to just beat it, but it'll be a truly special experience.

Number 28: Jaina Hudson/White Rabbit (DC)

Jaina Hudson has been flip-flopping in and out of my mind for a long time now, but you know what? Screw me, I love missed potential so much.

Ideally, I would prefer if the villains/characters who had their potential wasted were always well-written to begin with, but since we don't live in perfect world, I guess the second best alternative is to get the consumer interested into the character, so that at least someone else could give them the love and attention that they deserved.

And while some ideas were always made without the intention of making the consumer interested in them, this doesn't stop them from gaining a fanbase, even if it's a rather small one.

I'm talking about me, by the way, with the character of White Rabbit/Jaina Hudson, one of the newest members of Batman's rogue's gallery, and currently(?) the newest member of the Gotham Sirens, a female group of non-heroes containing Poison Ivy, Harley Quinn and Catwoman.

Jaina Hudson is the daughter of Tom Hudson, a U.S. diplomat, and an Indian Bollywood actress. She first appeared in Batman: The Dark Knight #1 (2011) and she's a high socialite in Gotham who hides a mysterious secret: she has the ability to create an imperfect clone of herself who she uses to commit her crimes.

I've always been fascinated by Jaina/White Rabbit, particularly in her original run (yes, I know about the controversies, I will get into them later), but I think the reasons as to why that is aren't all that clear even to me, even if the most likely idea is that I really like how much of a blank slate she is.

I personally believe it's because she has so many different characteristics and traits that when put together, create a bizarre, yet very unique package of villainy;

Mysterious setup, motivations and backstory?

Check.

Evil woman of colour who's into politics?

Check.

Weird and unique gimmick that I vibe with?

Check, check.

This all seems very cool, but if that's the case, why is she considered a forgettable/forgotten villain by some Batman fans?

The answer to that is simple.

Her story arc was never finished.

I'm not kidding: White Rabbit never did anything wrong, she got the title of a bad character/villain not because her writing sucked, but because her original arc was cancelled just as it was about to start.

I hope one day she gets The Spot treatment, and I don't just mean copy and paste Spot's arc from ATSV, I more so intend a redemption story in the public's eye, because I really can't give any good reasons as to why she deserves a place in this list, nor can I encourage you to read her debut comic run or the new Gotham Sirens run because you still wouldn't understand the things that make this character click so much with me.

I'm the only person that I know who sees her true potential, but until said potential gets brought out, I want to put down my foot and proclaim myself as an original fan of White Rabbit/Jaina Hudson, one that was there from the very beginning and always saw a spark in her.

And now it's time to talk about the controversies. Skip to number 28 if you aren't a Comic book Batman fan.

Death of the Author is a good thing that exists for a reason, and that reason is to differentiate the art from the artist.

Was White Rabbit conceived as a fetish fantasy by his writer? There's a 99.9% possibility of it being a yes.

Was her original arc going to end up in a disappointing mess? Judging by the general quality of the modern comic book industry, yes, there's a high probability of that being the case.

Is the whole skin swap ability of the clone a blatant excuse to lust over a race swapped version of the character, making Jaina a racist character from the get-go due to concept alone? If the main intentions behind the character were these, then yes, Jaina Hudson/White Rabbit is conceptually racist.

But even with all these controversies in mind, I still can't dislike Jaina as a character, nor do I hate the way her cloning powers work.

*I actually was going to describe how I thought her race swap gimmick could have worked on a practical, psychological, and thematic level in this section, but I ultimately scrapped it because it was out of context with the rest of the list. If you still wanna hear my thoughts on her, ask me in the comments, and I'll make a separate analysis post for her eventually*

I also have my own fair share of unpopular opinions regarding White Rabbit (for example, I disagree with the idea that she should be related to the Mad Hatter in some way, and I despise the idea of turning her into his hench woman or her Harley Quinn, I believe Jaina has much more potential as a "solo" villain, especially with her powers, status, money, and cunning) but it's better to not dwell any longer on this spot and move on.

Number 27: Scarlet Overkill (Minions)

Scarlet Overkill is the one and only reason to ever watch the Minions movie. Greatest female supervillain of her time, Scarlet has everything a woman of her status could ever want, except for one thing: the crown of Queen Elizabeth, who she has always dreamed of having ever since she was a child.

She is a delightful character from start to finish, a pure evil villain with a lot of interesting dialogue and a surprising amount of tender moments, making her someone who never runs into the troubles that some of the antagonists of her type run into, aka becoming stale and uninteresting.

Her design is also very cool, as it manages to strike this weird, perfect balance between being very feminine but also stereotypically evil.

Balance is definitly the right word for Scarlet, since, despite being completely evil throughout the entire movie, she's not an active antagonist for a whole lot of it. Her status as the ultimate goal and ultimate threat constantly changes during the Minion's runtime, making her a surprisingly dynamic antagonist.

Her duality is best represented in her relationship with his husband Herb, one of the most healthy and supportive villainous power couples in all of mainstream media.

There's also much to be said about how she obsesses over Bob's teddy bear: a lot of the time, she acts like a child who never grew up, which is very interesting when compared to Gru's arc in the other movies, and it makes me wish that she and Gru would have battled against each other eventually, especially since she's technically the very first villain that Gru captured for the A.V.L.

Funny, psychotic, menacing and clever, she has a great screen presence, and is, in my humble opinion, not only the best villain in the whole Despicable Me franchise, but also the greatest antagonist in the entirety of Illumination, as little as that may mean to you.

However, there's something else that I wanted to talk about with her.

You see, originally, I had Scarlet placed higher, and the next entry placed lower.

However, upon rewatching both movies, I was surprised to find out that I actually like the next baddie a little bit more than Scarlet, which is something I was not expecting.

I think the main reason as to why I enjoy the next character more than Scarlet has to do with the fact that although both villains carry their respective movies very hard, the next character does a lot more to ensure that her own respective story gets rated in the good movie category, which isn't something that I unfortunately can't say about Scarlet and the Minions.

Scarlet is still a great antagonist overall, and she definitly has my vote for the next elections (after all, the queen title is only decorative, she doesn't actually get much political power from it).

Number 26: Agatha Trunchbull (Matilda)

(Imagine taken from clown energy compilation video, please, check it out on the above link, it's actually hilarious)

Agatha Trunchbull is just perfect.

The movie literally wouldn't work without her.

I could try to detail exactly what about her I enjoy so much, but the simple reality is that I really like the Trunchbull because of how funny she is, both when she's punishing others, and when she's being punished and ridiculed.

She's a bonified, 100% pure evil villain done right, one that, thankfully doesn't die at the end of the movie, because personally, that's always something that makes me slightly sympathize with these types of villains, since, due to the type of person that I am in real life, I view killing and death as inherently evil things, both when they are done by the good guys and by the bad guys.

Plus, I believe the ending that Agatha gets (at least in the movie) is much more satisfying, and since she doesn't even go to prison by the end of the whole thing, you are left with a very valid reason to keep hating on her long after she left the screen, even if running and hiding away forever is a very satisfying defeat for a character of her archetype.

Now, I read the original book from Roal Dahl a long time ago, and didn't want to reread it all over again for this list, so instead, I just took into consideration only the movie version of Agatha Trunchbull, movie that, at the time of writing this, I just finished watching on TV (sorry Dahl), and I have to say, Matilda is such a charming and timeless movie, one that I never mind watching every time it pops up on TV.

It's a very simple, hilarious, power fantasy for children (unless I'm missing some deeper meaning, sorry Matilda fans), and one with a lot of heart for that matter.

When I sat down for a rewatch, I expected to still like the movie after all this time, but what I did not expect was for the Trunchbull to be as solid as I remembered her to be.

I had written all of the entries in advance, and while the Trunchbull was always around this position, I expected her exact placement to diminish when I would have eventually watched the movie again for this occasion.

But no, if anything she ranked up due to how good her writing was even this time around.

She's funny, she's threatening, she has a great design, good music, amazing scenes, hard carries the rest of the movie after the ending of the first third and she's a great opponent for Matilda to defeat.

However, I don't really have a lot to analyse with her, it's not that there isn't much more to her besides how comedic and threatening she is, I particularly like to reflect on the fact that she wears pigtails when we see her in the flashback but doesn't have them anymore during the time in which the rest of the movie takes place, and how she specifically targets a little girl who still wears them, and ridicules her for it.

Other interesting things are her relationship with Magnus, her sporting career, her fear of the supernatural... And actually a lot more stuff now that I think about it.

It's just that I don't want to focus much of my attention on her.

She's a jewelry relic of a different time, a simpler one, and one that doesn't need to be picked apart and deconstructed for my own, sadistic pleasure.

Just a little pearl of a character who can be enjoyed for what she has to offer to the overall narrative of the movie, one who eats up every single second of screen time with grace and the thing that truly elevates this movie from a nice, occasional watch, to a timeless classic.

(There were a lot of different frames that I chose for Goldie, but I thought this one was just right)

Number 25: Goldilocks (Puss in Boots The Last Wish):

Previously, I've put Death and Big Jack Horner in the honourable mentions of the last top 10, therefore, it only made sense that Goldilocks would have a spot inside this top 30 to compensate for the great treachery that I've committed.

In all seriousness, out of all the antagonists inside Puss In Boots The Last Wish, Goldilocks was the one character that I was hyper fixated on once I left the theatre for the first time.

Unlike some of my other obsessions, this one didn't last for long, but regardless, she and her family still managed to carve a place in my heart, where they'd hopefully remain for a long time still.

Goldilocks and her crime family of bears are an interpretation of their homonymous fairy tale, "Goldilocks and the three Bears". They are one of the many antagonists present in Puss In Boots: The Last Wish, and they have a found family storyline that's meant to parallel the journey that our protagonists take in order to become a team.

Goldilocks is the character at the centre of this storyline, as she's the one who really wants to take the wishing star (the movie's main macguffin) in order to get what she really wants: a real family.

Even if Goldilocks isn't as threatening of an antagonist as the movie's other two main villains, she still manages to steal the spotlight in her own right, by having a very touching and incredibly heartfelt story arc.

She's a sympathetic antagonist done right, she has just enough screen time to not overstay her welcome, but more than enough to make the eventual conclusion of her arc satisfying and impactful.

My take on The Last Wish villains though is that they work better as a package, rather than as a single unit; Goldilocks, despite how good she is, wouldn't have the same impact that she does without Jack and the Wolf carrying the parts of the movie that she and her family can't carry by themselves, and that's okay;

As for analyses, I encourage you to check out StoryStreet Puss In Boots video, as they do a way better job at analysing Goldie in further depth than I ever could.

As for me, I'll just say that Goldilocks is just right (very good), I like her design, her arc flows seamlessly, and her story is just very cozy and heartwarming.

This movie's character balance is truly immaculate; you have a terrifying force of nature/rival/personal foil as your protagonist greatest opponent, an amazing and hilarious pure evil villain who brilliantly showcases the worst possible outcome that granting every wish can have, and then you have an unexpectedly sympathetic and likable gang of morally grey antagonists who expand upon the themes of found family and leave the story on good terms with the main characters.

All of this, and the movie not only manages to be an enjoyable watch, but a complete and utter masterpiece capable of measuring up to the standards of DreamWork's finest works.

I encourage you all to check out Puss In Boots: The Last Wish if you haven't already; it has gorgeous animation, a rich story with deep themes of mortality, and impressive character work all the way around.

A massive round of applause to my favourite studio for this unforgettable experience; I hope they'll cook some new amazing stories anytime soon.

(One final note, while in the regular dub of the movie the family talks with extremely British accents, in the Italian dub they talk with a heavy Italian dialect from a region named Abruzzo, famous for having bears in its natural parks. Do with this information whatever you want.)

Number 24: Yzma (Emperor's New Groove)

Yzma is a very funny antagonist.

She's the ex-counsellor of Emperor Kuzco, from the Disney movie Emperor's New Groove (2000), and wants revenge on her old boss after he fired her for abusing her power behind his back.

After rewatching the movie recently, I managed to finally pick up on the parallels between the Yzma and Kronk duo and the Kuzco and Pacha squad: both Kuzco and Yzma are straight up villains at the start of the movie, but while Kuzco manages to get better throughout the story thanks to Pacha's help, Yzma supposedly only gets a shot at bettering her ways by the end of it thanks to Kronk, who stopped being an evil doormat and has finally become the Pacha to Yzma's Kuzco.

As far as Disney movies go, Emperor's New Groove is very subversive in a lot of ways, from his tone, to his story, to just how good it is despite his rushed development; it's very impressive how this movie managed to turn out as good as it did considering its prior two years in development hell, and while a modest success didn't save the movie from falling into obscurity, I'm glad it eventually ended up finding a permanent footing in modern meme culture.

Unlike many other villains in this list, Yzma is not my favourite part of the movie, and I don't think she carries the story all that much, but that isn't to say that she's not a needed nor an important part of the story in the slightest.

Quite simply, it's just that Kuzco is that entertaining of a protagonist that I end up overlooking how much Yzma is funny in her own right.

But of course, it isn't all Kuzco's fault.

We need to talk about the big man in the room:

Kronk is the peak of fictional comedic sidekicks for villains, and half of what makes Yzma as great of a character as she is can be attributed to him playing off his part in the comedic duo.

Which is not all that bad, considering I can say the same thing about Kuzco and how much his relationship with Pacha does for his character. It just makes it hilarious to think about how, in the larger picture of internet culture, Yzma is the sidekick to Kronk's popularity.

"Pull the lever, Kronk!" is still a masterpiece, but I also enjoy some of her less talked about jokes, like the one she makes after Kronk wakes her up in the middle of the night, as well as the entirety of the restaurant scene.

(ok, so, side note, apparently the joke exists only in the Italian dub of the movie, in the original English dub, after Yzma gets woken up by Kronk in the middle of the night, she says "This will better be good" as opposed to the Italian dub, where she says "Guarda che ho ucciso per molto meno!" which, in English, is translated as "Look that I have killed for far less", which may not carry the same impact to those who don't understand Italian, but I, native speaker of the language, can confidently say that it's a genuinely funny line due to voice delivery of Anna Marchesini, Italian voice actress of Yzma, and I'm glad that I could hear it in my language.)

The scene in question is this one.

I still would have wished for the movie to make space for Yzma's cut song "Snuff out the light", but at least it wasn't lost to time, and got a pretty good metal cover by Jonathan Young, which featured in my favourite Snatcher AMV.

I also think Yzma's design works perfectly for what the story was going for, and while I'd prefer for her to be a little bit more intimidating, I'm not going to fault her or the movie all that much for it.

Number 23: Spinel (Steven Universe)

At first, I was really unsure if I actually really wanted to have Spinel inside of my list. While I was indeed hyper fixated on her when the movie first came out, she softly dwindled out of my mind over time.

As such, when I decided to check out the movie again for the purposes of this ranking, I expected her to ultimately land in the honourable mentions and to not

Over And Over And Over And Over And Over And Over And Over And Over Over Again And

Golly, so, Spinel is actually both an amazing character and antagonist, but for the sake of originality, I'm actually going to focus less on her individually, and instead focus more on her role as Steven Universe's greatest rival.

Sorry if I end up misinterpreting Steven's character by accident, I'm trying to focus on Spinel, but the main thing I want to talk about is how the two mirror and contrast each other by virtue of simply existing in the same Universe.

Spinel is one of the latest villains in the Steven Universe series who made her first appearance in the movie, where she acted as the main source of conflict for the protagonist.

In the grand scheme of Steven Universe's story, I'm extremely confident in saying that, on a thematic level, Spinel is Steven's ultimate foil, his de facto arch nemesis, who, like many other characters in the show, doesn't limit herself to a stationary role of villain, and is indeed a deeply nuanced individual in many ways.

She, in fact, does NOT exist just for the viewers to sympathise over and to overlook how her sob story is there only to cover up the movie lazily rehearsing the character arcs of the main cast without any deeper reason besides inducing new viewers to watch the original show.

The repetition of the Gems' arc is a very important narrative and thematic element of Spinel, and it serves to build up her role as the antithesis of the show's themes of change and growth, which also happens to be at the center of Steven's entire journey throughout the series.

Thanks to Steven, over a long period of time, all the Crystal Gems managed to grow, overcome their original struggles and become even more mature individuals by the end of the show, while thanks to Spinel, over a matter of seconds, all of the Crystal Gems had their arcs undone and devolved as people, coming back as individuals even less mature than at the start of the show.

Spinel, as a character, represents a dark, twisted version of Steven and his journey throughout the series.

They both looked up to Rose Quartz, in different ways, and they both...(SU fans, fill in the gaps yourselves, I'm not going to spoil this plot point of the show).

They both are, by a combination of nature and nurture, people pleasers/stress toys; Steven wants to help everyone to be happy (overcome their struggles), both because he's kind at heart and because he feels responsible for their wellbeing, while Spinel wants to help everyone to be happy (have fun), both because she's happy-go-lucky at heart and because she's responsible to, due to being a literal sentient doll.

They both want some things to change and others to stay the same (Steven is obvious, Spinel was actually excited when Steven's mom got what she always wanted, indicating that she actually doesn't mind new things and breaking the status quo), but at opposite times and in different ways, which makes it even more hilarious how Spinel is all about undoing and rejecting change when she arrives on Earth, but before, she coped with Rose's abandonment, went through a villain and insanity arc/changed her design (interchangeable), got weapons/formulated a plan (also interchangeable) and travelled to Steven's location to ruin his life all under 15 minutes and after practically staying the same for thousands of years.

Spinel's personality is very similar to Steven's at the start of the show: she's childish and always wants people to spend time with her, just like Steven was a kid and always wanted the Gems to do activities with him, and they both used to view things as games, but while Steven changed and stopped doing so after repeated trauma, Spinel, after her one defying trauma, changed, but never stopped doing so even by the time of the movie's final battle.

They both struggle with picking up social cues, both remind the Diamonds of Pink, both end up spiralling and hating themselves when they can't make other people happy, eccetera eccetera...

I could go on and on for a while, in general, I really love when villains have a lot of parallels with their heroes, it's very fun listing all of the similarities and differences with them and their stories, it makes the conflict deeply personal, which is always a plus in my book.

It also explains why, in the past, a kid I knew wanted them to be siblings: as the child told me, they are so similar, that it would have been awesome for them to grow up together, and for Steven to have someone he can truly vent out his problems to.

Ultimately, what brings Spinel down a little bit for me, is the way her role in the story plays out overall, I don't inherently despise the movie's narrative and what it decides to do, but I think it could have been executed better.

She has a killer design, and even two more killer songs: Other Friends and Drift Away are incredible compositions, all of the songs in the movie are a banger, but these two stand out a lot more for me.

Even if you have zero interest in checking out either Steven Universe or his Movie, here's the link to all of Spinel's songs and respectively my favourite cover for each one, as well as an added extra that deserves far more views than it already has.

Other Friends (original)

Other Friends (Kyle Allen Music)

Drift Away (original)

Drift Away (annapantsu)

Change (Spinel version) (carimelle)

Number 22: Ursula (The Little Mermaid)

The Little Mermaid is a movie that grew up a lot on me over time, as his villain did.

Ursula is the very first villain of the Renaissance era of Disney, and although others after her took the centre spot of the conversation when it comes to who's the best of the bunch, Ursula, still holds her weight (the pun was not intended, please, don't think ill of me) as the one who introduced the standards and customs that most other villains from this era would strive for.

So while you may personally prefer the likes of Scar and Jafar over Ursula, you can't deny that they probably wouldn't have been the same, have villain songs, or probably exist without Ursula and the impact that The Little Mermaid had for the Walt Disney company.

I'll admit though that out of the triad of the studio's most popular female villains (which is in my opinion made out of Maleficent, Cruella De Vil, and Ursula, and I'll stick by my gun for this statement) she's the one with the most consistent track record (excluding the live action Little Mermaid), as Maleficent has never been characterised quite as well as her original appearance in Sleeping Beauty, at least in my opinion, and Cruella De Vil is a wild ride of various levels of quality.

Ursula instead is only noticeably bad in the remake, and I struggle to find many other versions of her who suck as much as the worst renditions of Maleficent and Cruella's characters;

Admittedly, that might just be because I have consumed way less stories where Ursula is the main focus, but from what I saw, she's the best written member of the aforementioned triad in "Once Upon A Time", and I like how she's just this mysterious figure inside Descendants 2 where she never shows up but it's important regardless because of how her existence impacts her daugther.

Even if Ursula is still not one of my favourite villainesses, I appreciate her a lot more these days; she's actually very different from many other female villains to be honest, in that she's basically a per###ted Cthulhu Mob Boss who makes people sign unfair contracts in order to become the queen of the sea, I don't think the unique aspects of her character are appreciated quite as much as her best moments or her role in the story to be honest.

One of my favourite things about Ursula in the movie is her washed up salesman persona: she's literally the Spamton G. Spamton of the ocean, I unironically wanna see Ursula say the Baltimore speech so much.

Her Divine inspired design is also peak, once again, it's extremely different from that of any other female antagonist... heck, it's extremely different from the design of any other villain I ever saw at the time, and it still remains as distinct as it once was to this very day; once again, nobody talks about how unique Ursula actually is.

I still listen to Poor Unfortunate Souls from time to time, even if it's not my favourite villain song, and I enjoy listening to whatever cover of it I see when it comes up.

Edit: this part has been added a while after publication, some new things:

First of all, I no longer fully believe in a set in stone formation for the studio's greatest female antagonists, as the Evil Queen from Snow White also is a very strong contender for Ursula's place, as well as Lady Tremaine (for some reason), and in general, I no longer truly believe in this statement.

Second of all, one thing that I want to point out about Ursula that I didn't realise until this retrospective by Colin LooksBack is that she is a villain surprisingly flexible to change; like, before this video, I always considered Cruella to be the Disney villain most suited to drastically different interpretations, and she still is, don't get me wrong, but this video made me realise that Ursula is also very suited to have her character changed in some way, shape or form (doesn't mean that's mostly pulled off well), and I think that's pretty neat.

Number 21: Mother Gothel (Tangled)

Mother Gothel is the main villain of Tangled (movie).

She's the fake mother of Rapunzel, and a criminal too.

The most disturbing thing about Mother Gothel is that child me couldn't understand why she was treated as the bad guy by the narrative when, despite kidnapping Rapunzel, she was clearly shown to care for her, then, once I grew up, I finally realised what was happening on the screen, and to this day I'm still horrified that child me could easily fall for her words; truly messed up when I think about it.

However.... her manipulation seems way too obvious now. Like, I struggle to believe that this is the way she acted when Rapunzel was growing up, she's way too nervous and controlling for me, the audience, to buy the fact that this was the status quo Rapunzel was living in inside the tower.

More than anything, this demeanor from Gothel feels like her struggling to maintain a grip on her victim's life now that said victim is now a rebellious teenager that wants to fulfill her dreams and be free.

In general, out of all the female villains of Disney's major movies, I consider Mother Gothel to be the one with the most outward level of complexity, as, despite being pretty evil... she also tries not to be, at various turns.

She's selfishly keeping the magic flower for herself, but she didn't harm anyone for it.

When she decides to sneak into the royal palace, it's pretty clear by the framing of the events that her original plan wasn't to kidnap the child, even if that's what she ended up doing; heck, throwing aside her choice to let Rapunzel save Eugene during the climax of the film which leads to her undoing, before deciding to chain up her "daughter", she's like: "You want me to be the bad guy? Fine. Now I'm the bad guy" as if she was trying not to be.

Like, comparatively, Mother Gothel at the start of the story is as evil as Eugene at the start of the movie: they are both fixated on their own gain and are willing to rob the royals in order to get it, both manipulate and backstab the twins once they have served their use, but while Eugene manages to become a better person thanks to Rapunzel's positive influence and accepts the notion of dying in order to free her, Gothel, despite having spent more time with her, remains as selfish as she always was and refuses to give up her own life in order for Rapunzel to be happy.

Honestly the Tangled franchise is amongst the angstiest things Disney has ever done, and that's without even getting into the TV show.

Now, I have never seen the Rapunzel TV series, despite knowing some of its spoilers like the Cassandra ordeal and a few other things, so I can't give you my opinions on her character in that show, but I know someone who has, therefore, this next section in yellow is that person's thoughts, not written by me, but by him/her/them.

🇮🇹: "Madre Gothel non lo definirei mai il cattivo principale della serie. Per quanto mi piaccia nel film, nella serie la trovo molto svalutata e deludente. I suoi primi accenni alla comparsa negli episodi erano molto interessanti visto che entra nella storia solo nella stagione finale e quindi pensavo che forse poteva essere lei la cattiva principale. Dopo la rivelazione che lei era la madre di Cassandra il mio cervello era esploso perché era un vero colpo di scena che mi era piaciuto tantissimo, ma mi aspettavo molto di più. Nella serie non compare (o almeno non in carne e ossa), ma solo come ricordo della figlia e negli specchi magici che mostravano il passato di Gothel. Nulla di serio, non infligge e non fa nulla per rendere Cassandra cattiva, anzi è il demone Zhan Tiri che usa questo a suo favore per mettere Cassandra e Rapunzel una contro l' altra. Perciò mi delude che si risolve anche abbastanza velocemente la parte degli abusi che ha causato alla figlia. So che forse non tutti la pensano come me, ma crescendo con Rapunzel ad essere il mio film Disney preferito mi sento fin troppo delusa che non ci sia nulla a riguardo di Gothel veramente entusiasmante. Questa è una mia idea, ma mi sarebbe piaciuto vedere magari Zhan Tiri che facesse qualche suo incantesimo (anche perché credo che ne sarebbe in grado) di riportare in vita madre Gothel. Magari faceva il lavaggio del cervello a Cassandra così da farle uccidere Rapunzel per vendicarsi facendo fare così il lavoro sporco alla figlia. Anche perché primo, madre Gothel manipola, ma fa il lavoro sporco solo quando non ha altre opzioni, secondo sé ritorna in vita non credo che l'eterna giovinezza era un problema. O magari la storia poteva essere diversa come ad esempio Gothel finge di essere un buono per sconfiggere Zhan per poi tradire tutti e avere oltre all' eterna giovinezza il potere assoluto. Si forse era un po' troppo complesso per una serie come quella di Rapunzel per un target di bambini, ma penso che Gothel avrebbe fatto di tutto per ritornare in vita e giovane per sempre. Inoltre una cosa terribile è pensare... GOTHEL HA DAVVERO DECISO DI AVERE UNA FIGLIA? Perché devo ammetterlo, che madre del cavolo, è peggio quello che ha fatto a Cassandra che a Rapunzel. Con la prima nemmeno la calcolava, la seconda invece le faceva tutti i regali che voleva (sempre per i suoi fini), ma non l'ha mai fatta sentire meno amata. Inoltre sarei curiosa di sapere chi era il padre di Cassandra e quindi il fidanzato (?) di Gothel. Perché non credo che Gothel si era sposata sapendo che nella serie le due vivono da sole oltre che a Gothel le importa solo di se stessa."

🇬🇧(translated by me):

"I would never define Mother Gothel as the main villain of the series. Despite how much I like her in the film, in the series I find her very devalued and disappointing. The first hints to her appearence in the episodes were very interesting, since she enters the story only in the final season and therefore I thought that maybe she could have been the main villain. After the revelation that she was Cassandra's mother my brain blew up, because it was a true plot twist that I liked very much, but I was expecting a lot more. She doesn't appear in the series (at least not in flesh and bone), she remains as a memory inside her daugther and the magic mirrors who reveal her past.

Nothing serious, she doesn't inflict much pain nor does she do anything to turn Cassandra evil, on the contrary, it's the demon Zhan Tiri who uses this to his advantage to put Cassandra and Rapunzel against each other. So it upsets me that even the part of the abuses caused to her daugther gets resolved very quickly. I know that not everyone is going to think it like me, but growing up with Rapunzel as my favourite Disney movie I feel way too upset that there is nothing too exciting in regards to Gothel in this adaptation. This is just my idea, but I would have liked to see maybe Zhan Tiri cast some spell (since I believe he would be capable of) to bring back to life Mother Gothel. Maybe he could brainwash Cassandra so that she tries to kill Rapunzel... (I decided to not translate this part, since it's just their/her/his idea for a rewrite.

Also, another terrible thing to think... GOTHEL REALLY CHOSE TO HAVE A DAUGTHER? Because I must admit, what a shitty mother, what she did to Cassandra is way worse than what she did to Rapunzel. She never noticed the first one, the second one instead got all of the gifts that she wanted (for her ulterior motives), but she never made her feel less loved. Also I'll be curious to learn who is Cassandra's real father and therefore Gothel's boyfriend (?). Because I don't believe Gothel would have married knowing that in the series the two of them live alone, and also considering that Gothel only cares about herself."

Maybe not the overall best person to ask for an opinion on fiction, but I trust him/her/them, they are a good person, even if they are a little bit misguided sometimes.