#tonyconrad

Domingo em Lisboa com Música+video +pintura+cinema=Tony Conrad #culturgest #tonyconrad #napocast #lisboa (em Fundação Calouste Gulbenkian) https://www.instagram.com/p/CcLT8dXDFoh/?igshid=NGJjMDIxMWI=

I had a wonderful conversation with Tosh Berman and Kimley Maretzo about Common Tones for their Book Musik podcast. Check it out here.

Get it while it’s hot! Alan Licht’s 592-page interview compendium ‘Common Tones’ is new from @blankforms_ (and probably going to sell out fast)!⁠⁠ ⁠⁠ For the past 30 years, Licht has been a performer, programmer and chronicler of NYC’s art and music scenes. His dry wit, deep erudition and unique perspective—informed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rock—have distinguished him as the go-to writer for profiles of adventurous artists across genres. A precocious scholar and improvisor, by the time he graduated from Vassar College in 1990 Licht had already authored important articles on minimalist composers La Monte Young, Tony Conrad and Charlemagne Palestine, and recorded with luminaries such as Rashied Ali and Thurston Moore. In 1999 he became a regular contributor to @thewiremagazine while continuing to publish in periodicals ranging from the artworld glossies to underground fanzines.⁠⁠ ⁠⁠ Common Tones gathers a selection of never-before-published interviews, many conducted during the writing of Licht’s groundbreaking profiles, alongside extended versions of his celebrated conversations with artists, previously untranscribed public exchanges and new dialogues. Even Lou Reed, a notoriously difficult interviewee, was impressed.⁠⁠ ⁠⁠ Interviews with Vito Acconci, ANOHNI, Cory Arcangel, Matthew Barney, Glenn Branca, Rhys Chatham, Tony Conrad, the Dream Syndicate’s Karl Precoda, Richard Foreman, Henry Flynt, Milford Graves, Adris Hoyos, Ken Jacobs, Jutta Koether, Christian Marclay, Phill Niblock, Alessandra Novaga, Tony Oursler, Lou Reed, Kelly Reichardt, The Sea and Cake, Suicide, Michael Snow, Greg Tate, Tom Verlaine, Rudy Wurlitzer and Yo La Tengo’s Georgia Hubley & Ira Kaplan.⁠⁠ ⁠⁠ @irvifran #alanlicht #commontones #michaelsnow @avantgroidd #tonyconrad #henryflynt @therealylt #karlprecoda @officialalanvega #christianmarclay @loureedofficial #tomverlaine @tonyoursler @theseaandcake #matthewbarney @arcangelsurfware #kenjacobs #juttakoether @anohni #richardforeman #glennbranca @rhysrhythmchatham #phillniblock #rudywurlitzer #kellyreichardt @alessandra_novaga #adrishoyos #milfordgraves https://www.instagram.com/p/CSMYJHVM1LP/?utm_medium=tumblr

Millennium Film Journal No. 64 “IMAGE MACHINES” (Fall 2016). Cover: Tony Conrad. Title page: Bill Morrison “The Miners’ Hymns” (2011) frame enlargement. #MFJ64 #tonyconrad #billmorrison #artistsmovingimage https://www.instagram.com/p/CFApGjnhYFA/?igshid=12sfejpoovqh3

The Primitives, from left, Tony Conrad, Lou Reed, Walter De Maria and John Cale, in 1964-65

"When I first met Lou Reed a the beginning of 1965, he was a 22-year old songwriter at Pickwick Records in Long Island City, and I was a 22-year old avant-garde musician in La Monte Young's Theatre of Eternal Music. We were introduced by a Pickwick producer, Terry Phillips, who thought I was a pop musician because I had long hair. He asked me, Tony Conrad and a friend, the sculptor Walter de Maria, to form a band witht Lou called the Primitives. Phillips wanted to publicize a song had written and recorded in a back room and Pickwick has released as a single, 'The Ostrich', by a fictious band, the Primitives. The pop programme American Bandstand wanted them to perform this on on TV, so Phillips was forced to put out an appropriate-looking band together. We thought it would be fun, and as a lark spent a couple of weekends playing the TV show and a few other East Coast gigs. Even though the record bombed, the experience of being in a rock band, however ersatz, gave Lou and me the opportunity to connect." (John Cale)

Listen to Tony Conrad for free: https://music.cliggo.com/artist/91947-Tony_Conrad