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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Tonto - art by Don Spaulding (1956)
CBS Inc, 1982
Jay Silverheels
May 26, 1912 – March 5, 1980
☆ First Nations and Mohawk actor and athlete, descended from three Iroquois nations.
He was well known for his role as Tonto, the Native American companion of the Lone Ranger in the American Western television series The Lone Ranger in 1949.
He began working in motion pictures as an extra and stuntman in 1937 and in the late 1940s, he played in major films, including Captain from Castile starring Tyrone Power (1947), Key Largo with Humphrey Bogart (1948), Lust for Gold with Glenn Ford (1949), Broken Arrow (1950) with James Stewart, War Arrow (1953) with Maureen O'Hara, Jeff Chandler and Noah Beery Jr., The Black Dakotas (1954) as Black Buffalo, Drums Across the River (1954), Walk the Proud Land (1956) with Audie Murphy and Anne Bancroft, Alias Jesse James (1959) with Bob Hope, and Indian Paint (1964) with Johnny Crawford. He made a brief appearance in True Grit (1969) as a condemned criminal about to be executed. He played a substantial role as John Crow in Santee (1973), starring Glenn Ford. One of his last roles was a wise, white-haired chief in The Man Who Loved Cat Dancing (1973).
* He was a vocal critic of discrimination against Native Americans in Hollywood and established the Indian Actors Workshop in 1968 to support Indigenous performers.

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The Original New Timbral Orchestra (TONTO) is the first and largest multitimbral polyphonic analog synthesizer, capable of producing many tone colours with different voices simultaneously.
Beginning with a single Moog Series III Modular in 1968, creators Malcolm Cecil and Robert Margouleff continued to expand TONTO with modules from different manufacturers, along with custom additions designed by Cecil. It marked the first attempt at creating a universal language for different synthesizers to communicate with each other, which was revolutionary.
Stevie Wonder, I believe was the first to really use this in popular music, as first appeared on his record Talking Book, and is on many hits, including Superstition.
Pictures are from electronics designer Drew Schlesinger and Google arts and culture