#tomorrow studios

Now I don't know about you, but this feels not only completely antithetical to the theme of the series, but extremely fucking gross. To have so much hate in your heart you want to take away a young woman's chance at an award for her raw & powerful documentation of living through a genocide because it makes it that harder to pretend the side you're backing are the good guys? Shameful.

I'm not trying to tell anyone what to do or saying everyone else involved is also a Zionist (though we know Taz Skylar has raised eyebrows before) but I think it's important we as a fandom know this before continuing to support OPLA. I think at this point we cannot ignore their connection to Isnotreal & everyone must at the very least be mindful of this going forward. I don't think it would be possible to remove this man considering how deeply involved he is. This whole thing makes me sick & frankly ruined all my excitement for s2.

Below is a screenshot of the reviewer who broke the news to me on both Twitter & Tiktok:

tiktok link bcus I couldn't save it

The tweets

PROOF Marty Adelstein is exec producer of OPLA :

PROOF he did sign the letter. This site is a very Pro Isnotreal nonprofit (🤢🤮) so I don't think they would have any reason to falsely name anyone involved

Link

Screenshot

Please reblog this so it can reach as many people in the fandom as possible. I have a feeling this will try to get buried.

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First and foremost, the most common complaint I’ve seen thus far is some variation of the phrase “I’ve seen cosplayers that look more accurate to the characters than this show does,” and I’d like to address this one first, as I think it’s the one that probably frustrates me the most. It specifically frustrates me because comparing cosplayers to actors feels like an apples to oranges situation. The two groups are designed to do entirely different things! Cosplayers do typically look more like the characters they portray than a live action actor will, and that’s a very common occurrence, but there’s a reason for that: the two groups are not doing the same thing. 

Both cosplayers and actors put a huge amount of time and effort into their work, and I love cosplay personally. However, cosplayers are typically in their outfits for 8-10 hour days at most for a weekend, doing things like photoshoots where they have to pose, walking around conventions, and maybe filming a small amount of video(Not to say that this takes no effort! Please do not take this as such, I have helped friends with cosplays and I fully understand and appreciate the level of dedication and hard work that goes into it!). Actors, on the other hand, are in hair and makeup on set for 10-12 hours a day(if not longer) for weeks to months on end, and have to be fully in character while filming, as well as(specifically for a show like One Piece) doing things like stunt work, being submerged in water, and being on boats with lots of wind and ocean spray. There are certain things you simply cannot do, hair/makeup/costume-wise as an actor that you can as a cosplayer, so I really don’t think this comparison in specific is being very fair to the actors and the crew who are in charge of makeup, hair, and wardrobe in this case.

I’ll be getting into a lot more specifics below, but I will be deferring to my main point here very often, which is this: The safety and comfort of the actors is far more important than 1-to-1 accuracy in the way cosplayers can do, especially for minor changes in appearance.

Now that I’ve addressed that specifically, I’d like to move onto some common complaints I’ve heard for each specific main cast member, and my opinion on these complaints, as well as listing potential reasons as to why these things may have been changed!

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We’ll start with everyone’s favorite funky little pirate king, Monkey D. Luffy:

For Luffy, the number one complaint I’ve seen is the live action’s choice in shoes. in the manga/anime, Luffy wears and fights in flip-flops, but this was changed in the live action. This was changed for a very simple reason, and Emily Rudd, the actor that portrays Nami, actually addressed this on Instagram while being asked by a fan:

Simply put, trying to do the kind of stunt work that Luffy has to do is not safe in a shoe like a flip flop. This is something that falls very completely under my original point of the comfort and safety of the actors being more important than 100% accuracy. It would be entirely too easy for Iñaki or someone he’s in a scene with to get hurt if he weren’t wearing the proper footwear. Fairly simple explanation there!

This is really the only gripe with Luffy costume-wise I could find, to be honest! I have seen a few people saying that he doesn’t have his signature undereye scar, but he does, although it’s not as visible as it is in the original work:

They kept him fairly true to the spirit of his original character, and although I don’t know why they chose to give him this specific potato shoe footwear, it is what they went with, and the main takeaway is that it was for safety reasons.

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Onto our favorite wayward booze-loving swordsman, Roronoa Zoro:

Similarly to Luffy, I’ve only seen one main complaint regarding Zoro, and it involves his use of swords. In the anime/manga, Zoro has pioneered a specific fighting style called “Santoryu”, known in English as “Three Sword Style”: one sword in each hand, and a third in his mouth.

I’ve seen several people wondering where his third sword(the one that goes in the mouth) is from the trailers, and I was initially wondering this as well, since in most of his action scenes that have been revealed so far, he seems to only be holding either one sword or two. However, there was a brief clip(I’m talking, like, maybe one second) of him utilizing his three-swords style in the teaser trailer released in mid-June:

Now, as to potential reasons as to why this seems to be the only clip of him thus far using all three of his swords:

1. Again, this could be for the safety of the cast. Obviously being a cartoon character, Zoro wouldn’t have to worry about potential damage to his jaws and teeth, but Mackenyu, Zoro’s actor, is a real person who does have to worry about such things, especially as an actor who relies on(among other things) his facial expressions to earn a living. Carrying something like a sword, even a prop sword, in your mouth for long periods of time cannot be good for the health of your jaw and teeth, and I could understand if they chose not to film him with a sword in his mouth very often for this reason alone. 2. It could also be he uses all three swords less often so he can still deliver lines while fighting. In an SBS(”Shitsumon o Boshū Suru”, when translated means “I’m Taking Questions”, essentially an AMA for mangaka to answer questions their readers may have), Eiichiro Oda, the author of One Piece, once answered a question about how Zoro was able to talk with a sword in his mouth with quite a funny answer:

Sadly, in real life, Mackenyu cannot speak through his heart as Zoro does, so it’s possible that some of the scenes have been changed for ease of dialogue. 3. It’s also entirely possible that he uses his three-sword style as often as he does in the anime and manga, and the small amount of what we’ve seen in the trailers isn’t necessarily the full picture. I imagine this is something we’ll have to wait for the full series to drop to find out definitively one way or another!

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Now, onto our lovely citrus-fruit-loving navigator, Nami!

I have seen two main complaints with Nami’s looks, and I’ll start with her hair, as it’s the more common one I’ve been seeing. I have seen a large number of people saying that her hair looks like(and I am slightly paraphrasing here) “a bad cosplay wig”, and honestly? I think this is just not true, and either comes from unrealistic expectations or just plain being mean-spirited.

First and foremost, this is very obviously human hair:

Now, I don’t know what kind of bad cosplays y’all have been seeing, but the ones I’ve seen start with synthetic hair wigs, not human hair ones(This is not to say synthetic wigs are inherently bad for cosplay! Simply that they are much harder to work with, though they are cheaper than human hair wigs). As well, I know for a fact Emily Rudd got her hair done similarly to this, to the point where I wasn’t actually sure that this WAS a wig at first(this picture comes directly from her Instagram account):

This is very obviously almost the exact same haircut as the wig chosen for Nami, save with more layers, and even the color choices are similar. To say that this wig looks like a “bad cosplay” is honestly just flat-out wrong in my professional opinion, and moreover, it’s quite rude. In addition, to me at least, it really looks like the wig was styled to resemble anime-esque hair, which is actually quite common among cosplayers. If anything, I have the same complaint on Nami’s wig that I also have with Sanji’s(which I’ll definitely be touching on later): it’s not thick enough. Both Nami and Sanji’s wigs just seem like they could use more hair attached to the cap in general, but especially for Nami’s, I really don’t think it’s as bad as people are saying.

I think this “bad cosplay wig” complaint specifically is mainly coming from people who only see the tail end of cosplay productions, which tends to be photos that are often times edited to look a certain way, which can often include doctoring the hair. There’s nothing wrong with a cosplayer editing their photos, for the record, but it can absolutely give unrealistic expectations to those who aren’t familiar with this practice, and I personally think this may be where these comments are coming from. Obviously you cannot photoshop every frame of a live action production, at least not without a lot of time and effort on the behalf of the post-production team, and I highly doubt Netflix would have greenlit something like that for such a small detail. It’s simply not realistic.

As well, I do find it quite interesting that I have seen far less complaints about the wigs of characters such as Zoro or Sanji(played by Taz Skylar(as stated previously, I have seen complaints about Sanji’s wig and I will be speaking on that later)) than I have about Nami’s. I’m not saying it’s outwardly misogynistic, but it does make one consider such things.

The only other complaint I’ve seen directed towards Nami’s live action look(and truth be told, I’ve seen this one far less than the comments on the hair) is the discrepancy between Emily Rudd’s eye color and Nami’s. As you can see from the above photos, Emily Rudd does not have brown eyes, which are the color of Nami’s eyes:

Now, I didn’t actually see this complaint until after the first full trailer dropped on July 21st. Specifically, I saw someone saying that it seemed strange that Steven John Ward, who portrays Dracule Mihawk in the series, is wearing colored contacts to better resemble his character, while Emily is not.

Now, there could be a lot of potential reasons for this, including that Emily may simply be not wearing colored contacts because they irritate her eyes(going back to my original point of the comfort and safety of the cast). But more importantly, I think, is that Mihawk’s unique eyes are directly related to his character, specifically through his epithet: Hawkeye. This is a seemingly important enough part of his character, to the point where it’s directly mentioned in his title. Nami has no such distinctions with her eye color, so I really don’t think it’s as important, and at the end of the day, it takes nothing away from her character to have a different eye color. So, while I don’t know the particular reason she doesn’t have brown contacts, I also don’t think it’s nearly as important for that detail to be as canonically correct as it is for Mihawk. To me, this particular comparison is another apples to oranges situation.

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Onto our beloved liar, God Usopp himself:

Of course, the number one talking point I’ve seen about the live action Usopp is that Jacob Romero Gibson, Usopp’s actor, is missing his trademark long nose.

As One Piece fans know, one of Usopp’s characteristic traits is his tendency to lie. His name, Usopp, comes from a portmanteau of the Japanese word “uso”, which means lie, and Aesop, the famous Greek storyteller and the namesake for Aesop’s Fables. Because of his propensity towards tall tales, Usopp’s anime and manga character designs also added a reference to another character who’s known for lying, Pinocchio, whose nose grows when he lies. Thus, Usopp in his cartoon form has a long nose!

Considering how many gags in the story involve Usopp’s nose, a lot of fans were surprised to see that aspect of him not carried over into the live action. After the drop of the official trailer, seeing that the character Arlong had his signature sawshark-esque long nose in prosthetic form, there was even more confusion about this choice.

(As an aside, Arlong’s costuming choices will not be discussed in this post, as it’s long enough with just the main cast, but believe me, I do have Opinions on it lmao)

Now, as to why the show chose to not give Jacob a prosthetic long nose to better match Usopp’s appearance, I don’t know the specifics. I can only speculate, and really, the only things I could feasibly come up with are the following:

1. It’s entirely possible that for whatever reason, Jacob is unable to wear a prosthetic nose. This could be due to several things, including allergies to either the prosthetic material itself or the adhesive used to attach it, or the makeup required to blend the prosthetic into his skin. If this is the case, then it of course goes back to my main point here that the comfort of the cast takes precedence over accuracy to the source material. 2. The only other explanation that really makes sense to me is that they did in fact attempt the nose in costume fitting, and either the absurdity of it was just either too distracting to audiences/the crew/Netflix execs/possibly even Oda himself, or it could have potentially been a problem during stunt work. Usopp primarily fights with a slingshot, and I have no experience with slingshots so this is just me taking a stab in the dark, but it’s possible that the extra length on the nose could have possibly messed with the actor’s depth perception while attempting to act out Usopp’s fight scenes.

Overall, I genuinely don’t know why they decided to axe Usopp’s long nose. But at the end of the day, I know that for me specifically, this is a minor detail, and not something I see as a genuine problem, nor will it ruin the immersion for me. That being said, I can definitely understand the criticisms here. I’m hoping that a lot of these changes will eventually be answered, perhaps in some behind-the-scenes footage that comes out after the show’s release.

The only other comment on Usopp’s costuming that I’ve seen is much more easily explainable, and I also haven’t seen nearly as much in the way of commenting on it: Usopp’s hair is not in dreads in the anime and manga, and instead is kept natural, especially before the timeskip.

As we can see in the above picture, Usopp seems to keep his hair fairly natural, whereas Jacob, Usopp’s actor, sports dreads in his portrayal of Usopp, as seen in the above photo.

Luckily, I haven’t seen very many comments on this, and I think that’s a good thing, since the explanation seems fairly simple to me. Usopp in canon is based off of (mostly unused in this day and age, for good reason: a lot of the design is highly based off racist blackface caricatures) old-school anime portrayals of Black/African people. As well, in an SBS, a fan asked where the Straw Hats would be based out of if One Piece was set in the real world:

As stated above, Usopp would come from Africa! As well, if I recall correctly, Oda had a hand in casting the live action adaptation, which all points to the undeniable proof that Usopp is and has always been intended to read as Black/African in some form.

The reason I bring this all up specifically, is because of the way African hair grows. Obviously not all Black/African people are a monolith, and even among curly haired people there are different curl tightness and growth patterns, but for a large portion of people of African descent, their hair would not grow similarly to the way Usopp’s is portrayed in his cartoon form. His hair is indeed curly, but it grows down, similar to most wavy or straight hair types. This is especially evident in his post-timeskip hair growth:

Usopp’s hair, which was once above his shoulders before the two year time skip, now extends down past his shoulders. This is not necessarily inaccurate to Black/African hair types, as, since stated previously, different curl patterns and tightness exist, and even with super tight curl patterns, if grown out long enough, the hair will eventually grow down, due to the weight of the hair strands. But for a lot of Black/African hair types, the natural hair tends to grow outwards, instead of downwards(or at the very least it grows outwards before it begins to grow downwards). This type of hair is typically referred to as afro-textured hair, and is the namesake for the afro, a hairstyle wherein someone with afro-textured hair combs out their natural hair growth in the shape it naturally grows.

Now, I’m not familiar with Jacob Romero Gibson’s work prior to One Piece, and I have never seen his hair without his dreads, therefore I can’t say with 100% certainty how his hair grows naturally. However, he does have an Instagram account, and on this account he has photos of himself. I looked through his account, and although he doesn’t seem to have any photos of himself without his dreads(indeed, they seem to be his signature hairstyle) as an adult, he does have a few photos of himself from his childhood. I don’t personally feel comfortable linking his baby photos to this post, so I’m not going to do so here. However, they are visible there, and from what I can see from those photos, he does indeed have afro-textured hair. This may not be 100% accurate to how his hair grows now as an adult, as lots of things can change hair growth types and curl patterns, including things such as hormones, medications, stress levels etc. In my professional opinion, I feel fairly confident in saying that Jacob most likely has afto-textured hair, and therefore his natural hair likely wouldn’t fully grow in the exact same way that Usopp’s does. 

Overall, I only bring all of this up to say that if Jacob did have his hair in a natural, non-protective style in his portrayal of Usopp, I feel that the same people who are complaining about the dreads now would likely complain that his natural hair doesn’t match Usopp’s exactly. Either way, Usopp’s hair is not a huge characteristic that defines who he is as a character(especially not in the way that his nose is), and therefore I don’t think that him having dreads in the live action takes away from the character in any way.

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Finally, we’ll discuss the Straw Hat crew’s first-rate cook who attacks through kicks, Black Leg Sanji:

Sanji has the unfortunate position of being the character who’s had the most changes to his design from his cartoon to the live action, and there’s a lot of criticism that’s been lobbed his way. Some of it I think is fair, but there’s also quite a bit that I think is honestly quite silly. So without further ado, I’ll go through the four main critiques I’ve seen, and my opinions of each.

Let’s start with the one I’ve heard the most often, and the one that’s easily my least favorite to hear about at this point: the missing eyebrow swirl. Maybe it’s just because Sanji is personally my favorite on the crew and I’m just paying the most attention to him, but my god, the way some people are going on about the eyebrow, you’d think the showrunners made the decision to axe his signature curly eyebrow specifically to spite the Sanji fangirls. I think a lot of the complaining about the lack of eyebrow swirl would simply be changed to complaining about how bad the eyebrow swirl would look if they’d tried to keep it, and I’ll explain why below.

Like many of the costuming changes made to the live action adaptation, I don’t know the exact reasoning as to why they decided to get rid of the eyebrow swirl. As someone who has worked as a makeup artist, however, I do have a theory as to why they got rid of it, and my theory is fairly simple: it is just not really very possible to create a realistic-looking eyebrow swirl that reads well on a film camera.

Yes, the makeup team could have very easily drawn on a swirl with a brow pencil or some pomade and called it a day. However, it would have been fairly obvious that it was in fact drawn on, especially on a film shoot. I’ve seen a lot of people complaining about the missing swirl point to both cosplayers and stage actors as “proof” that it could be done, but again, this is an apples to oranges situation. Stage makeup(like that used for stage actors), photoshoot makeup(like what cosplayers would employ), and live action film makeup are three entirely different types of makeup application, and while they each have their own merits, that doesn’t inherently mean they translate into other mediums, and this is something that you have to learn fairly early on as a makeup artist if you want to continue getting work. If you are doing makeup professionally, you have to keep a lot of things in mind, one of the biggest things being how your work will read on camera, specifically the camera your canvas will be in front of. You have to keep in mind things like flash photography, shine versus matte, whether or not post-production editing will be involved, and the like. A fairly popular example of this is makeup influencer James Charles’ old meet-and-greet photo, which has become a meme since surfacing. Charles was used to only doing makeup and being photographed a certain way, leading to him using a setting powder that didn’t lend well to flash photography, and made him look like he was wearing makeup that was far too pale for his skin tone, when in reality it was just a makeup product that didn’t work for the kind of camera it was in front of:

Another example is basically the entire Cosmo Queens video series done for Cosmopolitan magazine’s youtube page, and I’ll use Kandy Muse’s video as a specific example, since she uses her natural brows in addition to her makeup. This series focused on the makeup of drag queens, and it’s very obvious when watching these videos that there’s a huge discrepancy between makeup meant for the stage and makeup meant for other avenues. Drag queens typically are live performers, and there is a common saying among drag artists, which is to “paint(apply makeup) for the back of the house(so that even those in the back row can see your makeup)”. On stage, Kandy Muse’s makeup is quite stunning, but it’s very clear that it’s not fully meant for the editorial style that Cosmo uses during these videos:

Even from a distance, you can very clearly see where Kandy’s real eyebrows sit versus her makeup. And while this is obviously an extreme example, it’s even more obvious when zoomed in, which film cameras have to do often in order to capture the expressions of their actors:

In a similar vein, film cameras, which are typically designed to catch a lot of definition and lend better to a more realistic look, likely would not be very kind to a drawn on part of an eyebrow. Without any hair growing there naturally to make the eyebrow makeup look more realistic, it would be very obvious that it was makeup, and would likely be more distracting to audiences(especially first-timers to the series; it’s important to keep in mind that Netflix would want to cater to those people as well as long-time One Piece fans) than omitting it entirely would. In addition, we have to take into account the actor, Taz Skylar, and his natural hair growth and the direction of his brows.

As is visible from the photo, Taz Skylar’s natural brow grows downwards at the end, whereas Sanji the fictional character’s brow grows upwards into his swirl at the end. In order to match the character 1-to-1 and change his own natural features, Taz would have to either shave/pluck/wax the entire outer half of his brow(which for an actor would be extremely inconvenient for other projects and would be an absolute pain to grow back out), or he would have to sit longer in the makeup chair to have his brow covered by FX makeup, which takes extra time and effort and could throw off the timing of the entire shoot. In addition, neither of these potential fixes would necessarily make the obviously-drawn-on swirl look good and read well on film. Add on the facts that Taz’s character is fully submerged in water in at least one scene, if not more, and has several fight scenes, and it’s not even a guarantee that the makeup swirl would even last throughout the shoot.

I’ve also seen people say that they could have added the swirl in post, but I think that’s it’s very unrealistic for Netflix to greenlight that for a minor detail such as a singular visible eyebrow.

While I am very sad that they weren’t able to translate Sanji’s signature brow to the live action adaptation, I think a lot of the complaints regarding him not having it and insistence that the production should have included it are entirely overblown, and are mainly being made by people who don’t have a lot of knowledge of what goes into film makeup versus other types of makeup. And while Sanji’s brows are fairly important to his character, this fact doesn’t actually come into the story until far after the timeskip, and we don’t even know if the live action will get another season outside of this one. I really hope this can help explain why they may have made the decision to nix the brow swirl for people who are still concerned about it, since from what I’ve seen, it seems to be the number one point of contention when it comes to live-action Sanji.

Next, I’d like to speak a bit about Sanji’s hair. Now, I have some complaints of my own about the wig used on Taz, but most of the criticism I’ve seen regarding the wig actually revolves around why it doesn’t cover his eye completely, as Sanji’s hair does. This is something that seems fairly obvious to me: Taz has to do a lot of stunt work, and he needs to be able to see! This is a potential safety issue more than anything else, and therefore goes back to my main original point. As well, there’s no real way to make the hair not move without completely overloading it with product, which, again, would be very obvious on a film camera, and likely wouldn’t read nearly as well as people think.

As for me, my personal critiques around the wig are just how sparse it is. Sanji has a lot more hair than is in the wig, and I really think a wig that had a little more hair attached to the base would have looked better. As well, I don’t know if the styling of the wig works for me personally.

I was actually really hoping that the live action adaptation would take cues on Sanji’s hair from the character who Sanji was modeled after. A lot of people still to this day think that Sanji’s appearance is based off Leonardo DiCaprio, specifically his role as Jack Dawson from the hit movie Titanic or his role as Romeo from Romeo and Juliet, but Oda has actually explained in an SBS that this isn’t the case:

Sanji’s looks and his “vibes” are based off of Steve Buscemi’s character Mr. Pink in Reservoir Dogs, and personally I would have loved to see his live-action hair more closely resemble that, but sadly, it wasn’t meant to be.

Another critique of live action Sanji is that he hasn’t been depicted with his trademark cigarette, and I kind of knew that this would happen from the moment I found out about the live action adaptation. This is not the fault of Tomorrow Studios(the production company), or even Netflix at large, but instead this is largely based off backlash from anti-smoking lobbies. 

(As a former smoker myself, I have a lot of opinions on the ridiculousness of anti-smoking groups going after smoking in fictional scenarios like films and shows, but that’s a gripe for a whole other post lol) 

Netflix notably caught a lot of flack for the depiction of commonplace cigarette smoking in other series, such as Stranger Things, even though the series takes place in the 1980′s, where smoking was incredibly commonplace. The major backlash even got to the point where you can actively see the drop in depictions of smoking between each season. I am hoping they at least give Taz one scene with Sanji’s iconic cigarette, but I’m not holding my breath on this one. I doubt Netflix wants to deal with that backlash again.

Finally, the last big complaint with Sanji’s wardrobe I’ve seen is his signature suit, specifically regarding the fitting of it. Sanji’s suits in the anime/manga tend to be fairly fitted in nature, while the live action once Taz wears, while still having a slightly tapered fit, is a bit baggier than what Sanji typically wears.

This is a fairly straightforward change, in my opinion: if the suit was as form-fitting as Sanji’s are, Taz(and his potential stunt double(I don’t know if he did all of his own stunt work or not)) simply would not be able to move the way Sanji does! This is an issue of cartoon versus reality: Oda is able to depict his characters doing whatever they want in whatever clothing they want. However, real life is sadly not as accommodating, and because of that, Taz’s suit has to be a bit less form-fitting so he can still do all of Sanji’s signature footwork. Going back to my original point, the sacrifice of the fitted suit had to be made so the production could actually work.

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