Congratulations to Belfast on itâs TIFFÂ â21 People Choice Award WIN!
This makes Belfast the front-runner for a Best Picture nomination and a top Oscar contender! đđđ
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Congratulations to Belfast on itâs TIFFÂ â21 People Choice Award WIN!
This makes Belfast the front-runner for a Best Picture nomination and a top Oscar contender! đđđ

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For generations, women who pushed against their expected roles in life were written off as mad, and in extreme cases, locked away. For equally as long, these women were fodder for art that depicted their madness as evil. In this last century, weâve seen contemporary women take back their sisterâs agency. Like Antoinette Cosway, the madwoman in the attic from Charlotte BrontĂŤâs 1847 novel âJane Eyreâ, given agency by Jean Rhys in her 1966 feminist revisioning âWide Sargasso Sea.â The same can be said for Victoria Mas, whose novel âLe bal des follesâ and its subsequent adaptation, âThe Mad Womenâs Ball,â by MĂŠlanie Laurent (with co-writer Christophe Deslandes) seeks to reclaim the agency of âmadâ women were treated less as people and more as experiments at Franceâs infamous SalpĂŞtrière mental hospital.
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Benedict Cumberbatch arrives at the premiere of "The Power of the Dog" at the Toronto Film Festival.
Congrats to the Cast and Crew of Belfast! This year's TIFF People's Choice Winner! Watch out Oscar's, CaitrĂona is going to stun on the red carpet!

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Everyone at TIFF21 watching Encounter when Misha Collins shows up on the screen
âBelfastâ: Kenneth Branagh Gave Jamie Dornan, Caitriona Balfe âFreedomâ In Their Portrayals of His Parents
Portraying your directorâs real-life parents in a movie can be daunting, but âBelfastâ stars Jamie Dornan and Caitriona Balfe say Kenneth Branagh gave them the freedom to improvise in the film based on his childhood.
âAs Ken said, this is the script version of his parents, and I think he didnât want to do an exact ⌠he very much gave them over to us,â Balfe told TheWrapâs Steve Pond in a virtual interview during the Toronto International Film Festival. âHe was like, you create this, we want you to bring what you feel from the page into your character, so I think luckily he wasnât stopping us at any point saying, no my mum didnât do that or my dad didnât do that. He gave us a lot of freedom and within that, I think that pressure just goes if youâre allowed to just play.â
Dornan added: âI feel that Ken is very open like that. I feel there were moments where we were able to improvise some stuff⌠there are definitely ad libs here and there but again, Ken sort of trusted us.â
Dornan said that Branagh would even ask the duo for advice in certain scenes given that both Dornan and Balfe are from the northern part of Ireland, so the âcolloquialisms sit very strongly within us,â Dornan explained.
â[Branaghâs] siblings were pleased with the casting, especially Caitriona, probably less so with me,â Dornan joked.
âBelfast,â filmed in black and white, follows Branaghâs childhood in the late 1960s. Branagh wrote and directed the film that also stars Ciaran Hinds, Judi Dench, Colin Morgan and Lara McDonnell.
âThe first time I read the script it was the first time I read something about Northern Ireland that wasnât about the ideology,â Balfe said. âIt was about this love of family and love of community and the first time I read it, I totally teared up⌠itâs a love story to his childhood and the place he grew up.â
Dornan said that the script came to him during the first lockdown due to the coronavirus pandemic, and the screenplay resonated with him because he was feeling homesick for Belfast, where he was born.
âThis came to us during the first lockdown where we were all in a state of disarray and pondering whether movies would ever be a thing again,â Dornan said. âI was thinking about home a lot. I was writing a script that was set at home, I couldnât get home â when I say home I mean to the north of Ireland to Belfast â Home was on my mind, and then I got a script called âBelfast.'â (x)
new-to-me #607 -Â Ich bin dein Mensch (I'm Your Man)Â