#thumri

Recorded for Darbar Festival 2006 Nina Burmi (vocal) Ramesh Mishra (sarangi) Sanju Sahai (tabla)

-Sudarshan Fakir

Guru Arpan Utsav is back with a bang after 3 years (owing to the pandemic) with an #electrifying lineup of #musicians who will be presenting a mellifluous amalgam of #classicalmusic, #folkmusic, #Thumri, #Ghazal all spiced with #Tabla, #Keyboard #fusion & World #percussion. Please join us as we celebrate the life and contributions of my Legendary Guru, Ustad Alla Rakha; and my parents - Pharma Doyen Devinder Pal and famous painter-writer Ila Pal on Saturday, 21st January at 6 PM at the serene Birla Garden Juhu. Presented by @APCF.india in association with Juhu Citizens Welfare Group as a curtain raiser to the Juhu Hamara Festival. #sitar #Jugalbandi #juhuhamara #music #livemusic #nature #tribute #homage #fusionmusic #worldmusic #celebration #musically #rhythm (at Birla Garden Birla Lane Juhu) https://www.instagram.com/p/Cnj8pGHtVJ6/?igshid=NGJjMDIxMWI=

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✨🌸✨ Had the pleasure of illustrating the inimitable and transcendental Begum Akhtar, for a piece by Lucky Issar in @himalistan titled ‘Queer notes on Begum Akhtar,’ exploring caste, sexuality and tawaif subcultures in postcolonial India. “In 1949, when Begum Akhtar sang in a national broadcast of All India Radio (AIR), she was an instant hit. Born in 1914 to a tawaif (courtesan) mother, she performed in her first formal concert in 1934 as Akhtari Bai Faizabadi. She sang in elite gatherings, in royal courts, and performed in Bombay films. Her transition from Akhtari Bai into Begum Akhtar began when she married an English-educated barrister from Lucknow – an event considered both a scandal and a miracle by wider society. Her husband made only one condition: that she would not perform in public, a condition to which she readily agreed. But five years into the marriage, Begum Akhtar experienced mental health issues and her condition deteriorated rapidly. Doctors advised her husband that she might survive if she were allowed to sing. Her 1949 performance at AIR Lucknow met with great success, and as long as she lived, success followed her. She died in 1974, a few hours after performing in a private gathering in Ahmedabad, leaving behind a rich legacy of ghazal and thumri genres of singing associated with tawaif kothas, or salons. By reinventing these genres, and bringing them from kothas to the respectability of AIR and concert halls, Begum Akhtar gave them dignity. One cannot give any account of twentieth-century ghazal and thumri singing without invoking her name.” Himal Southasian - @himalistan is Southasia’s first and only regional magazine of politics and culture. Himal began as a Kathmandu-based cross-border magazine of the Himalaya in 1987. In 1996, the magazine expanded its scope to cover all of Southasia, from Afghanistan to Myanmar and Tibet to the Maldives. #begumakhtar #himalmag #himalsouthasian #ghazal #thumri #illustration #digitalillustration #digitalart #illustragram #procreate #procreateart #birdofparadise #editorialillustration #southasian https://www.instagram.com/p/ClleWBmMJe0/?igshid=NGJjMDIxMWI=

@savlon-bhoi @sanskari-kanya