Thrillah Kane's first single off of his up and coming EP Album Features A'drian Scott Produced by Eddie Vance "She Bad"

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Thrillah Kane's first single off of his up and coming EP Album Features A'drian Scott Produced by Eddie Vance "She Bad"

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Beat It - Easy Star All-Stars
EASY STAR ALL-STARS - THRILLER, feat. MIKEY GENERAL AND SPRAGGA BENZ from the album THRILLAHÂ
Easy Star All-Stars with another gem of an album!Â
Easy Star All-Stars - Billie Jean
From the 2012 album Thrillah.
An excellent reggae/dub cover of the entire Thriller album! The fourth in a series of cover albums that include Pink Floyd's Dark Side of the Moon and Radiohead's OK Computer and The Beatles' Sgt Pepper. They do a damn fine job of it, but admittedly some tunes work better than others. This, in my opinion, works seamlessly.
Billie Jean(feat. Luciano) - Easy Star All-Stars
reggae Michael Jackson whattttt

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Album Review: Easy Star All Stars' Easy Star's Thrillah
Easy Star All Stars
Easy Starâs Thrillah
Easy Star Records
Release Date: August 28, 2012
 Track Listing
1.    Wanna Be Startinâ Something (featuring JoWill and Ruff Scott)
2.    Baby Be Mine (featuring The Green)
3.    The Girl Is Mine (featuring Mojo Morgan and Steel Pulse)
4.    Thriller (featuring Mikey General and Spragga Benz)
5.    Beat It (featuring Michael Rose)
6.    Billie Jean (featuring Luciano)
7.    Human Nature (featuring Cas Haley)
8.    P.Y.T. (featuring Kirsty Rock)
9.    The Lady In My Life (featuring Christopher Martin)
10. Dub It
11. Close to Midnight
 Personnel
Michael Goldwasser â producer/guitar/arranger
Elenna Canlas â keyboards
Yossi Fine â bass
Joe Tomino â drums
Victor âTicklahâ Axelrod
Shelton Garner, Jr.
Buford OâSullivan
Jenny Hill
Ivan Katz
Kirsty Rock
Ruff Scott
Joanne Williams
Andy Farag â percussion
Funkânâstein â horns
 Conceived and formed by formed by Michael Goldwasser, Eric Smith, Lem Oppenheimer and Remy Gerstein in 1997, the Easy Star All Stars were originally a reggae studio band/collective consisting of a rotation cast of musicians and vocalists for their own label, Easy Star Records. And although theyâve backed a number of artists, produced original reggae, the collective has been best known for their series of reggae-based covers of popular and beloved albums, starting with their cover of Pink Floydâs Dark Side of the Moon, Dub Side of the Moon, released back in 2003. Dub Side was followed by their cover of Radioheadâs OK Computer, Radiodread in 2006, and their cover of the Beatlesâ Sgt. Pepperâs Lonely Hearts Club Band, Easy Starâs Lonely Hearts Dub Band in 2009. In between some of those cover albums the band released some original material, including 2011âs First Light.
  Certainly, the release of the impressive Dub Side of the Moon put the Easy Star All Stars on the map as it was among the first of a series of releases by bands jumping across genres to cover material on albums â for example, Souliveâs Beatles catalog spanning, Rubber Soulive, and Yellow Dubmarineâs Abbey Dub, Beatallicaâs Sgt. Hetfieldâs Motorbreath Pub Band â that have dropped in the past decade. As a result, the Easy Star All Stars have played on six continents and over 30 countries. If you consider the state of the contemporary music industry, that level of success, whether through word-of-mouth, luck, or pure moxie, is impressive and sadly increasingly rare. But instead of contentedly sitting on their laurels, the Easy Star All Stars founding trio of producer/guitarist/arranger Michael Goldwasser along with his partners and record label co-founders Eric Smith and Lem Oppenheimer began the process of picking their next tribute album after the release of Lonely Hearts Dub Band, and although they went through a ton of albums both big and small, they album that called their attention was one of the biggest selling albums of all time and the album that literally defined the 1980s, Michael Jacksonâs Thriller.
  Donât get me wrong here folks, Thriller has some of the biggest and most beloved pop songs of the last 40 years, and the albumâs influence has reverberated through contemporary music in unusual ways. After all, there was a point where everyone just universally dug Michael Jackson â no matter what you were into or where you from, you were trying to Moonwalk and you were singing along to âBillie Jean,â and âBeat It.â Not only does Thriller sadly mark the point when Jackson started to get progressively bizarre, it marked the point where Jackson became this androgynous, emasculated, asexual being and perhaps even worse, marked (in retrospect) his eventual decline. Sure, Bad sold a shitload of albums but it didnât sell as much as Thriller. And Dangerous didnât sell as much as Bad or Thriller. But somehow as the years go by, and despite the albumâs overwhelming popularity, Thriller has a level of inescapable schmaltziness to me. Sadly, Jacksonâs best album in my mind, Off the Wall is increasingly being forgotten by the masses. This is despite the fact that Jacksonâs performance on that album is the most compelling because he sounds like an adult, sexual being. But, how could it not be forgotten, since weâve all heard Thrillerâs most popular songs about 10,000,000,000,000 times since 1982?
  Of course, when it comes to covering a momentous album like Thriller, there are two questions to immediately ask. The first question that should come to mind is: is it necessary? The second question that should come to mind is: is there anything new that the artist brings to such time-worn material? And in the case of Easy Starâs Thrillah, Goldwasserâs arrangement brings some new life to the ballads that most people have forgotten. Easy Starâs renditions of âThe Lady of My Life,â âBaby Be Mine,â and âThe Girl is Mine,â bring out the inherently sweet, old-fashioned tenderness of the songs. Easy Star turns them back into the songs youâd play for the special someone â that someone you hope to spend the rest of your life with. On their rendition of âP.Y.T.,â they add a coquettish sexiness to the proceedings, and with a female vocalist, it turns the song on its head quite a bit â the PYT of the song easily being a fine gentleman, who the singer wants to love. For the songs weâve all heard throughout our lives âWanna Be Startinâ Something,â âThriller,â âBillie Jean,â âHuman Nature,â the melodies are still recognizable although the instrumentation has changed here and there, the tempos have been slowed down, the riddims pulled and teased out a bit â but the Easy Star renditions feel a bit too straightforward, too reverent to the source to make it their own, and thatâs a shame because itâs makes the album more of a reggae-influenced cover album, instead of offering a new interpretation. Plus, in all honesty, there isnât much of a stretch to imagine the great R&B and pop record like Thriller being done in the dub/reggae style. Still they do so with a smiling, summery charm that will win you over. It ainât a revolutionary reclamation of familiar material but it sure is fun, and sometimes we need a little fun. Â
Great photo of Roger from our show at @Reggieslive in Chicago with @EasyStarAllStars. Check out facebook.com/theaggrolites for the full album. #theaggrolites #dirtyreggae #easystarallstars #thrillah #organ
I'm usually against MJ covers but I think this has its own flava. The secret is in simplicity. It's not trying to do anything crazy or different but just giving the track a run in it's genre. Decent.