Sep 7, 2024
Thomas Stothard (1755-1834)
The entrance to hell guarded by Sin and Death
engraved by Francesco Bartolozzi, 1792
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Thomas Stothard (1755-1834)
The entrance to hell guarded by Sin and Death
engraved by Francesco Bartolozzi, 1792
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King George III and his Family
Artist: Thomas Stothard (British, 1755-1834)
Date: 1787
Medium: Oil on canvas
Collection: National Trust Collections, London, United Kingdom
Description
King George III and his Family, by Thomas Stothard RA (London 1755 - London 1834), 1787. This full-length group portrait painted in 1787, shows the King and Queen seated, surrounded by members of their family. They are, from left to right: George, Prince of Wales, later King George IV (1762 - 1830); Prince Frederick, Duke of York (1763 - 1827); Prince William Henry, Duke of Clarence, later King William IV (1765 - 1837); Prince Edward, Duke of Kent (1767 - 1820); Prince Augustus-Frederick, later Duke of Sussex (1773 - 1843); Prince Ernest Augustus, Duke of Cumberland and King of Hanover (1771 - 1851); King George III (1738 - 1820); Queen Charlotte (1744 - 1818); Princess Elizabeth, Landgravine of Hesse-Homburg (1770 - 1840); Princess Augusta-Sophia (1768 - 1840); Princess Charlotte-Augusta-Matilda, Princess Royal, Queen of Wüttemburg (1760 - 1828); Princes Amelia (1783 - 1810); Princess Sophia (1777 - 1848); Princess Mary, Duchess of Gloucester (1776 - 1857); and Prince Adolphus-Frederick, later Duke of Cambridge (1774 - 1850).
The Dance, 7th Day, Boccaccio's Decameron
Artist: Thomas Stothard (English, 1755–1834)
Date: 1887
Medium: Oil on copper
Collection: Auckland Art Gallery, Auckland, New Zealand
The Dance
Artist: Thomas Stothard (British, 1755–1834)
Date: c. 1820
Medium: Oil on panel
Collection: Yale Center for British Art, New Haven, CT, United States
Thomas Stothard (1755–1834)
The Pilgrimage to Canterbury
Painting
Held at Royal Cornwall Museum
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Venus and Cupid (Thomas Stothard, 1755 -1834)
It has been from time immemorial the heathenish custom to sacrifice the greatest fool of the family to the prosperity and naval superiority of the country, and, at the age of fourteen, I was selected as the victim. If the custom be judicious, I had no reason to complain. There was not one dissentient voice, when it was proposed before all the varieties of my aunts and cousins, invited to partake of our new-year’s festival. I was selected by general acclamation. Flattered by such an unanimous acknowledgment of my qualification, I felt a slight degree of military ardour, and a sort of vision of future grandeur passed before me, in the distant vista of which I perceived a coach with four horses, and a service of plate.
— Frederick Marryat, Peter Simple
The British Naval Hero, 1800 print by John Young after Thomas Stothard.
Thomas Stothard Oberon and Titania, from A Midsummer Night's Dream, Act IV, Scene I 1806