For everyone who says the prequels are a cash grab:
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For everyone who says the prequels are a cash grab:

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This is something I’ve seen a lot and I’ve also joked about a lot but after SotR I just need to clarify my actual thoughts on this topic: Snow’s “twink death” and his inability to let go of, what was essentially, a month long relationship.
The thing is, it’s not Lucy Gray that he’s holding a grudge against… it’s her lifestyle. He got to experience first hand, the freedom and self-assurance that groups like the Covey generated for themselves. He saw Lucy Gray run off into the woods, swim in a lake, sing and dance with her peers, all after a game that should’ve destroyed her spirits - because that is the point of the Games. To have a sole surviving reminder of why the Capitol is in control. To send back one “victor” who every district hates because the person standing in front of them is taking their friend/child/sibling/cousin/partner’s spot. To completely dismantle that person’s ability to cope with the world the way they used to and to have them beholden to the Capitol for “awarding” them with riches. They’re supposed to serve only as a reminder, a threat, a shell of a person who is visibly hollow and tarnished, hated by many, feared by some and pitied by few.
Lucy Gray is not that shell. Lucy Gray, therefore, serves as a constant reminder to Snow of what should not be happening to those who get to leave the arena. The more he takes command of the Capitol and the Games, the more the “mistakes” of the Games stand out to him because his benchmark for measuring them is Lucy Gray.
Keep in mind that the 10th Games were also the first time he got to see from the inside out. He saw what pissed off the tributes. He saw how they were transported. He also saw how the public reacted at the home district. Lucy Gray had nightmares, sure, but her ability to re-mingle with her friends was a failure of the Capitol. He saw the need to maintain a constant difference between “victor” and “friend”. He saw the need to put them on tours so that the divide and distance grows. He saw the need to be able to broadcast every aspect of the Games without having to constantly be frantically cutting the feed or very obviously fixing the narrative, because that was yet another failure of the system the Capitol was trying to enforce.
This becomes so clear in SotR when he has his talk with Haymitch and realises that the Lucy Gray spirit he has been trying to squash is still alive. Not only that, it’s infectious. It can take someone like Haymitch, someone who is very well pressed under the Capitol thumb, and spark a fire inside him. The colours of the Covey, the singing, it doesn’t just represent Lucy Gray, it represents aspects of freedom that shouldn’t exist. Even him saying:
“You love her. And oh, how she seems to love you. Except sometimes you wonder because her plans don’t seem to include you at all.”
Is so telling because he can’t fathom that a person in the districts could have the independence of thought to do whatever they want. To him, she should be desperate to go back to the Capitol with Snow to get a chance to live the dream that they’re trying so hard to sell, but obviously failing.
So no, Lucy Gray isn’t just the girl he couldn’t get over. She’s the girl that serves as a warning, as an abomination of the purpose of the Capitol. As his personal blueprint of what should not be repeated ever again.
I love you like all-fire ❤️🔥
lenore dove x haymitch drawing <3
I hope the Sunrise on the Reaping popcorn buckets will be the reaping bowls. It’s the perfect, morbid meta statement. For the tributes, that bowl represents a death sentence for us, it’s just a snack container. It really leans into the idea that, as viewers, we are the Capitol in many ways.
of all people, i only hate you. but of all monsters, i only love you.

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⋆.˚𓆝ℋℴ𝓂ℯ𝒸ℴ𝓂𝒾𝓃𝑔 𓆉
Finnick Odair x Victor!Reader
You come home to District 4 after winning the Hunger Games more than a little damaged. Luckily, when you reunite with Finnick, he knows just what you’re going through— and knows just how to comfort you.
The victor of the 68th annual hunger games. Your face plastered on capitol billboards. Your name on every Capitolite’s unusually plastic-surgered lips. Your eyelids engraved with the faces of all the tributes— all the children— you killed to get your head above the water.
You hold it together on the train ride home. Zipping across the barren desert twixt the Capitol and the shoreline of District 4, you picked at your newly manicured nails (they wouldn’t let a victor go on for her post-game interview with dried blood on her hands,) and tried not to recount the events of the past week.
concept for a hunger games prequel:
a book about a hunger games we actually have no canon information on the winner of, or the names of the tributes.
the main character is from a career district, and we get to see how skewed the view of 12 and similar districts was of them, because they lived pretty much like the people of The Town in District 12, not much better than that.
Because District 1 people make the luxury items, they don't own them. And are probably heavily punished if they try to take anything.
District 2 are both mostly simple carpenters (masonry) and likely the most heavily monitored and harshestly punished district because they are the literal Hub of the Peacekeepers and where Peacekeepers are trained.
And District 4 are objectively just fishermen. Yeah, they have some skills with things you can consider weapons but it's a fishing town at the end of the day.
And there's the element of the career tributes. Children raised as meat for slaughter. They know that one if not both of the kids volunteered each year will die. Probably die a horrific death, and yet the tradition of training them and making them volunteer continues.
Imagine being that child. Raised to die or become a killer. Most likely die.
Now, the rest of the book idc what else happens, whatever. Plot, earlier tries at a revolution, etc etc yes.
But, only at the ending you realize one thing: the main character isn't the winner of those Hunger Games, but the runner-up. And you understand only as you read the final chapter, reading the last few thoughts of a dying mind. Who just wanted to be a kid.
A small pamphlet from Suzanne saying 'sorry, Sunrise was a mistake. It's no longer canon, I just wanted to make money off a new movie deal. Forgive me.'