rotating the old man again. in the context of we're doing the weirdest most pared down version of BS imaginable for some reason i like the use of the you will account for me line because it makes sense for [list of reasons this post isn't about] but fucking. "everybody can tell there's no daylight between the two of you"(paraphrased)????? insane. insane placement, why would you drop that there. second (or third at the latest, idr) episode, you don't know shit about these people yet, they're [superior officer] and [inferior officer] with a sort of parent-child relationship already kind of discernible to the viewer but like. like. what? bizarre for both possible types of viewer (has/n't watched BS). it contributed to the weird ass atmosphere of that scene, at least, i guess, because waters is a fucking metanarratively tuned in weirdo who walks into adams' office, exchanges two short lines of completely normal other than the no daylight line hostile conversation with her, and then unprompted starts going off about "the beast that eats everything" for like 5 minutes while she just sits there and pretends they're not talking about her father. completely unprompted. like it drives me crazy to recall it and this is all waters does for the rest of his screentime, be "nosy" in a distinctly preternaturally aware, this-isn't-really-a-real-character kind of way (the actor slays it btw). and this isn't really a real person and it barely even feels like a real situation (the international manhunt &c.) like. also insane that there's people out there (see reddit) who watched this same thing and experienced it as, you know, normal thriller media nothing about this is normal or reasonable to expect? this whole show (1st season) feels like a ghost