#the row

Jalil, 26

“I’m wearing a Polo Ralph Lauren windbreaker and suede bucket bag, Doen linen blazer, printed silk top, and pants, The Row flip-flops, De Vera Roman coin earrings, Tory Burch shell necklace, and Selim Mouzannar enamel ring.“

✧˖°.˚ Sidney Crosby x reader head-cannons in the ˚.° ˖ ✧ ✧ gigisays444 universe ✧

fluff/smut-18+/angst under the cut

cw: ordering it with express shipping aka everything Sid feels about his corporate baddie gf/fiancee/wife/hookup etc. ft. horny jealous Sid (also edited that pic myself god he’s ravenable 🤭)

Taylor Swift for New York Yimes Magazine | April 28, 2026

Gwyn ‘Evelyn Top’ - $565.00 Audry Rose Jewelry ‘Diamond Lock Necklace’ - $14,982.00 Audry Rose Jewelry ‘Diamond Trail Lariat’ - $5,606.00 (starting) Zoe Lev '14k Gold Script Initial Asymmetrical Necklace' - $340.00 Darlene De Sedle 'Crystal Opal Bracelet' - no longer available Serpent & The Swan 'Double Snake Opal Ring' - $1,707.00 Kallmeyer ‘Alyse Asymmetric Silk Chiffon Skirt’ - $895.00 The Row ‘Bare Heeled Sandals’ - $890.00

Taylor, in named one of NYT Mag’s 30 Greatest Living American Songwriters, gave a rare lengthy discussion of her craft, the fickleness of fame, the machinations of the industry, and navigating how to create art for public perception. It was a fascinating glimpse into her artistry - I look forward to giving it more listens to parse through everything she discussed.

Naturally, the visuals that paired with the interview were most of note for me. Such is the power of fashion! Knowing this interview would be a filmed sit down adds intrigue to the intention of choosing certain pieces.

I first noticed how this styling seemed to visually extend her most recent outings. There's an echo to the black top and creamy skirt formula from April 8. While incorporating the vintage opal bracelet by Darlene De Sedle, part of a suite that was originally created for Elizabeth Taylor, first seen on April 27, alongside April 8's necklace stack. These repeat elements makes this feel familiar, even if it's new!

The asymmetrical hem of the top, the skirt’s tie detail, and her hair swept over one shoulder worked in tandem to create a long, fluid line that was best appreciated in the wider shot. I wondered if this was a deliberate framing choice on the part of the crew? In the pulled back frame, the outfit feels relaxed and loose - like an exhale. This projects a markedly different image than, say, a tailored trouser set might have. Here, everything feels soft and languid. Between the fabric and drape, I thought the ensemble tied into Taylor’s overall demeanour of feeling grounded and at ease. What a treat it was to hear her speak so candidly, passionately, and confidently about songwriting - all while composed in an outfit that befitted her sense of calm. As a counterbalance, the neutral palette, sharply minimalist strappy heels (I swooned!), and sparkling jewels did the work to bring polish to the look.

The last few years has seen Taylor really gravitate towards the love of a stack. It was fun to see that affinity canonized in this interview as she discusses her career and songwriting craft. The pieces I’ve recognized so far are all repeats from Taylor’s personal jewelry collection. Her Audry Rose stack we’ve previously seen her wear in November 2025 and more recently earlier this month on April 8.

The most recent additions I noted are her opal Darlene De Sedle pieces - which she also wore while out in New York City last night (April 27). The bracelet and ring were part of a suite sold via Christie’s in 2011 which fetched $125,000USD. Its original owner? Elizabeth Taylor. Many thanks to my friend Marion Faisel of The Adventurine for confirming that of Elizabeth’s widely amassed jewelry collection that she purchased many Darlene De Sedle pieces through the late 1990s. For Taylor, the provenance of these pieces to Elizabeth, combined with the stone in question, has a doubly layered connection to The Life of a Showgirl - “Opalite” and, of course, her most recent single “Elizabeth Taylor.” The power of fashion!