#the question

Que, driving through Fawcett, trying to follow a theory: -And the lizard people running the government... hmm...

Billy, sat in the passenger seat cuz hes the only person qualified to give a tour of Fawcett and manage any issues that crop up: You mean Mayor Williams? He actually preferred to be called an Iguana person. Less generalizing.

Que, grip tightening on the wheel: I knew it...!

The theory trail brings them to the local park where Que is tracing energy signatures. Stuff Billy doesnt care to understand.

Que, holding a small beeping device: All my theories are correct... like the secret underground society of mole men...

Tatjana Wood died the other day, at the age of 99. Born to a Jewish father in Germany in 1926, she emigrated to New York City in 1947, where she met and married Wally Wood and began working in the comics industry. They'd divorce before he killed himself. She became a prolific colorist for DC Comics, perhaps now most associated with Alan Moore's run on Swamp Thing. Due to how comic book production works, much of the coloring credited to her in the trade paperback collections do not match her original contributions, composed for the printing and paper of the day, and not preserved on film the way the lineart was. Scans of the original issues capture her artistry. Here are some examples, all written by Alan Moore and lettered by John Costanza:

From the DC Comics Presents issue presenting a team-up between Superman and Swamp Thing, "The Jungle Line." Pencils by Rick Veitch, inked by Al Williamson.

From Swamp Thing 44, penciled by Steve Bissette and inked by John Totleben.

From Swamp Thing 53, penciled and inked by John Totleben.

From Swamp Thing 63, penciled by Rick Veitch and inked by Alfredo Alcala. These later issues were printed in DC's "New Format," rather than on newsprint, and the colors are more vibrant. Another book Tatjana colored for DC printed in the New Format around this time was The Question, written by Denny O'Neil and penciled by Denys Cowan, lettered by Willie Schubert. Later in the run it was inked by Malcolm Jones III. Here is a two-page sequence showing Tatjana's coloring on that series:

In the nineties, comics color changed its production process further. This page from the series Brainbanx shows Tatjana Wood working with the computer color separation house Heroic Age: