I thought âThe Handâ ninjas were stupid. They felt out-of-place in this film. A lot.
(I mean I know the red theyâre wearing technically matches the red in spideyâs suit but thereâs more to visual unity than just matching colors)
You know how in Captain America: The Winter Soldier, thereâs a cohesive design? Like, Steveâs suit is a more muted blue, for âstealthâ and night missions. Overall, he looks more like a professional tactics operative than he has in previous filmsâbecause that matches the serious tone of this particular political-thriller superhero movie. The villains in that film donât have bright red masks, they wear black tactical gear like super spies. Even Dr. Zola, a disembodied head in a computer, is just monochromatic lines of code and a voiceâhe still doesnât push the âweirdnessâ boundary of the visual imagery in the film, even though heâs the most beyond-belief part of it, because the film has that dark, real-life tone.
In Guardians of the Galaxy, on the other hand, you have more âStar Wars Meets 80s album art.â Star Lord looks like Han Solo with more red and leather. But Rocket is a talking raccoon with dirty fur and an orange jumper on. And the supervillain does have a big blue face and black armor. Nobody is just, like, a regular-looking dude (once you get out of the flashback sequence.)
But in this Spider-Man movie, we have bio-mechanically mutated people âScorpion with the robo-tail, the Hulk, and then we also have a nice contrastânormal, grungy looking people who are in on the action but more real-world dangerous: Punisher in his tactical gear and Jean with her dramatic hood up, and Spidey himself. Feels like superhero stuff, but still âSuperheroes in a world of mechanical engineering and spies.â Youâve got your costumed mutants, and youâve got your dark and armored tactical operatives.
And then boom, in the climactic scene, in the scene where the character is pouring his heart out, where it fulfills his character development, where emotions are highestâthe bad guys I have to look at during that moment are not mutant monsters or soldiers.
Theyâre brightly dressed Kung fu movie ninjas.
It wouldâve made more sense to bring back in the Hulk, visually. Peterâs fighting as someone whoâs been repressing his dark side. Heâs about to yank his mask off and show off the black eyes and the blank British-man face. That sounds like a thematic rhyme to the Hulkâs whole deal. Or you couldâve kept soldiers, as a contrast of âarmored normalsâ to his âpowerful mutationâ nature.
But no. Ninjas. Ninjas that have no thematic or symbolic significance. Ninjas that havenât been a part of the movie before this in any meaningful way. Ninjas that donât look like they belong here, visually.
A fly floating in the otherwise delicious soup of this movie.
















