Kevin Spacey, Lex Luthor in Superman Returns [2006] born July 26th, 1959
seen from Germany
seen from United Kingdom
seen from Russia
seen from Germany

seen from Bangladesh
seen from China
seen from China

seen from United Kingdom

seen from United States
seen from United States
seen from China
seen from China

seen from China

seen from Germany
seen from Malaysia

seen from China
seen from China
seen from Malaysia
seen from United States
seen from China
Kevin Spacey, Lex Luthor in Superman Returns [2006] born July 26th, 1959

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
26 July - Kevin Spacey, Lex Luthor in Superman Returns, is born in South Orange, NJ, US in 1959.
2026 means 20 years since Superman Returns was released in 2006
my stanford mii is also very cute

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I remember seeing Superman Returns in the theaters age 10. Having never seen any of the Christopher Reeves films and only having the general pop culture osmosis of Superman on my side (seriously, I had no idea that Batman and Superman were even part of the same continuity as a kid until I saw the whole “Superman” story arc in the 2004 series The Batman), I was left feeling very confused and (regarding the whole “Lex Tortures Superman on Kryptonite Island” scene), VERY disturbed.
Having since seen both Superman the Movie and the (unfortunately bad) Richard Donner cut of Superman II…I STILL feel like I’m missing some context. I think a big thing that detracts from the film (aside from its scummy director) is the fact that this is the most comic-book time movie to ever exist; primitive camera phones co-exist alongside cars straight out of the 1940’s and old-rich opera aesthetics coexist alongside modern fashions—making for an extremely confusing aesthetic. Honestly, they would’ve been better off making it a late-70’s period piece.
I think the character who baffles me the most is Kitty Kowalski, Parker Posey’s character and Lex Luthor’s female associate. If this is supposed to be set in the same continuity as the Donner films, what happened to Eve Schumacher? I’d say WB somehow lost the rights to the character except that couldn’t be accurate because Eve is a major character in James Gunn’s Superman. The fact that Eve isn’t even given the dignity of a throwaway line about what happened to her and the film attempts to brainwash us into thinking that it’s ALWAYS been Kitty Kowalski is beyond baffling.
There’s also this atmosphere I can’t describe. The only words that come close are “insidiously banal” and “f*ck-all confusing”
Found some stuff from the yesterweb on an old hard drive... I really miss when us yoofs would get Photoshop and make incredible graphics. Naturally, I have no idea who made this. If you do, scoot me a message.
Superman has a plane to catch in Superman Returns (2006).