Burial - Beachfires
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Burial - Beachfires

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BURIAL Ā āSubtemple Epā
Burial has released a new surprise EP called āSubtempleā which features two new tracks, āSubtempleā andĀ āBeachfiresā, and is available to stream/download now on Bandcamp. The EP will also be released on a limited 10" vinyl on May 26th via Hyperdub.Ā
Burial - Subtemple
[[ GROOVES N JAMS S.O.T.Y. 2017 ]]
[ nO. 16/50 ]
āSubtempleā by Burial
MG:
The negative space in Burialās music always feels black, not white. This isnāt a canvas that he carefully alters with revealing fragments. Itās nighttime, itās a darkened alley, itās your mind when you close your eyes. I think itās the blackness, the sense that however sparse the flickering sounds and however closely they resemble static the space is already filled and already meaningful, that is comforting.Ā āSubtempleā might be classed as experimental but itās not agitation that drives Burial, itās agitation that surrounds Burial. The work is supremely peaceful and balanced; itās realized. I like to listen toĀ āSubtempleā when Iām going somewhere. The title suggests a sort of stasis, or a destination, at least, but the pace and stretch suit movement, a planned out here to there. Commutes, mostly. I know this isnāt Burialās inspiration and probably not the ideal application, but itās the closest I come to that pure moment of divinity.
DV:
Part of me still canāt believe MG is making me listen to, much less rate, ambient music in the year of our lord 2017 but to be totally honest as Iāve spent some time withĀ āSubtempleā itās grown on me in ways I never expected. I think part of itās the bit where someone pops in to caw āTook your soul outā in a droning whine, a religion-adjacent boast thatās just enough of a non sequitur to make perfect sense. But Iāll admit the track doesnāt reallyĀ start to work for me until the three-note xylophone motif begins around the 1/3rd mark, an organizing principle I can both get behind and repeat in my head when Iām trying to sleep. With that in place, I find myself creating my own order to the track: the static tripping between distorted footsteps and a noisy record on an old turntable, the breaths and whispers sometimes my own, sometimes reason to self-consciously glance over my shoulder. I havenāt intentionally listened to anything like "Subtempleā in so long, itās bizarrely fun to rediscover how music like it works.

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2 track album
just two weeks ago I managed to pick up a vinyl copy of Untrue by Burial, one of the twenty or so best British albums of the century so far. and though it was missing āGhost Hardwareā for reasons I wonāt rifle through the information trove of Discogs to find out, it was such a pleasure to play a genuine classic on a good format (here the mask slips and the bandcamp reviewer reveals his analogue bias!) and bask in the crystallisation of millennial discomfit and gloomy piss-sodden streets held on those four sides.
since then Burial has stuck to releasing EPs, forgoing knife-sharp percussion for long sides of smoky, wrecked, spartan ambience. Subtemple/Beachfires holds to this aesthetic seachange, digitally-manipulated smears of suggested cinematography. music for coming down to.
but the problem is that bandcamp shows there are people out-Burialling Burial at this new game. the crackling digital static, the filling of the stereo image, the suggestive rather than the overt. but itās been done, done better, done more frequently, and now in 2017, ten years after the last real stab at vitality, the previous race-leader Burial is getting left behind.
āSubtempleā is motionless, amelodic, dare I say boring? āBeachfiresā suggests more but never plays a hand. On completion, a couple of times more, because come on, this is BURIAL, the guy that dropped two easy 9.5s in two years. but the revelation never comes. (4)