Tom Benson and Stuart Bailey, After, Nach, その後, Text by Jens Peter Koerver, Offset Editions, London, 2005 [Peter Foolen, Eindhoven. Art: © Tom Benson, Stuart Bailey]
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Tom Benson and Stuart Bailey, After, Nach, その後, Text by Jens Peter Koerver, Offset Editions, London, 2005 [Peter Foolen, Eindhoven. Art: © Tom Benson, Stuart Bailey]

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Don’t you guys think that the guy on the left next to Axl looks exactly like Axl’s half-brother, Stuart?
Or is it just me?
Stuart Bailey, The Grace of Immolation (Honouring Abhorration), 2026, Danish linen, embroidery thread and embroidered patch, 420 x 290mm
Bailey family, c. mid 1960s.
Stuart Bailey, The Cold Horror is Clear, 2024, Danish linen, embroidery thread and embroidered patch, 420 x 295mm

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Axl Rose & Stuart Bailey (Axl's brother)
(source: Instagram)
Here’s the collapsible plexi playpen set up outside. It’s made from 24″ high x 22″ wide pieces of clear acrylic hinged together with clear gorilla tape. The top edge is sanded so you don’t cut your toes off while stepping inside. The rats are basically unaware that they’re even being contained.
Ryan Gander & Stuart Bailey, Appendix Appendix, 2007 Published by Christoph Keller Editions, Zürich 192 pages, 21.5 x 28 cm