Daido Moriyama
Stray Dog (1971)
Daido Moriyama’s photography presents the city as fragmented, unstable, and psychologically intense. Unlike traditional documentary photography, his work often embraces blur, grain, darkness, and high contrast to produce a raw and subjective representation of urban experience. Stray Dog reflects themes of alienation, movement, and instability within postwar Japanese society.
The photograph rejects photographic perfection and instead emphasises atmosphere and emotional tension. Moriyama’s visual language reflects contemporary concerns surrounding urban anxiety, memory, and identity. His work demonstrates how street photography can operate not only as documentation but also as an expression of subjective perception and psychological experience. This work connects to my own practice through its emphasis on atmosphere and urban observation. Moriyama’s images have encouraged me to think more critically about how mood, contrast, and spontaneity contribute to the emotional qualities of street photography.
Moriyama, D. (1986). A Hunter. Tokyo: Chikuma Shobo.
Moriyama, D. (2012). Daido Moriyama: How I Take Photographs. London: Laurence King Publishing.
Parr, M. and Badger, G. (2004). The Photobook: A History, Volume I. London: Phaidon.
Daido Moriyama Photo Foundation. Available at:
https://www.daidomoriyamafoundation.org