The Pink Curtain as Institutional Device
Repetition of the pink drapery creates continuity. The curtain is not a prop. It domesticates glamour, converting evening dress into a staged interiority. Markarian brand identity is reinforced through casting: predominantly slender, composed figures with disciplined posture and an absence of overt irony. The typography—when visible in event invitations and campaign graphics—leans toward serifed propriety. Even collaborative announcements are framed as society notices rather than marketing disruptions.
