#spidernoir

This is Peter going back to Aunt May's home, where we find out the Parkers are family friends with the Robertsons. You probably know Robbie Robertson if you've read Spider-Man comics, he usually works at the Daily Bugle, but we're in segregation era so that's not happening here. But I really liked this as a starter because we knew that Aunt May was for the people (and gets accused of communism multiple times), but now we see that it's not just for white people. That's something that's usually inferred with Spider-Man, but when you set him back to this era, it does need to be explicitly placed in the narrative.

And it is in the narrative! This entire story is about Peter's and Robbie's different experiences in journalism and their quests to justice. I didn't want to grab every panel from this comic because I obviously want people to read it, but they go on to talk extensively about how black people were treated then (still not treated well now, mind you). Robbie wants to interview a scientist who we find out later is experimenting on people, namely black people, and Robbie makes it incredibly clear just how inhuman he is seen by someone whose intelligence is so well respected and how awful that feels. There's a lot of emphasis on intelligence in this story in general, and how it's often directly correlated to agency and whether we see someone as human or animal.

And because we're in 1933, we have to talk about the elephant in the room, AKA the rising Nazi regime. I really liked how they directly call out how the master race stuff is connected to white supremacy. I know this isn't common knowledge for some people, but there are three "eras" of the KKK, and times when they were going in and out of style, for lack of a better term. There's the one from the 1800s that was a social club and fizzled out without a lot of their "goals" reached, then the restart in the 1910s that faded in the thirties and forties after a lot of their leaders got arrested and didn't get replaced, and the group most people know in the fifties that was directly opposing the civil rights movement and is still around today. Directly tying this to the rise of Nazi power is smart and I appreciate how seriously they take this, both the writers and the white main character. This is also helpful if you're not me, a person from the American South, who isn't hyper aware of the connection between racism against black people in America and Nazi ideology, because these are important concepts to understand for the background of the story and the exposition dump for the historical significance of this is very well done for being an exposition dump.

And once we get this well-drawn explanation of why it's so bad that a black person is missing in a country that's politically charged against them, Peter is more than willing to help. He goes to a black and tan club (speakeasies that catered to POC) that he didn't bust despite its illegality because he's never cared about speakeasies, even used them to get vital information. Most of Peter's struggles in the Noir comics is figuring out where he's going to draw the line on innocent and guilty when so much of the world is crooked, and this is reaffirmed here. He puts all the cards on the table, lets the customers have a choice in whether they want to associate with traffickers, and they can decide for themselves. I also just like this because it annoys me when certain stuff pretends black and tan clubs didn't exist and it was nice to see one in a noir thing...

Big fan of how they handle the responses Peter gets to declaring this rescue as his mission, too. There's a nice early echo to our frenemy the Nuremberg Defense here, with the owner of the black and tan club who was keeping people in chains against their will acting like his hands are clean of the matter. We also have a cop that's trying to claim they don't live in a place where these sorts of things happen, and Peter has a shockingly informed clap back. If I can ramble about KKK history some more, I know a lot of people nowadays think it was just a crazed splinter group that the common American wouldn't have approved of back then, and that they were just meeting in isolation out in the country, but it was quite the opposite. They had significant power in urban areas, and like many extremist groups, they knew how to market themselves to almost make sense, to the point that you could parrot their ideas mindlessly. The cop's idea of them being in New York, so this can't be happening, is him falling for this propaganda that this can't be a case of mass lynching or trafficking, because only far away bad people he's never met would do that, not his neighbors who he sympathizes with. I love that Peter doesn't agree for a second. This tracks incredibly well with Peter's upbringing, since Aunt May and Uncle Ben are constantly accused of communist sympathies, he explicitly aligns with those sympathies, and around this time the KKK was gaining members by claiming to be anti-communism. There's an obvious modern need for the white person in a segregation era story to not be pro-lynching if you want to see them as a good person, but instead of it being this blurry "don't think about it too hard", it's explicitly in the text why he's anti-lynching. It's an extension of his character arc of hating how his world runs and how it systematically hurts people. With his caretakers being incredibly politically active and campaigning for people to take action against the government, it also makes sense for him to have the date of a political riot in his hometown memorized and ready to pull on someone who insists following the status quo is the best way to handle current problems.

And of course, the entire concept of black people being kidnapped to be used for experimentation is rooted in history. They have Nazism as an undercurrent for a lot of this story because the unethical human experimentation by the Nazis is written in our history books, but the unethical human experimentation by the American government is conveniently omitted. The specific incident that would be best to read about for this would be the Tuskegee Syphilis Study in 1932. While that wasn't technically kidnapping, it did attract volunteers with intentionally false information and forbade those involved from getting medical treatment, so their health was being held hostage. The comic has these people kidnapped to lobotomize into permanent servitude, which is an effort from the villain to stop black people from rebelling and "return" them to their state as slaves that white people can rely on. It's absolutely horrifying and I adore how obvious it is about it. I'm not an ethicist or a historian, but as someone who had background knowledge on this stuff before reading this but is also fully aware not everyone knows about these historical events, I think it does a relatively good job introducing this concept to the uninformed. The same goes for the information on the connection between Nazism and the KKK. Those groups had a much larger overlap in this time period than you'd think, and the way that overshadows the narrative in this story is what makes this story truly noir as a genre, approaching the topic with sober cynicism that you don't get in a lot of superhero stories.

With a sudden movement, he pins your wrists above your head, taking a moment to admire your stunned expression, noting your blown pupils before he shoots out dark grey web, pinning your hands to the headboard.

Expectedly, you love it. Though, he didn’t quite anticipate the begging that follows.

“Please, please, please.” You gasp, your lower half writhing, legs curling around his waist.

And what kind of man would he be if he denied his lover when they’re in need…?

He doesn’t even bother undressing, just unbuckles his belt and pulls his length out of his trousers, stripping you down as you remain helpless beneath him.

His usual slow, sensual pace is abandoned in favour of something deeper, more worshipful, like he’s trying to carve into you and make a home for himself there, your bodies meeting with a dull thud.

Your sweet noises drive him crazy, leaving him too flushed to even look at you, his eyes trained on the slope of your collarbones. He feels like a teenager again, somehow. If he doesn’t try to distract himself, he’ll come undone.

But your back curves into such a pretty arch, and you feel so good wrapped around him, and you’re behaving more wantonly than he’s ever seen you before.

So, when you curse under your breath and warn him that you’re getting close, he slows his pace right down and focuses all his attention on your pleasure first.

Surrendering to the feeling, he holds eye contact with you as he works you over the edge, watching as ecstasy morphs your features into something truly beautiful, all for him.

As he anticipated, it barely takes him another roll of his hips before he’s following your lead, coming undone as he slumps forward, spilling deep inside you.

You chase his lips as he pants, kissing him with more tenderness than he knows how to handle. The moment is simultaneously picture perfect and far from it, the scent of sex lingering in the air, sweat glistening on flushed skin.

He pulls at the web coating your wrists, freeing you before you reach up to lazily loop your arms around his shoulders.

“I think you liked that as much as I did.” You murmur, affectionately teasing him as you rest your foreheads together.

He nods solemnly in agreement, his heart still beating like a drum in his chest.

“We might have a problem on our hands.” He chuckles wryly, though the glint in his eye tells you he means it.