#soviet rock

Pink Floyd, Another Brick in the Wall pt. 1

Our story starts with Alec being a little orphan in 1950s-60s Britain. Therefore, my choice went to a song about a very similar little orphan—Pink, the protagonist of The Wall. Although circumstances are different, the song tells the same story for both kids: they're lonely and deeply resenting of their father's (or parents') absence... which will be the root of all the ills in their lives.

David Bowie, Life on Mars?

There was a joke between @prismatic-bell and I once. Since Bowie and Alec are so similar in terms of appearance, Bowie must have been Alec's first crush (and therefore, bi awakening). Therefore, there has to be some Bowie in here—and this song in particular is perfect to describe Alec growing up, looking at the depressing Cold War world from his young eyes.

David Sylvian, Forbidden Colours

Speaking of bi awakenings, well this is it. At this stage of the story, young Alec has realised ‘[his] love wears forbidden colours’. And just like in the song, he'll ‘[try] to show unquestioning faith in everything’, from public school to the army. Another brick in his wall, as somebody else would sing.

John Barry, Theme from the Persuaders

The only instrumental in this playlist, but perhaps the name of the composer alone tipped you off on why I chose it. By now Alec is a Royal Marine, and he meets a certain Navy commander—a fellow named James Bond, you might have heard of him. So why the Persuaders and not a classic Bond theme? Easy, just watch the opening of said Persuaders. The parallel editing between the lives of Roger Moore's and Tony Curtis's characters... I dream we could have that for Brosnan!Bond and Alec.

Pet Shop Boys, This Must Be the Place I Waited Years to Leave

So Alec is an MI6 agent now (probably under James's influence). The point here is, he actually loves his job—being in the shadows, not having to be around handsome men in uniform all the time anymore... He's found his place, and he can look back on his younger years as a bad time that is finally over (or is it?) Fun fact by the way, this song could have been the Living Daylights' theme song. It didn't go too far into that process, but still I highly recommend this edit of TLD's credits with the song over it.

Frankie Goes to Hollywood, Relax

‘Not having to be around handsome men in uniform all the time anymore’... yeah. Well, there is still is one ridiculously handsome man Alec is around all the time—James. Cue more bi panic, growing jealousy, and, of course, sharing everything absolutely everything. Doesn't help that Relax, an extremely gay song (enough to be banned by the BBC when it came out...), is the hot thing on the radio back in those days...

Tears for Fears, Shout

Alec has just earned his 00 status, and he has many scores to settle with life... so he's going to shout, and life is going to hear him. Case in point, his bullets.

a-ha, The Living Daylights

A continuation of the previous song. This is Alec and James living the high life as 00 agents, full of broken gadgets, expensive food and clothing, private jokes and other code phrases. An excuse for me to shoehorn my favourite Bond song in the playlist? Absolutely. a-ha's synth version of it, too—as much as I love Barry's version (the one used in the movie), I have to say this one is vastly superior.

Public Image Ltd, The Order of Death

Oh no. Alec has been too curious and got his hands on his MI6 file. Now he knows everything. The Lienz Cossacks and their betrayal by the British; his parents' survivor guilt; the fact his name shouldn't be Trevelyan but his parents' Russian name (Trailin, in my headcanon); the fact MI6 knew his origins and still got him to work for them (if it didn't have a say in how he was brought up...) He wanted to know, now he's got his answer. Whether he likes it or not.

Secret Service, Flash in the Night

Alec is depressed. He doesn't really know yet what to make of everything he learned in his MI6 file. He looks at James but he knows he can't tell him anything. James is part of the system that betrayed his parents, then betrayed him in turn. James can't possibly understand how it feels like. Yet again, Alec is alone. The scar once healed forever dissolves in the rain, as the song has it.

Кино, Спокойная ночь (Kino, Spokoynaya noch'—Calm Night)

Not too long later, a still depressed Alec is wandering in Soviet streets during a mission. Moscow or Leningrad, who knows (one day I'll have to choose, because I really want to write a one shot based on this song). Ideas are coming to him, but they aren't really clear. The only sure thing in all this is that he's starting to feel a lot more Russian than British... hence the inclusion of the first (and not last) Soviet rock song in the playlist.

C.C. Catch, ‘Cause You Are Young

Probably the same night, Alec stumbles on an underground nightclub blaring Western songs. After all, it is the mid-1980s, and Gorbachyov's USSR slowly starts to allow such music within its borders (censorship is still there, though, as proved by the blurb on the Soviet edition of Frankie Goes to Hollywood's second album not mentioning a single thing about Relax. Western music, okay, but gay? How about nyet) Anyway, my point: Alec hears this obscure German pop song, and suddenly everything starts to fall into place in his mind. A wake-up call, if you will. What he needs now is to catch his freedom from MI6, whatever the cost.

Depeche Mode, Personal Jesus

Janus is born. Alec's Personal Jesus, the persona that will give him his freedom from—and revenge on—Britain. The inspiration behind this choice of song comes from Brigada, the most famous Russian TV show of all time. Basically, the story of a group of friends in the late 1980s who go on to become a powerful mafia group in the 1990s. In the first episode, the protagonist decides to commit his first crime over Personal Jesus... and commits said crime in an underground nightclub that blares ‘Cause You Are Young. Small world, I know.

Peter Gabriel, We Do What We're Told

Alec is preparing his plans to fake his death and truly become Janus, but in the meantime he has to pretend everything's fine. So he does what he's told... like in his childhood, like in the army. He absolutely hates it, but he knows his patience will pay off.

Propaganda, p:Machinery

One word: Arkhangelsk. The planning phase is over, the day has come for Alec to make his move and disappear from the face of the Earth. Except that, as we all know, not everything goes according to plan... Fun fact, I just learned that this song was greatly influenced by David Sylvian, of Forbidden Colours fame. The world doesn't get any bigger, does it?

Pink Floyd, Hey You

In a Soviet hospital, Alec recovers from his Arkhangelsk wounds... and falls deeper into depression. But with Janus on board, depression takes on a much more threatening face. Alec is despaired, but he also wants to kill. That should distract him from despair.

Nautilus Pompilius, Воздух (Vozdukh—Air)

As the USSR slowly dies, a new organisation comes to be—the Janus Syndicate. It's only the early days, and it probably doesn't really ressemble what we see of it in GoldenEye. But it comes at a time Soviets themselves are growing disenchanted from their world. as everything crumbles down, even law enforcement doesn't see any point in catching criminals anymore (as told by the lyrics). Exactly the kind of fertile ground the Syndicate needs to grow.

The Rolling Stones, Sympathy for the Devil

There's a newcomer in Alec's life—a certain Xenia Onatopp. Is she a cis or trans woman, I'll let you choose. What she definitely is, at least, is someone who wants absolute freedom, even if it means harming others (a cause Alec can relate to). That, and the kind of untamed energy that would greatly benefit from being given a direction. For instance... working for Janus? Unless it is dominating Janus in the bedroom... my Alec is bi for a reason, after all.

Depeche Mode, Never Let Me Down Again

Do you know Scarface, and more specifically the Push It to the Limit segment? Well picture that, but with Alec as Tony Montana, Xenia as Manny Ribera, the freshly renamed St Petersburg instead of sunny Miami... and Depeche Mode instead of Giorgio Moroder's music (with the caveat that Alec clearly didn't get married back in those days, because there's only one person he'd marry: James). These are the heydays of the Russian mafia, when some people who previously knew nothing of capitalism became dizziyingly rich overnight... and fought each other to death for more power. The days of the Gulf War, also—when the Janus Syndicate sold stolen Red Army weapons to Iraq. Pop quiz, do you know what the mafia bosses who survived those turbulent times are called today? Oligarchs. Kinda sheds a new light on Alec, I won't lie.

Tina Turner, GoldenEye

I had to include it. There's no two ways about it, this is the ultimate, canon Alec (Bondalec, even) song. Just look at the lyrics, and tell me this isn't Alec spitting all his jealousy on James. Xenia would be just as menacing, yes, but nowhere near as salty. So where are we in our story for me to include this song? Well, just at the beginning of GoldenEye proper: Xenia has met James in Monte Carlo, and tells Alec as they prepare to steal the Tiger (yes, Xenia's accomplice in that scene is Alec. Fight me). Cue a very sour laugh from Alec, who cannot believe fate has put James on his path again. Not that it really matters to him at this point though—all he's focused on is his upcoming revenge on Britain, and if James has to be a bystander, then so be it.

Midge Ure, The Man Who Sold the World

James wanted to be set up with Janus... well, he's got what he asked for. Janus, in person, at the statue park. Alec, alive and with a murderous intent. Again a song with a connection to Bowie, as you might have noticed... but unsurpringly I prefer the very 1980s, synth-heavy version by Midge Ure. Bowie, hmmmm... a hint towards renewed bi panic on Alec's part? You'll know soon enough.

Nautilus Pompilius, Нежный вампир (Nezhniy vampir—Tender Vampire)

A little interlude before we enter the endgame. The tender vampire here is Janus, of course—dragging Alec's better self into the abyss, being so jealous of James he starts circling around Natalya like a hungry shark. The absolute creep we see in the train scene, in short. For the record, I know this song from Brat, another very famous Russian movie about the 1990s mafia (I'll probably run a watchalong for it later during this Fest, so stay tuned 👀).

Propaganda, The Murder of Love

Train scene, act 2: the Mexican standoff. Alec and James face each other again, but James still doesn't really have the upper hand. So Alec (well, Janus) spits more poison at him, this time a lot more personal and hurtful. And yes, the bi panic is firmly there, as smug as Alec tries to look. He knows he can't kill James, but he also knows he can't let James talk to him. Alec can't be diverted from his revenge on life itself, because that would be acknowledging that all the time and effort he put into that goal was a waste. Therefore, he prefers to gloat at James... in other words, to be the victim who's become the judge, and to make James plead for mercy.

Pet Shop Boys, I’m Not Scared

Well, this particular one originally wasn't in the playlist. But the moment I first heard it, I knew I had to include it. This has to be James's answer to all of Alec's venom in GoldenEye and The Murder of Love. James has always loved Alec, and doesn't understand how Alec could have grown so scorned and spiteful. Are Janus and Alec really the same person? Will he have to kill Alec? If he does, will James ever be able to forgive himself? If only he and Alec could talk heart to heart... as @3nigm4art commented about this song, Alec would cry if he heard James singing it to him. Perhaps he could even be reasoned... So what I envision here is the beach scene, with James looking at the sea asking himself all those questions—and Alec, somewhere in his lair, being unable to take James out of his mind.

Leonard Cohen, First We Take Manhattan

We are now in the Janus control center in Cuba. Xenia is dead by now, but Alec probably hasn't really processed that yet. After all, he has other things on his mind: his scheme coming so close to completion... and James right in front of him, watching and commenting what he sees. Alec likes this, in a way—what better witness to him becoming a literal god than James? He's not jealous anymore at his point, because in his mind, he's won. He's done the impossible: destroying Britain, and beating James. But there's an issue here... being so drunk with his triumph, he forgot that James won't let himself be just a passive bystander. Which surely won't come back to bite him in the arse, will it?

Pet Shop Boys, It's a Sin

As everything explodes around him (literally), Alec loses it. James has stolen the triumph he deserved to get. Therefore, James will die. By Alec's hand. Ensues the fight on the antenna. Alec probably knows he won't survive it, but he doesn't care anymore. All his rage, all his jealousy, all his frustration are what fuels him at this point—with glimpses from his past flashing before his eyes, as the song suggests. He has wasted nine years of his life, and the rest of it in fact. His whole life has been nothing but sin, from his origins and attraction to James to becoming a spy then a mafia leader. So if there's no turning back... at least he'll go out with a bang. And hopefully take James with him.

Кино, Легенда (Kino, Legenda—Legend)

The story ends here. Alec falls to his death after James lets him go, and James has to live with the memory of Alec haunting him. But is it what really happens? If anything, this song is here to be an open ending. It is an elegy, yes, but it could be Alec singing it. Since death is worth living, but love is worth waiting, maybe he survived and has to piece himself back together at James's side. Or maybe it's James who fell. You decide, but at least there's one thing we can all be sure about. Credits might roll, but Alec's legend never ends.