I met R. on a climbing trip in West Virginia. We hooked up in my tent for the last two nights. Then it turned into a two-year romance, spread thin between my home in New York, his in Texas, and a bunch of dirtbag crags in between. And spread thin over not much communication in between. It wasnât a typical romance but it was the kind I finally said would be okay, since waiting around for perfection left me coming up short every time.
The breakup came in April, about a week after my momâs cancer was found. He carried it out as badly as I could have expected, over a clumsy text exchange wherein he revealed he was dating someone local. And had been for six months, including while we were together in Mexico for New Yearâs. And that was that, or so I thought.
So I found myself at the hotel one night a week later, nursing wounds in a place Iâd been wounded so many times before! And I was anxious because, well, a certain Boy Witch looks an awful lot like R., if R. had been healthier psychologically, as I knew, and wasnât it going to be strange to spend a few hours chasing after someone who made me think of him like that?
But I stood in Manderley for happy hour and sipped my scotch like always and it was very nearly time to check in, and then the text came. He was coming to New York in three days, he said. For work. Would I want to meet up and talk?
Oh of course, of course *now* he wants to talk. Couldnât be moved for two years to put a name on whatever we were but yes, now, letâs talk now.
And then it was time to go inside, and all the effort Iâd made to hold my stupid heart together the previous week was ruined. Of course he followed me in here, he found a way to break through the spell this place has up that keeps me out of painful reality.
And indeed, there was that particular Boy Witch, and I followed him dutifully through his loop, distracted by the occasional familiarity of his face. I dressed him, which is a scene I hate because it is stressful, and painful to see someone in such agony, but you have to be there to help him put himself back together. And I go to this scene because it leads to my favorite interaction on that loop, which comes next: he takes my hand and we race breathlessly down the stairs, until the last flight when he lets go and disappears around the corner, far enough ahead of me to surprise me and push me into the wall.
He holds me by the throat, leans in and kisses my face. He says âthank you.â All of this is familiar, itâs what I know is coming, and its comfort is why I am here. He turns to walk away, but then he stops. Turning slowly, he comes back to me and presses his hand into my chest. He lingers and stares. âYour heart sings,â he says. My broken heart sings.
Of course he didnât know, he had no idea, how could he have? It was just chance, that this little deviation from the usual script would be so perfectly timed. I broke, I utterly broke.Â
So, you know, if you wonder why I called that particular Boy Witch legendary, it has a lot to do with this. And I will never forget it. Thank you.