transcript of lucheni's first interrogation, from George R. Marek's The Eagles Die: Franz Joseph, Elisabeth, and Their Austria
seen from Germany
seen from United States
seen from United Kingdom
seen from Malaysia
seen from Malaysia
seen from United States
seen from Malaysia

seen from Malaysia
seen from United Kingdom
seen from United Kingdom
seen from Peru
seen from Russia
seen from France

seen from Germany
seen from China
seen from United Kingdom
seen from United States

seen from Spain
seen from Singapore
seen from United States
transcript of lucheni's first interrogation, from George R. Marek's The Eagles Die: Franz Joseph, Elisabeth, and Their Austria

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
— i have once again fallen down an elisabeth rabbit hole because i just want to know what is going on with her absolutely gorgeous hair.
what if our historicalfigureposting tags kissed what theb
is this canon?
TWINK

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
your grandparents when there's a meteor about to kill them but they're both suicidal so they're low-key okay with it
elisabeth double casting but no death okay.
in act one, elisabeth is played by the younger actress, and death by the elder. here, death acts as a symbol of freedom via being old and maturing, getting to make your own decisions. later in the act, death is the idea that elisabeth, should she only get older, will one day be able to make her own decisions, will one day get out of the court and be her own person. death says to her, I am what you could be. I am what you will be.
and it is the elder actress who sings ignm reprise, taking elisabeth's place as the character decides that she will become this person, will grow up and mature and be free that way. that that's how she's gonna gain control. but death now takes the form of the younger elisabeth, now beginning to taunt her. in a way, Elisabeth has, by becoming this person that death had shown her, given into them.
through act two, the elder elisabeth is now taunted by death in the very opposite way; death, now appearing young and free, says to her, I am what you could have been. I am what you never knew you had and will never have again. I am everything you should have taken advantage of. and elisabeth chases this figure, now, as she did before, desperate to regain something, anything, of her youth, her beauty, and her capability.
der schleier fällt is, then, not a meeting between death and elisabeth, but between elisabeth and herself, or between two facets of the same woman who have never been able to integrate, now face to face for the first time. and of course, the only way they can truly be one person is to die.
this 19th century CE historical rpf shit is easy