#sheiscoming

Eu acho que esse é o trabalho mais cru da miley - digo *acho* por que não ouvi todos os trabalhos dela (𝘳𝘴𝘳𝘴). Ela não parece estar querendo apresentar uma faceta que não ela mesma nesse registro mais intimista.

Começando com 𝙈𝙤𝙩𝙝𝙚𝙧'𝙨 𝘿𝙖𝙪𝙜𝙝𝙩𝙚𝙧 que tem versos que eu amo como “𝙃𝙖𝙡𝙡𝙚𝙡𝙪𝙟𝙖𝙝 / 𝙄'𝙢 𝙖 𝙛𝙧𝙚𝙖𝙠, 𝙄'𝙢 𝙖 𝙛𝙧𝙚𝙖𝙠, 𝙝𝙖𝙡𝙡𝙚𝙡𝙪𝙟𝙖𝙝” e todo o refrão.

A 𝙗𝙖𝙙 𝙩𝙧𝙞𝙥 começa em 𝙐𝙣𝙝𝙤𝙡𝙮 e segue para 𝘿.𝙍.𝙀.𝘼.𝙈. com o Ghostface Killah assumindo, em seu eu lírico, o papel de um traficante - acho que nunca vi isso tão explicitamente numa música internacional. Um corte seco separa o fim dessa faixa com a voz de Rupaul em 𝘾𝙖𝙩𝙩𝙞𝙩𝙪𝙙𝙚, a faixa mais divertida do álbum - que faz lembrar a era 𝘽𝙖𝙣𝙜𝙚𝙧𝙯 (2013) - com a Miley Cyrus sendo uma mulher viada (𝘳𝘴𝘳𝘴). 𝙋𝙖𝙧𝙩𝙮 𝙐𝙥 𝙏𝙝𝙚 𝙎𝙩𝙧𝙚𝙚𝙩 (𝘧𝘦𝘢𝘵. Swae Lee & Mike WiLL Made-It) baixa o clima de novo e é uma música boa pra se ouvir, mas não tem uma letra muito interessante.

𝙏𝙝𝙚 𝙈𝙤𝙨𝙩 tem composição e produção colaborativas com Mark Ronson com quem Miley fez 𝙉𝙤𝙩𝙝𝙞𝙣𝙜 𝘽𝙧𝙚𝙖𝙠𝙨 𝙇𝙞𝙠𝙚 𝘼 𝙃𝙚𝙖𝙧𝙩 - essa é uma das minhas músicas favoritas dela. Provavelmente se tratando de seu relacionamento com Liam Hemsworth, fala sobre os altos e baixos dessa união pela perspectiva de quem causou as crises. Originalmente o trabalho encerra com 𝙏𝙝𝙚 𝙈𝙤𝙨𝙩, mas em 2023 foi adicionado ao projeto o 𝘴𝘪𝘯𝘨𝘭𝘦 𝙎𝙡𝙞𝙙𝙚 𝘼𝙬𝙖𝙮 que trata do fim de seu casamento.

SHE’S COMING. 🔥

The wait is finally OVER! Get ready, because the sensational Sunanda Sharma is all set to set the stage on FIRE at IIMT! ✨🎤

What matters for now is this: the ship is gone, the thread is quiet, and in the mountain lab, Eclipse is alone.

He does what he has always done—what he learned to do in the long cycles of war and survival, in the hidden observatory, and in the silent hours between timelines. He works.

Every morning, Eclipse rises before the sun and sits at the Window, watching the code of the world braid and ripple, logging the drift of nearby AUs. He keeps meticulous records, annotating every fluctuation, every anomaly, every potential sign of movement at the edge of the bleed-through. The instruments hum, the lab is orderly, and the routines are unbroken.

He tends the decoy—sending it through town on its daily circuits, updating its responses, watching how it moves through the rhythms of the place they’ve called home. He observes the gaps that only he can see: the way Lax lingers a little longer by the bar, the way Trent’s debriefs grow more thorough, the way Lester’s Tuesday reports seem to circle a problem he can’t quite name.

He keeps in touch, in his own way—sending the quietest pings along the thin connection thread woven into the ship’s design, waiting for a reply that is never more than a simple status, a heartbeat of code. He files each one, carefully, as proof that one half of the story is still out there, moving.

He walks through the empty house at night, sometimes pausing beneath the constellation ceiling in the old room, looking up at the map Matcha painted—each star a memory, each line a thread back to something that mattered.

He keeps the thermos clean, just in case.

He waits.

He does not pace or fret or break routine, but the code around him is restless, and the space between things accumulates tension the way a sky gathers weather. Sometimes, in the stillness, he catches himself listening for the sound of a second set of footsteps in the lab, the bright echo of a laugh, the careless orbit of gold hands.

When the ache of absence grows too loud, Eclipse does what he always does: he works. He builds. He improves the Window, refines the Untangler, drafts letters he’ll never send. He keeps the promise he made—to hold the thread, to keep the home fires burning, to be here when the door opens again.

Because that is what you do, when you’re the one who stays behind.

You trust the story is still moving, somewhere out there, between the stars and the Watcher and @templarskyverse.

"She is Coming" is available on Bear Lion Shop! @bearlionshop

Hande Erçel x Nocturne 🖤

Hande Erçel ✨

Hande Erçel x Nocturne 💙