Cartoon by John O'Brien for NEW YORKER magazine, 1991.
seen from Canada

seen from United States

seen from United States
seen from Australia

seen from United States

seen from TĂŒrkiye
seen from Jordan

seen from United States

seen from Sweden
seen from TĂŒrkiye
seen from Spain

seen from Greece

seen from Mexico
seen from Netherlands

seen from Spain
seen from Malaysia

seen from Mexico

seen from Brazil
seen from Brazil

seen from TĂŒrkiye
Cartoon by John O'Brien for NEW YORKER magazine, 1991.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
Paper cutout animation test! Featuring my wip Moho rig.
I made a quick animation in Moho and then exported the individual frames and used a cricut to cut them out. Then, I did a "quick stop-motion test" on a makeshift light table because I am apparently insane.
(Adding a few sheets of vellum helped sell the look.)
The Moho animation took about 30 mins...filming the stop-motion shot also only took about 30 mins. (because it was only 2 seconds.)
But the printing, cutting, gluing, and other fabrication.....took days.
Anywaysâbehold him.
Blue Moon
âGive to this dog son of a wolf a human face, and the result will be Javert.â
I think a lot about the folkloric story that Victor Hugo describes (or invents) in Les Mis, that uses dogs/wolves as a metaphor for that way that Inspector Javert betrays his own social class. It feels very fairytale-like, so hereâs a Lotte-Reiniger style adaptation. Many thoughts, many emotions. I may animate this eventually. (And thanks to @valvertweek for the motivation!)
I could just eat you up.
nom- nom- nom-

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
When I submitted the final piece to a quilt show, one of the docked areas was that the âhandsâ werenât opaque. I really have no technical defense to that, but I wish I couldâve expressed my artistic defense ;_; In my mind, it was in contrast to how richly opaque the shadows were. Like, how could something ghostly create such intense shadows? Either way, I now create a plain muslin shapes to place underneath white fabric.
Forgotten fauna: hand animals