style | zazie beets in a white butterfly print rodarte fall 2019 top and ruffled skirt
stream | 2019 seberg venice film festival photocall
seen from United States
seen from Australia

seen from Germany
seen from United Kingdom
seen from Iraq

seen from United States

seen from Portugal
seen from United States
seen from China
seen from United States
seen from United States
seen from T1

seen from United States
seen from Malaysia

seen from Austria
seen from United States

seen from United States

seen from Malaysia
seen from Iraq
seen from United States
style | zazie beets in a white butterfly print rodarte fall 2019 top and ruffled skirt
stream | 2019 seberg venice film festival photocall

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Seberg (2019)
Chapter III
jack solomon x fem!reader
Explicit Content/18+ Minors Do Not Interact.
w.c: 9.2k
read part one and two here. read on ao3 here.
Summary: With the creation of the Behavioral Sciences Unit at the FBI, you and Special Agent Solomon are both reassigned to the team investigating sexual deviance. The final days of your first undercover mission push you to your limit.
Warnings: Dead Dove Do Not Eat. Contains Smut; 18+/MDNI. explicit discussions about and depictions of BDSM. stripping. oral fixation. oral sex (m! and f! receiving.) hair pulling. masturbation (m!) cumplay. voyeurism/exhibitionism. audio recording. cnc. choking. slapping. praise kink. dumbification. degredation. grinding. cheating kink sorta?? infidelity for sure. bisexual!reader. discussions of homosexuality. subfrenzy/domfrenzy. subspace/domspace. teeny tiny bit of subdrop but just barely. little bit of aftercare fucking finally.
author's note: thank you to everyone who has been invested in deviant so far! i've gotten many lovely messages about how much you are all enjoying it, and it really does make me so happy. i truly enjoy writing it and it's been fun to see so much positive reaction. PLEASE HEED THE WARNINGS; this series is VERY explicit and also contains lots of period-accurate sexism/misogyny and homophobia. not everyone wants to read a fic like that; i get it! skip this one if that is not for you.
special thanks as always to mo phĂŠist abhi @scannainscanrula for his incredible graphic design on the banner and dividers, for editing, and for continuing to goon with me. i like playing in the same sandbox with you.
Reblogs, comments, and likes always appreciated! Please reblog if you like what you read; it helps keep writers engaged in fandom spaces and creating cool shit for you!
Your torturous week drags on like that: learning and coaching with James and April, you and Jack getting hot and bothered, then the sudden, startling end that leaves you breathless and near tears. You end each night the same way, too. You get back to the hotel, Jackâs familiar combination of bourbon and a cigarette does little to settle his frayed nerves, and you touch yourself to get to sleep, replaying the events of the evening to get yourself off.
Finally, youâve had enough. Six days is enough. You donât think you can take another night of Jackâs teasing.
âI can go in for a solo tonight, if you want,â you offer, trying to sound as nonchalant as possible.
âHuh?â Jack looks up from his notebook and sets his coffee down. Youâre doing your usual morning brief. Jack had gone down to the hotel lobby and returned with a cup of black coffee for each of you. Youâd ordinarily review your notes and personal accounts of the prior evening, identify an area of exploration for your upcoming night, and make a game plan for how to steer the scene there and get as much information out of James and April as you possibly could.
But just the thought of another night with Jack makes you want to scream.
âA solo,â you repeat. âI can go in by myself tonight. Might give us a better perspective.â
âUhâŚsure,â he replies. Jackâs not really sure what to make of your offer. âYouâll, um, youâll need to wear a wire.â
You werenât expecting that.
âWhat?â
âThatâs what Ford said,â Jack replies. âIf we go in solo we need to keep a mic on it. Data collection and all.â
âHow am I supposed toâŚhide a microphone in there?â you counter hotly.
Jack stands and crosses to his suitcase, pulling out a small hard-sided case. He unbuckles it and removes a tiny recording device. Itâs only about as big as a Zippo. He turns back to you.
âIn your bra,â he says plainly.
âYou cannot be serious,â you huff, rolling your eyes.
âItâs the onlyâŚplaceâŚtoâŚput it,â Jack stumbles, his eyes nervously darting away from you as he runs a hand through his hair.
âCanât I just keep it in my purse?â you protest.
âYour purse that youâre going to set down and walk away from?â he retorts.
âI donât walk away from my purse!â
âWell theâŚthe conversation is happeningâŚaway from your purse,â he counters. âJustââ he sighs. âLook, Iâve put some thought into this, okay?â
You feel your cheeks get warm at the idea of Jack imagining you stripping, brainstorming where on your body he could hide a microphone.
âThe sensitivity of these micsâŚthey need to be close to their target. Believe it or not, I do sometimes know what Iâm talking about,â he finishes with a snark.
âFine. Give it here,â you finally relent, holding out your hand. Jack passes you the small recorder and coiled up wire.Â
âLet me justâŚgive me a second,â you tell him. You head for the small bathroom and shut the door behind you. The counter is littered with his things: toothbrush, comb, razor. You eye the dark bottle of cologne sitting on the white tile. You set the mic down and pick up the glass bottle, removing the small gold cap and inhaling deeply. It smells like Jack. Youâre tempted to dab it behind your ears, but think better of it and replace the cap and bottle.
Jack sits on the edge of his bed. He imagines you in the club, with another man, while he sits behind and listens to the whole thing. It somehow excites him and enrages himâ he canât stomach the idea of another man touching you, but he thinks about hearing you, directly in his ears, listening as you actually have an orgasm. Itâd be even clearer than having to listen through the thin hotel walls.
In the bathroom, you turn your attention back to the microphoneâŚthe idea of Jack listening to you in the club with another man makes your heart pound. You try not to think about it as you undo the buttons on your blouse and bury the small device in the bottom of the left cup of your bra, holding down the tiny button on its side until the light next to it flashes green three times. You thread the wire up just enough to be close to the edge of the soft satin cup, but not showing. You quickly button up your shirt again, then turn the handle on the bathroom door.
âHere. You need to test it or something?â you spit out quickly, startling Jack.
âYeah, let me check the fit,â he says, resting back on his hands and nodding in your direction.
âWhat?â
âI gotta make sure itâs not visible,â he replies, hoping his tone sounds even enough not to betray his eagerness.Â
You draw in a deep breath, catching his meaning. You swallow hard, your eyes locked on him, before bringing your hands to the buttons at the collar of your blouse. Your fingers slowly work the tiny plastic buttons, your shirt falling open as you make your way down. Jackâs eyes are locked on your hands as they continue down your body.
Jack can feel something in his brain shift. He gently releases his breath. Heâs suddenly laser focused on you, in awe at your obedience to his simple command.Â
When youâve opened your shirt entirely, you look up at Jack. You catch him drawing in a sharp breath as his eyes snap up to meet yours. Not trusting your voice, you quietly throw your hands up in a silent gesture: this good?Â
He wishes you were at the club instead of in this tiny, too-hot hotel room. At the club, he could at least take out some of this frustration on you. Here, any moves he makes are real; and yet, he canât stop himself from pushing it. Jack chuckles.Â
âWhat, youâre gonna let him just open your shirt?â he challenges. âKeep it on while he fucks you?â
You tear your gaze away from him, your cheeks burning. Jack relishes in your embarrassment. He makes a sharp, quick click sound with his tongue, drawing your attention once more.
âCâmere,â he says in a low voice, holding his hand out in your direction. You cross the room toward the edge of the bed, reaching out for his hand. He withdraws before you can reach him, grinning slyly as your attention follows his hand back towards his body. You stand between his legs, your cleavage tauntingly close to his face. He gently takes the fabric of your blouse between two fingers and tugs.
âOff,â he whispers.
You shrug off your shirt, letting it fall off of your body and onto the floor. Youâre breathing deeply and fast, desperate to get some air now that youâre standing just inches from him. His eyes fall to your feet, then slowly drag up your body. He stares at your chest.
âTurn,â he says plainly. You obey, gently stepping in a small circle while he looks you up and down. Jack feels lightheaded, seeing you so readily submit to him, even in this way. It makes him want to put his hands on you, make you squirm and beg him to let go of you.
He eyes you up and down. No wires are exposed, and he canât see the mic as he stares at your tits.
âGood,â he praises you, sounding gentle and breathless.
âWhat,â you stammer, trying to steady your voice. âWhat ifâŚyou knowâŚwhat if I have to take my bra off?â
Jack can feel his face getting hot at the idea of another man unhooking your bra, touching you. Getting you to make all the cute little noises heâs heard all week through the wall.
âWell, then,â he counters, his voice tense. âI guess youâd be fucked.â
The double meaning of his words makes you swallow, your eyes on his. He leans back again and pulls his cigarette case from his pocket. He pops it open, taking one out and putting it between his teeth, never breaking eye contact. Your eyes are drawn to the way the orange filter looks between his soft lips.Â
Without thinking, you hum softly and hold out a hand. His eyebrows shoot up in surprise, but he considers you for a second. He didnât know you smoked. He gently takes out another cigarette. Instead of putting it in your outstretched hand, he flips it around in his fingers, then lifts it to your mouth. You take it between your lips and he digs back into his pocket for his lighter.Â
He lights his first, taking a long drag to steady the slight shake in his hand he hopes you donât catch. He plucks the lit cigarette from his mouth and exhales a long stream of smoke. He stares at you, unlit cigarette between your lips, standing in front of him in just your bra. He imagines another man pulling the straps from your shoulders, finding the recorder nestled against your soft skin. His thumb rolls over the spark wheel on his Zippo and he lifts it to the end of your cigarette. He watches the way your chest expands as you inhale. You exhale the smoke, trying to settle the rapid beating of your heart.
âYouâll be fine,â Jack says around his cigarette. âJust donât let him see your tits.â
That evening, Jack is set up with a tape recorder and his headphones in the hotel across the street from the club. Heâd called that morning, shortly after your little fashion show, to book a room for the evening. That was the challenge with New York City; it was nearly impossible to stake out in a van or find a vacant storefront nearby that the Bureau could commandeer. He managed to book a room on the 5th floorâ low enough that he wasnât worried about losing your feed, but high up enough that street noise wouldnât be as big of an obstacle.
He has his headphones on, facing the window that overlooks the entrance to Club Midnight. Itâs a discreet red door, just a few steps down from the street, occupying the basement of another business. The tape recorder in front of him is set up; heâs going to be live monitoring your investigation and simultaneously recording. The device thatâs nestled in your bra is small; itâs not even big enough to carry a microtape. All it can do is broadcast. Jack intercepts the broadcast with his receiver, and the recorder copies the transmission onto the tape. The spools lazily turn in front of him as he gently readjusts the receiver to get a better angle toward the club.
Your voice pumps into his headphones, static-y and crackly at first.
âHi, J--s!â
âGwâ how arâ ou?âÂ
Jack fiddles with some of the dials on the receiver, tweaking slightly to combat the static.
ââood, thanks. How about you?â
Jack flips the switch on his recorder that begins the recording, the spools of tape whirring to life in front of him.
âIâm well, thank you. No Peter today?â
âNo, we, umâŚâ Jack grins at the way you trail off. âWe talked about it and we each wanted a little timeâŚjustâŚon our own. Here.â
James laughs.
âI get it. We get couples all the time who want to do something similar. Sometimes itâs nice to take a break from your usual partner.â
Jack can feel his face getting hot.
âThatâs why it can be complicated introducing BDSM to an already existing romantic or sexual relationship. But you guys have been doing so well, and itâs great to see that you even have an understanding of how necessary that distance is sometimes.â
Jack brings his fingers to his brow and gently massages his forehead. He wishes there was a way to fast forward the conversation.Â
âWhat were you looking for tonight, then?â James asks.
âWell, IâŚâ
Jack bites his lip.
âI wanted toâŚsubmitâŚtoâŚsomeone else,â you manage to get out.
James smiles softly at you.
âOf course,â he says. âMan, woman?â
âMan,â you reply. You actually hadnât talked about that with Jack. Youâre guessing he just assumed youâd be with a man. But with the way you could still feel Jackâs hands on your body from every night this week, you needed someone else, someone you could replace with Jack in your mind, to finally satisfy you.
âDid you have anyone in mind?â James asks gently. âSomeone whoâs caught your eye?â
âCould I umâŚcould I do it with you?â you ask.Â
Jack feels a wave of heat run through his body at the thought of you and James together. He understands why youâre doing it, of course; this man who has already been teaching you and taking care of you all week feels safe, familiar.Â
But because heâs your trainer, you figure heâll be knowledgeable, too. The more information you can get out of him, the better you can justify doing this without Jackâs presence.
âOf course,â James smiles gently. âIf you want to.â
You nod, then remember what Jack had told you before you left the hotel room: you need to verbalize everything to recreate the circumstances accurately on the tape.
âYes,â you correct.Â
Jack tries to imagine James taking you down the long hallway that split off into the private rooms of the club. He pictures you walking into one, and tries to guess where youâre sittingâ the chairs, the bedâŚ
âHow are you feeling?â James asks.
âGood,â you reply from your spot on the bed. âNervous,â you add, because itâs the truth.
âThatâs okay. Just relax.â
Jack listens to James take you through a discussion about your boundaries, where he can touch you, what you want him to do.Â
âHere?â
âMhm.â
âWhat about here?â
âPuh-please, yes, there, please.â
Jack wants to take the headphones off, but he canât. Something about not being able to see you, having to imagine you in his mind, where Jamesâs hands are, whatâs making your breath hitchâŚit sends his head spinning. His heart races in his chest.
âI-IâŚI want it.â
âWhat do you say?â
âPlease?âÂ
âGood girlâŚGod, you sound so prettyâŚI wish your husband could hear you.â
It makes your heart flutter; he can, you think. He is.
Jamesâs hands dance over your waist underneath your shirt.
âI justâŚcan I keep my bra on?â you ask in a tiny voice.
âOf course,â James coos. âWhatever you want.â
You fumble with the buttons on your blouse, ripping it open as quickly as you can.
âI need you to touch me, please, I canâtâaghhââ
Jack tears the headphones down around his neck. The faint sound of your moans still rises to his ears in the quiet of the hotel room, so he knows the feed is still recording. But he canât stand having your soft, breathy voice directly in his ears anymore. Jack takes the headphones off his neck, setting them down on the desk, and stands. He can feel himself getting hard and tries to take a few deep breaths to relax. He reaches into his pocket for his cigarette case and gently grazes his erection through his pants, whining softly.Â
When Jackâs shaky hands finally light the cigarette between his lips, he sighs out a long stream of smoke. He sits back at the desk, pulling the black ashtray up underneath him before putting his headphones back on.
Jack listens to your moans and desperate pleading. The noises youâre makingâŚit sounds even better through the recording than it does through the wall at night. Jackâs hand dips below his belt as he listens to your panting breath. He stokes himself lazily, his touch soft and teasing. As he listens to you and James, he pictures you, sweaty, pinned downâŚbra still on. Jack moves his hand faster, desperate to finish.
âJa-James, fuck, please, please, God, make meâŚmake meâ ahh!â
Jack listens to you choke on your words. He listens to you sob.Â
You beg James through tears to make you cum. It feels so goodâ this entire week has brought you so close to the edge, without the satisfaction of falling. You squeeze your eyes closed, more hot tears snaking down your face, and picture Jackâs face over you.
As Jack listens to you cum, he squeezes himself especially rough and runs his fist up and down a few more times, until he can feel his own mess on the back of his hand.
âShit, shit,â Jack hisses, unable to stop his hand just yet. âFuck.â
When he can finally take his hand off his cock, Jack shudders out a breath.
âThank you,â Jack can hear your breathy voice. âThank you, thank youâŚâ
The next night, Jack insists on going with you to the club again. He claims itâs to get as many perspectives as possible on your last night in New York, but thatâs only part of the reason. The other part of the reason is that he feels he might lose his mind if he has to listen to someone else fuck you again.Â
James and April are there to get you set up for your last night with them. Itâs Saturday; as the final part of your training with them, theyâre going to supervise the start of your scene to make sure youâre following the clubâs rules around safety and communication. But then theyâll leave the room.
Thereâs been a weird, unspoken feeling between the two of you since last night. You donât want to think about Jack with his headphones on, listening to you actually have an orgasm. James leads you to a room, as usual, and you waste no time in sitting on the bed.
âHow do you feel?â April asks you.
âFine,â you lie. Jack unbuttons his shirt, leaving it open over his undershirt.Â
âAnd you?â April turns to him.
âGood,â he replies in a voice that tells you his answer might be truthful. âReady.â
âGood,â April smiles. âThen letâs get started. Weâll leave you two as soon as things get going.â
âGet on top of her,â James instructs Jack. Jack awkwardly climbs over you, resting one knee on either side of your waist. He doesnât lower his hips, so you can only feel his weight in the way the mattress sinks underneath you.
âLook at her,â James says in a gentle voice. Jack looks down at you and you stare up into his eyes. You can see his chest rising and falling quickly as he takes you in. Your own breath feels too shallow, too light, in your body.
âRelax,â James tells Jack. Jack slowly lowers himself, a breath shuddering out of him as he settles his weight on top of you. You feel so close to him. More than the feeling of his body on yours, the feeling of his gaze makes your head feel fuzzy. Jack swallows hard, eyes quickly scanning over your body before meeting your eye again.
âAlright, Peter,â James continues. âWhat do you want to do to her?â
âMake her scream.â
His reply comes too quickly; he knows that. Jack swallows thickly, eyes still glued to you.
âMake her screamâŚâ James muses. âIn pleasure? In pain?â
âPleasure,â Jack exhales. It sounds like heâs choking on the amount of oxygen in his lungs. âPain. Both.â
You draw in a deep breath as your eyes follow a vein running from his collarbone down into his undershirt.
âWhat do you want him to do to you?â James asks you softly.
You donât know what you want. You want his hands on you. Everywhere. You want him to kiss you. You want him to make you cry. You want him to make you lose your voice. Hit you. Bite you. Mark you up and make you walk into the office tomorrow with his name written all over your body in bruises.
âI wantâŚI want you to use me,â you whisper to Jack.
Youâre both breathing hard, barely disguising your desire. Jack brings one hand to your knee and does that thing, that annoying thing he does where he rubs gentle circles into your flesh with his thumb. You tug on his shirt, pulling it off of his shoulders. Jack helps you the rest of the way and discards the button up on the floor.
âPlease,â you whisper. âI canâtââ
You cut yourself off. The plea of I canât take it anymore! dies in your throat at the realization that James and April are still in the room.
âYou canât what, baby?â Jack purrs.
âI canâtâ I justâ I need you,â you whine, pawing at his chest. You wish it was a lie.
âAny limits that are different from your baseline?â Jack asks, his tone now less taunting and more professional. This was the procedure James and April had instilled in you. Rather than reiterating your boundaries each time you entered a scene, you both were supposed to check and see if anything had newly become off-limits.
You shake your head.
âNo,â you reply, breathless, âyou?â
âNo,â Jack continues.
âGood,â April coaches you. âLetâs get a little more specific with what we want. Peter?â
âI want you to resist again,â Jack mutters, the pink color returning to his cheeks. He leans over you. âAnd I want to be rough with you. Is that okay?â
âYes, yes, God,â you breathe. âI want you to be rough with me. Please.âÂ
Jack takes your wrists and holds them over you in one hand.
âYou still want me to say nice things to you?â he asks, somewhere in between sweet and taunting.
âY-yes, yes please,â you breathe unsteadily.
James and April make you repeat your safewords before they leave the room.Â
Well. This is it.Â
This is the moment itâll come crashing down.
The moment Jack will pull away, make some excuse about documenting everything, taking photos, scribbling notes. You want to strangle him.
You wish your body wasnât on fire under his fingers, that your mind wasnât saturated with him.
Heâs so close to you itâs making you dizzy. Youâre breathing heavily, your chest fighting to expand underneath his weight. Jack holds your wrists firmly above your head. His blue eyes bore into yours, and you canât stand it. Jack watches as your eyes dart down to his lips, then back up to catch his gaze again. He can feel your breath gently landing on his skin in soft puffs.Â
Jack canât think straight. His head is swirling at the sight of you pinned beneath him. The wiggling of your hips under his, the feeling of you fighting against himâŚhe hates that it turns him on. He wants to possess you. Own you. Destroy you.
He kisses you instead.
Itâs surprisingly soft; given the circumstances, you expected fervor or a franticness that youâre shocked to find totally absent in his demeanor. When he pulls away from you, you gently open your eyes, finding his again.
âTell me if you want me to stop,â Jack whispers.
You donât. He brings his hand to the fabric over your center and presses down roughly, drawing his hand in a circle over you as you squeak.
âYou want me to stop?â he asks you gently.
âN-no,â you reply in a hushed whisper. âNo, please.âÂ
Jack snakes his way down your body, leaving gentle, chaste little kisses along your skin as he goes. When he places one at your navel, just above the lace edge of your panties, his eyes flick up to look at your face. He grips your hips firmly in his hands as you try to twist away from him.
âAh-ah,â he chastises you. âBe good.â
He dips his thumbs and hooks them around your waistband, then slowly draws your panties down your legs. The cool air in the room against your already sticky center sends a shiver up your spine, but Jack presses a hand against your midsection to settle you back against the bed.
âStop,â he hisses. âJust let me take care of you, sweetheartâŚpromise Iâm gonna make it all better.â
He settles back between your legs, his hands on your thighs, gently holding you open.
âGod, Iâve been fucking waiting for this,â he groans, his breath hot against your core.Â
âJack,â you gasp, again pointlessly struggling in his grip.
âShhh, baby, itâs okay,â he shushes you. âIâm gonna take care of you.â
âJack, wait, no,â you beg, your false protests only fueling his desire.
âShh, shh,â he quiets you again. Jack presses his thumb against your clit, making you inhale sharply. âJust let me make you cum, please. Iâve been so patient, baby, pleaseâŚIâm done waiting.â
Jack can feel the saliva pooling in his mouth. He kneads the soft flesh around your hips in his hands, using his thumbs to dig into the pressure points in your hip sockets and make you squirm. He stares at your cunt, already smeared and glistening with your wetness.
When he presses his tongue against you, you choke on a yelp that dies halfway out of your throat. Jack licks one stripe through your folds, collecting your juices on his tongue, then swallows reverently.
âGod, you taste so good,â Jack moans, his voice nearly cracking. The heat of your thighs around his face, the sounds youâre making echoing in his ears, the taste of you on his tongueâŚitâs almost completely overwhelming. Jack plunges his tongue back into you, making you whine and fight against his hands on your hips.
âJack,â you pant. You want to beg him not to stop, whine about how good heâs making you feel. Itâs hard to remember that he wants you to fight back. You put the energy of your desire into your resistance. âJack, stop it, please, please.â
âShh, just let me do it baby, please,â he shushes you. He sits up and leans back over you, bringing one finger up to your temple, tapping gently. âIsnât it just easier to turn it off, sweetheart? Let me take care of everything?â
You nod; it is easier. You want him to just hold you down and eat you until you canât even remember your name. Jack sits back.
âSo just relax,â he coos. âAnd take it.âÂ
He returns to his place between your thighs and licks you again, making you moan so loud youâre hit with a wave of embarrassment. Your whole body feels hot. Jack leans back and spits on your clit, the lewd sound of it making you whine. Jack smears his saliva across your clit with his thumb and you wriggle under his hands, overstimulated by the pressure on your nerve endings and the way your head is twirling.
Jack digs his nails into your flesh and sits up, dragging your hips down until youâre straddling his thigh. He leans down over you. You take the cue to start playing it up again.
âJack, please, stop, I donât wanna do this,â you whine.
âDid I fucking ask if you wanted to do this?â he growls.
âPl-please, I wonât tell anyone!â you beg. Jack laughs. Youâre nearing tears, feeling so strung out and wound up that you canât help but grind down on Jackâs leg. Jack grips your neck with his right hand.
âOhhh, thank you sweetheart, thatâs so nice of you,â Jack sneers. âBut even if you wanted to tell everyoneâŚâ You squeak as he squeezes your throat. Your heart feels like itâs rattling in your chest, shaking through your body. âYouâd have to tell them how much you liked it.âÂ
âI-I donâtââ
He cuts you off by roughly sticking a hand between your legs, gathering your wetness on his fingers, then shoving them into your mouth.
âIf you didnât want this, you wouldnât be this wet, sweetheart,â he teases you. âTaste how fucking sweet you are.â
He presses down on your tongue, then slowly drags his hand in and out of your mouth, fucking your face with his fingers. He pulls his hand away, then swiftly lands it on your cheek, shocking you as the slap turns your head abruptly to the side. Your mouth hangs open until Jack grabs your jaw and jerks your gaze back to him.
âSo stop. Your fucking crying. Be a good girlâŚâ You whine at that. âAnd let me have what I want. Got it?â
You nod, your chin still in his grip. He releases you, then once again settles between your legs. He uses one arm across your hips to keep you down as he returns to your sticky folds. Jack licks and sucks at you. He massages your clit with quick, soft strokes of his tongue, and it takes everything in you to resist squirming and twitching your hips, chasing the high. You want to ride Jackâs face, help him bring you over the edge. But you also want to obey him. You want him to praise you, want to hear him call you sweet names and tell you how good you are. So you take a shaky breath, settle back against the bed, and let Jack take you apart.
âGood job, baby,â he mumbles, running his hand over your skin. He knows he needs to praise you for being obedient in the moment. âGood, baby, relax.âÂ
He kisses your cunt, then returns to dragging his tongue over you. You whimper, sensitive from his teasing so far. Jack returns to your clit, sucking hard, and you land a hand in his hair, tugging roughly.
âN-no, no, please, stop,â you babble senselessly. âDonât make m-me cum, pleaseee.â
Jack fights against your grip. The feeling of you fighting against him, hearing you beg him to stopâŚhe replays his interactions with Linette again in his mind, her refusals and gentle shoves when Jack became too fixated on her. He lets himself pretend that your begging is her begging, and he firmly grips your hips, tugging you closer to his face. It feels good to overpower you, to take what he wants.
Your breath is erratic and ragged in your throat, heat spreading through your body. You canât believe how good Jack is making you feel. Youâve never had a guy so eager to go down on you, and Jack is attached to your center like heâs sucking water from a bottle after running a marathon. Your fingers are tangled in his hair, and you pull it again, trying to bring him back up to your clit. Jack growls but complies, sucking hard on your sensitive button. He tortures you for a few more seconds before prodding your entrance again with his tongue.
You unravel. Your hands in his hair ball into fists as you screamâ truly, scream. Youâd be embarrassed if you had even a scrap of dignity left. The heat that blooms through your body makes you writhe and squirm underneath Jackâs grip while he holds you down and savagely slurps up your release.
Your juices on his tongue drive him crazy. He ruts his hips against the mattress.Â
âJack, Jack, oh my God, please,â you pant. You donât actually know what youâre begging for. For him to stop? To keep going?
âGimme, baby, come on,â he mutters. He drags his tongue against your sensitive cunt again, making you squirm. Jack swallows your cum like itâs the only thing that might save him. You can feel his hips hit the mattress a few more times before he sits up, frantically undoing his fly.Â
He grabs his cock and you can see heâs practically seconds from bursting. Heâs hard, the tip flushed and leaking, and he strokes himself fervently.Â
âTake your bra off,â he commands you, his voice firm. âLet me see you.â
All you can do is obey. You bring your fingers to the hooks in the back and slip your bra off your shoulders. Jack jerks himself quickly, taking in your naked body underneath him. You reach up and grab one of his hands, bringing it to your chest. Jack makes a strangled, choked noise as you help him play with you.Â
âGod, youâre so fucking perfect,â he pants. The praise makes your cheeks warm. âIâm gonna cum all over these perfect tits, yeah?â
You nod, open your mouth, then feel the hot spurts of his cum start to shoot out over your skin as Jack moans. He collapses over you, one hand pressed to the mattress near your head, his hot breath hitting your face. You try not to think about how cute his noises are as he whines and heaves, struggling for air. You stay like that for a bit, pinned beneath him, as you attempt to ward off your rational mind thatâs trying to sneak back in.Â
Jackâyour partnerâjust made you orgasm. He just painted your body with cum. You feel sticky and disgusting and bad. Like you werenât supposed to do this. You werenât supposed to want this.
âGood girl,â Jack breathes in your ear. âGood job. Holy fuck.âÂ
There are no words to describe the excruciating remainder of your âbusiness trip.âÂ
Your cab ride back to the hotel is awkward, as it always is, but this time amplified by the shared weight between you. Your final night in the hotel is restless, and you roll over at 5am to throw your things in your bag. You barely catch Jackâs eye in the hotel lobby as you grab a cup of coffee to take with you in the cab. The cab ride to the airport, the plane ride home, the cab ride back to headquarters. You spend so much time with Jack that is filled with nothing but silence and the burden of this unspeakable thing.
The elevator ride down to the basement is the first time youâre truly alone with him since leaving the club. Youâre thankful itâs just 45 seconds. You both quickly head to your desks, arranging a few things, dropping off your notes and anything else youâd gathered as research. You tuck some Polaroids of yourself into an envelope with a sharp inhale, then drop the envelope into a drawer and swiftly shut it.Â
You mumble a halfhearted good night to Jack before bolting for the elevator again.
When Jack finally gets home, he brings his things straight to his office, dropping his briefcase and suitcase on the floor near his desk. He collapses into his desk chair, resting his elbows on the hard wooden surface in front of him and dropping his face into his hands.
Jack rubs at his face, trying to shake off the overwhelming feeling pounding through his veins. He canât quite tell what it is; itâs not entirely exhaustion, not anxiety, not anger or frustration or even fear. Whatever it is, he can feel it dialed up to a thousand. His head is pounding, his body feels hot, his stomach feels like a hollow pit in the center of his body.
He sighs, leaning over to flip open his suitcase and begin sorting through his things. Heâs made it a habit to always bring anything from work into the house through his office first. Anything, a jacket, a bag, leftover food from the office Christmas party, that had been in that building always came from his car directly into the office. His first few weeks in Surveillance had instilled in him a certain level of paranoia about accidentally disclosing classified information through some scrap of paper left in a pants pocket and discovered in the laundry.
As he pulls out his dirty clothes, methodically turning every pocket inside out, the feeling gnaws away at him, weighing his chest down. Jack sets down a pair of pants, adding it to the growing pile of laundry, and reaches back into the suitcase, finding his tape box. Heâd forgotten he still had it buried in his bag, his compulsive habit saving himâ not for the first time in his career. He unbuckles the case, and takes out a cassette. Shit.
Itâs your tape. He gently removes it, staring at the spool of tape wound all the way through. His heart pounds in his chest; Jack almost thinks he can feel it hitting his ribs each time. He shouldnât have this at his house; this is official evidence. But he canât stop his hands as he opens the bottom drawer of his desk, pulling out his cassette player. Jack sits back at his desk, the tape and the player in front of him. He reaches back into the bottom drawer and removes his headphones. He used to frequently transcribe tapes after stings and interviewsâ every young agent in Surveillance had done his fair share of pencil pushing work on his way up to field missions.Â
Jack plugs the headphones into the small player, then opens the lid and snaps the cassette into place. He draws in a deep breath and exhales slowly as he contemplates what heâs actually doing. But itâs like heâs still on autopilot; he presses the rewind button on the player and listens to the cassette whirring in his ears as it wraps around the spool on the other side of the tape.
When he hears the soft click that tells him the tape is entirely rewound, he hits the stop button. He takes a final deep breath before he presses play.
Your voice lands in his ears through the headphones, and he listens to the familiar conversation you had with James about your boundaries. He holds down the button to run the tape forward a bit, then quickly hits stop and play once more. Your desperate whines hit his ear now.
âI-IâŚI want it,â you beg.
âWhat do you say?â James smirks.
âPlease?â you whimper.
âGood girl,â James praises you.
The satisfied sigh that escapes your mouth floods Jackâs brain as he gently closes his eyes. He takes his lower lip between his teeth as he listens to the little gasps and whines James coaxes out of you.
You inhale sharply on the tape as James doesâŚsomething to you. The gaps, the parts where Jack can only imagine the things that are eliciting your reactions, are some of his favorite parts.
âYou sound so pretty,â James muses. âI wish your husband could hear you.â
A knock at the door sends Jackâs already racing heart into orbit. He quickly hits the stop button on the tape player and yanks his headphones down around his neck as he whips around in his chair. Linetteâs standing in the now open door.
âSorryâ you must not have heard meââ she starts.
âWhat, what is it?â Jack asks, hoping he sounds more distracted than irritated at the interruption.
âUm,â she falters, unsure of how to read Jackâs tone. âPeg and Daniel just called, they asked if we wanted to go out with them. What should I say?â
Jack sighs.
âYeahâŚsorry,â he says as he brings his hand up to the bridge of his nose. Jack massages his face for a second, trying to clear you from his mind, before he finally addresses his wife again. âSorry, justâŚback from the tripâŚmy brain is still playing catch upâŚI didnât mean to snap at you, sorry.â
âItâs alright,â Linette replies. It had been awhile since Jack had to travel for work, let alone for such a long time. She didnât doubt that he wasnât entirely himself. âYou want me to give them a rain check?â
âNo, no,â he tells her. âNo, thatâsâŚit sounds great. What time?â
âThey were talking about meeting at Caloâs at seven?â
âSounds perfect,â Jack concedes. He needs to get out of the house. He needs to be with Linette. She smiles.
âOkay. Iâll let them know. Leave aroundâŚsix-thirty?â she asks, checking her watch. The watch he got her for her birthday two years ago. Jack nods.
âYeah, works for me,â he sighs, running his hands along his thighs. âIâll get ready.â
âSounds good,â Linette says, then steps back out in the hallway, gently shutting the door behind her.Â
Jack turns forward at his desk again and looks back down at the tape player. He stands abruptly, yanking his headphones off and dropping them on the tabletop. Jack reaches for the black box on the top of the bookshelf along the right side of his desk. He takes it down and quickly pulls the top off. Itâs an unassuming box, meant to hold vinyls. Instead, itâs filled with Jackâs old copies of Playboy. Linette had once blown up at him for âreadingâ something that was so degrading to women. Jack picks up the most recent issue he added to his collection, the one from last month, and lazily flips through it. The slick, glossy paper is printed with images of girls posing naked, smiling at the camera.
Jack remembers the magazines at work, filled with blurry images, pictures taken in haste of girls crying, tied up, written on in marker, covered in cum. Maybe they knew their picture was being taken to be put into a magazine, mailed across the country, used as fantasy material for sick freaks like him. Maybe they knew. Or maybe they didnât.
Jack swallows hard.
He tosses the magazine back into the box, and follows it quickly with the tape player, still holding your tape. He replaces the lid on the box and returns it to his bookshelf. He re-packs his tape box and tucks its case into his briefcase so he can return it to work tomorrow morning. Jack stands in his office for a second, looking around at the clutter in the room. He sees the shirt that you pulled off of him peeking out from his suitcase.Â
Jack hurriedly gathers the dirty laundry in his arms and drops it into the large hamper in the laundry room down the hall before he joins Linette in the bathroom to get ready for the evening.
Your next trip is to San Francisco. Youâre due out on Wednesday of next week. Itâs a quick turnaround; just enough time to unpack, do some laundry, and re-pack. In the intervening days, however, you and Jack are supposed to carry on as normal in your claustrophobic conference room, analyzing the âdiscoveriesâ youâve made over the last week.
What a joke.
You have no idea how to act around him now. It wasnât so horrible in the morning, when you could each sit quietly at your desks, ignoring each other and busying yourselves with cataloguing evidence. You had honestly hoped that you could analyze most of your research solo, with little reason to talk to Jack, but Ford had insisted on your total collaboration. Now, youâre in the conference room, silently staring at photographs of yourself at Club Midnight and trying not to remember the shocking first feeling of Jackâs hand around your throatâ or his tongue on yourâ
âI think now that weâve got a solid foundation on it, we could benefit from a wider range of locations and experiences,â Jack interjects on your thoughts.
âHuh? Ohâ yeah,â you agree halfheartedly.
âI think San Francisco especially would be a great opportunity to start some research on the intersection of deviance and homosexuality,â he continues. He sounds like a textbook. You have no idea how he can be so technical and objective at a time like this.
âYeahâŚâ
âYou okay?â
You sigh. God, heâs so stupid.Â
âYeah, no itâsâŚyou know, no, actually,â you finally relent with an irritated sigh.
âWhatâs the matter?â
You laugh. Really, truly, like-a-lunatic, laugh.Â
âOh, I donât know, Jack,â you finally manage through your fit. âWe had sex two days agoâŚfreaky, kinky, BDSM sex,â you continue, punctuating each word by tossing a Polaroid across the table at him. In each one, Jack sees youâ tears streaking down your face, his hand around your throat.
âAnd all week, doing everything but fucking, and we took picturesâŚas evidence. You know, for our jobs?â
Jack stares in silence at the images in front of him.Â
âShould we talk about that?â you snip.
âWeâll just get rid of these ones,â Jack mumbles, quickly collecting the photographs.
âGet rid of those ones?â you echo in shock. âJackââ
âWhat?â he retorts, trying not to betray his panic at the physical evidence of your encounter.
âItâs not about the pictures, Jack!â you shout, wincing and catching yourself on your volume only when itâs too late. The conference room is off a small hallway, tucked further away from the large main room that houses everyoneâs makeshift cubicles. Still, you know the thin walls are far from soundproof.Â
âWatch your tone,â Jack hisses. The venom in his voice sends a wave of heat through your body. He sighs. âWhat do you want me to say?â he asks finally.
You stare at him. The only sound is the faint buzzing of the fluorescent lights above you.
âI asked you if you wanted me to stopâŚâ Jack says quietly. âDid you want me to stop?â
âNo,â you admit, your voice barely above a whisper. Jack studies your face. He can see something in your expression, that same unnameable look that would wash over you when he had you pinned down at the club. That look flips the switch in Jackâs brain. Suddenly, he doesnât care that youâre partners. He doesnât care that youâre at work. Heâs consumed by that too-familiar fire in his chest and hunger in his heart.
Jack presses his palms to the wood in front of him, slowly standing. He glances down at you, then walks around to your side of the table, gently leaning against the tabletop in front of you. He folds his arms over his chest. He can feel his own heart pounding beneath his ribs.
âDid you like it?â Jack asks, his voice low in his throat. You nod slowly, avoiding his gaze. He clicks his tongue quickly, which forces you to involuntarily bring your eyes back to his. âUse your words,â he purrs. âDid you like it?â
You nod again.
âYes,â you whisper.
âWhat did you like about it?â Jack asks plainly. He watches as your cheeks flush. âCome on,â he taunts you. His words feel heavy in the silence. He leans back and grabs the Polaroids you threw at him and returns the favor, tossing them down on the table in front of you. âYou wanted to talk about it, so talk.â
Though he doesnât raise his voice, his tone reminds you of the enormous feeling of his presence in the room.
âWhat did you like about it?â he repeats.
âI likedâŚâ you start sheepishly. âI likedâŚâ
âJust say it,â he encourages you softly. âJust tell me.â He gently brings one hand to your chin, making you look at him. âTell me and maybe Iâll do it again.â
âI liked letting you take care of me,â you admit finally. Itâs the truthâ shutting your brain off and surrendering yourself to him completely, letting yourself focus on nothing but the physical sensations of his hands and his tongue on youâ it felt like you were floating outside of your body.Â
âAnd I likedâŚsaying no to you,â you add quietly. Jack cocks his head to the side.
âWhy?â
âIt feelsâŚgood,â you say finally.
âWhat feels good about it, baby?â Jack hums, bringing his right thumb to trace over your cupidâs bow.
âIt feels likeâŚit doesnât feel like Iâm having sex with you,â you explain breathlessly. âIt feels like youâre having sex with me.â
Your cheeks feel hot and your eyelids flutter closed. Youâre certain that youâre not making any sense. Jack brings his hand up to your cheek, softly stroking your skin with his thumb. He can feel his heart hammering in his chest again.Â
âYou wanna fool around?â he asks, his tone soft and hushed. All you can do is nod. âThen letâs fool around.â
You part your lips and turn your head to take his thumb in your mouth. Jack lets out a soft breath and presses down on your tongue as you suck on his finger. When he pulls his hand from your mouth, a clear string of saliva briefly connects his thumb to your lips.
âWhat do you want me to do?â he prompts you, his voice cloaked in gentleness.
âI wannaâŚI wanna take care of you,â you reply, bringing your fingers to his belt buckle. âCan I?â
Jack feels like he could faint. A wave of overwhelming feeling washes over him watching you so willingly paw at him, want him. He nods and you quickly start to tug at his belt. Jack brings his hand back to your jaw, rubbing firmly before pushing his hand back further to grip your hair at the root. You gently lean your head back, into his touch.
âCan I pull your hair?â Jack asks breathlessly.
âYes, pl-ease.â You canât even finish your sentence before Jack tugs your head back. He stares at the skin of your neck, now pulled taught against your flesh. He imagines covering that skin with bruisesâ from his fingers, his teeth. Jack can hear your breath as it shakes through your throat.
âGood,â he muses. You donât know if the praise is intended for you, or just an expression of his approval at your consent to his request. But it makes you squirm in your chair, desperate to get closer to him. âCan IâŚpush your head down?â
âYes, God, yes,â you pant, struggling a bit now to get breath at this awkward angle. He releases your hair and you quickly return to his belt. Your fingers fumble with the buckle.
âCan you be quick?â Jack pants. You nod, unbuttoning and unzipping his trousers. You need him; you canât make your hands move fast enough. When you free his cock, you immediately lean forward and press your tongue to the base of his shaft, licking all the way up his length. Jack chokes on a moan, trying to be quiet. âFuck,â he hisses.
You waste no time in taking him in your mouth, pressing a soft kiss against his tip before taking him as far as you can. Jack shudders out a breath, bringing his hand back to your hair. He leans his head back, eyebrows crinkled together as he pants. You bob your head, trying to keep your noises soft as you struggle to take him in your throat.Â
âRelax, baby, relax your jaw,â Jack coos, fisting your hair. Not pulling, just tightening. You exhale through your nose and draw in a slow breath, trying to relax. Feeling your jaw settle, Jack uses his grip in your hair to push you down further on his cock.Â
âGoooood, good girl,â Jack breathes. He rocks his hips up against your face and you sputter, feeling him poke at the back of your throat. âCome on, take it, take it,â Jack mutters.
You want nothing more than to be good for him. You swallow and the constriction of your throat around his tip draws a whine out of Jack. You settle back over him, resting your hands gently on his thighs, and let him fuck your mouth.
Jack pulls back on your hair, and you let him guide you up, flattening your tongue against him. When he pushes you back down, you exhale through your nose and do your best to relax your jaw and throat to let him in all the way. You continue like that for a bit, Jack slowly jerking himself off by pulling your hair, before he starts to pick up speed.
âGod,â he breathes. âYou feel so good.â
You hum in satisfaction and swallow again, making him keen once more.
âAnyone could come in right now,â Jack continues. You moan. The idea of one of your colleagues, your male colleagues, barging into the room, seeing your face buried in Jackâs crotch, should terrify you. But instead it makes you press your thighs together. Jack notices.
âYouâd like that, huh?â he teases you, a grin creeping across his face. âYou want someone to see you taking my cock like this? You want everyone to watch?âÂ
He fucks his hips up into your face faster, prodding at the back of your throat with each swift thrust.Â
âYou a little exhibitionist, baby?â he sneers. You can feel tears pricking at the corners of your eyes, one quickly running down your cheek. You moan around Jack still in your mouth. Seeing the dark streak of mascara running down your face, Jack hisses and heaves out a breath to avoid making too much noise.
I am. I think I actually am.Â
Itâs what you would say if you didnât have your mouth stuffed with his cock.
Suddenly, Jack shoves you down as far as he can, his palm spread wide across the back of your head as you choke on him.Â
âFuck, Iâm gonna cum, Iâm gonna cum, shit,â Jack babbles. You feel his release hit the back of your mouth, hot and salty as it slips down your throat. âSwallow it, swallow it, come on,â Jack says, his tone somewhere between commanding and begging. âDonât let anyone see what a slut you are, clean it all up, come on,â he continues.
Youâre still lost in your haze. You have to be good for him. You swallow every drop he pumps into your throat. He hasnât touched you, but you feel so good. Like youâve fulfilled your purpose.
When Jack pulls you off of him, you gulp one final time, then struggle to catch your breath. Jack watches as you lean back in your chair. Your lipgloss is a mess, mingled with spit and smeared all down your chin. Your mascara is smudged around your eyes and streaked down your cheeks from your tears. Jack resists the urge to grab you and use you again.
Instead, he reaches for the box of tissues that lives on the table of the conference room. Jack can feel his heart slowing down, and with it, his feelings of domination softening from control into care. He quickly cleans himself off and tucks himself back into his trousers. Then he takes another tissue and gently reaches out to hold your face, wiping some of the mess from your face.
âThank you,â he whispers. âYou did a good job.â He grabs a fresh tissue. âClose your eyes,â he commands softly. You obey, fluttering your eyelids closed. Jack gently dabs at the mascara around your lashes. âGood, goodâŚthank youâŚâ Jack mumbles.
When heâs done, Jack withdraws from you. You open your eyes to see him peeking down at you, still leaning cooly against the table.Â
âAll done,â he says sweetly. He takes your chin again in his hand, swiping at your cupidâs bow again with his thumb. âThank you, sweetheart.â
You sigh and lean into his touch. His praise feels so good as it sinks into your bones and runs through your blood. Jack pushes himself to his feet and starts to gather your papers and the photographs from the table.
âCome on,â he says, sighing gently. âLetâs get out of here. Itâs been a long day.â
You watch as he swiftly moves around the table, stacking up papers and folders, tucking some into his briefcase. His eyes dart back over to you, still in the chair.
âYou okay?â he asks softly.
You nod. You think youâre okay.
Itâs getting harder and harder to tell.
thank you for reading! please reblog if you like what you read; it keeps writers engaged in fandom spaces and creating cool shit for you! check out my masterlist here. read part one and two here.
Jack OâConnell as Jack Solomon (Seberg)
Jack OâConnell as Jack Solomon (Seberg)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Jack OâConnell as Jack Solomon (Seberg)
Jack OâConnell as Jack Solomon (Seberg)
Chapter II
jack solomon x fem!reader
Explicit Content/18+ Minors Do Not Interact.
w.c: 10.2k
read part one here. read on ao3 here.
Summary: With the creation of the Behavioral Sciences Unit at the FBI, you and Special Agent Solomon are both reassigned to the team investigating sexual deviance. Your first undercover mission brings the two of you closer than you thought you'd ever be.
Warnings: Dead Dove Do Not Eat. Contains Smut; 18+/MDNI. explicit discussions about and depictions of BDSM. oral fixation. masturbation (m! and f!) bisexual!reader. discussions of homosexuality. period accurate misogyny. cnc. choking. praise kink. bondage. grinding. cheating kink sorta?? little bit of subfrenzy if you squint. little bit of subdrop. no aftercare </3. dumbification. degredation.
author's note: thank you to everyone who read and enjoyed chapter one! i know jack is not the most popular character, so it means the world that so many people liked the first installment of this series. i'm excited to continue writing it. PLEASE HEED THE WARNINGS; this series is VERY explicit and also contains lots of period-accurate sexism/misogyny and homophobia. not everyone wants to read a fic like that; i get it! skip this one if that is not for you.
special thanks as always to mo phĂŠist abhi @scannainscanrula for this absolutely incredible banner, for these insaneeeee dividers, for editing, and for putting jack in the microwave with me. my werms would like to keep wriggling with yours if possible.
Reblogs, comments, and likes always appreciated! Please reblog if you like what you read; it helps keep writers engaged in fandom spaces and creating cool shit for you!
âWell, I suppose letâs start with, how would you define sexual deviance?â Dr. Carr asks in a quiet, calm voice. The question is too intense for you at 9:15 in the morning. You sip your coffee, letting Jack take it instead. He flips open his notes and reads.
âSexual deviance is defined asââ
âNo,â Dr. Carr corrects him gently. Jack looks up at her. âHow would you define it? Based on your research, your interactions with these individuals?â
Jack swallows, thinking.
âUm. I dunno,â he mumbles. âTheyâre into some prettyâŚintense stuff.â
âIntense like dangerous?â Dr. Carr pushes him.
âYeahâŚâ
You roll your eyes from the seat next to him. Heâs facing Dr. Carr, so he misses your display of irritation.
âLike what?â she asks.
âWell, more than one person we talked to described fantasies of rape or sexual assaultââ
âConsensual non-consent is not the same as rape fantasies,â you cut him off sharply.
âNo? Then what would you call it?â Solomon asks harshly, twisting in his chair to face you. The two of you still werenât on great terms. You open your mouth to respond before Dr. Carr cuts you off.
âLetâsâŚtry a different question,â she presses before either of you can object. âWho should be considered âdeviant?ââ
Jack turns back to her, confused.
âWhat do you mean?â he asks, puzzled. âPeople who are, yâknowâŚinto this kinda stuff.â
âYes, but what does it mean to be âintoâ BDSM? Or any other area of sexual devianceâ fetishism, homosexuality?â she continues. âYouâve interviewed a few individuals who willingly identify as sexual deviants, but could you identify it in others?â
You ponder her question. Itâs trueâ you havenât yet had to categorize and label individuals based on their sexual preferences or behavior, and you know that your study is supposed to include the development and proven testing of psychological pedagogy.
Jack is similarly silentâ it was a question heâd thought to himself, privately, for longer than heâd ever admitâ since your first day combing through the books, when he saw the word cunnilingus underlined on a page beneath a heading that read: INDICATIVE PERVERSIONS AND DESIRES.
âI mean,â Dr. Carr continues. âA man who is otherwise averageâ married, steady job, otherwise psychologically soundâ but fantasizes about sexual sadism, engages with sadistic pornographyââ
Jackâs eyes flick up to her in a moment of panic. Two days ago, youâd been consumed in your books and research as normal. When you excused yourself to take your lunch break, Jack had stumbled across a box of explicit magazines. He lost track of time delicately flipping through the pages, first pausing to take notes, then forgetting to as he continued staring at the images on the flimsy, glossy paper. He picked up another magazine, titled simply, BOUND. On the cover was an image of a girl bound so tightly with intricate knotwork that her flesh was bulging around the rope, her skin rubbed raw and irritated. Her hands were tied behind her back, her ass in the air, and her face was pressed into the carpet below her, so much so that Jack couldnât see her face. He imagined your face instead, then jumped out of his seat when you re-entered the conference room.
âDid you get something to eat?â you asked him as he dropped the magazine, shuffling the papers on the table in front of him in an effort to appear occupied.
âNo, I, uhâ I was waiting for you to get back,â he stammered.
âYou didnât have to do that,â you told him. âWell, Iâve got it now. Go take your break,â you reassured him, sitting back at your place at the table.
âSure, thanks,â Jack muttered, quickly dashing to the bathroom before you could see the bulge in his trousers.
âShould a man like that be considered deviant?â Dr. Carr says at last.
Neither of you have an answer. You shoot him a quick glance and catch him looking at you. He looks away, preoccupying himself with his pen instead. Dr. Carr looks between the two of you.
âI think, itâs, uhhâŚâ you begin. âI think itâs a little early for us to tell.â
âI see,â Dr. Carr says slowly.
Silence fills the room.
âHereâs another question,â she says at last. âAre sexual deviants more likely to become criminals?âÂ
You pick your head up and watch her a little more closely, waiting for her to expand on the thought. Jackâs eyebrows are crinkled together above the bridge of his nose.
âYouâve spent significant time with a few of themâ did they seem violent, disturbed, dangerous?â
â...noâŚâ you say finally. Jack gently shakes his head in agreement.
âYou know,â Dr. Carr says at last. âThere is a group of psychologists, psychiatrists, and neurologists who have been campaigning for the last several years to get sexual deviance removed from the DSM altogether.â
She looks between the two of you, the ghost of a tiny smile across her face. Itâs the most emotion youâve seen out of her since you met her.
âIâll be very curious to hear your thoughts on that one as your research progresses.â
Your first undercover mission is just four days away. Your continued research and analysis with Dr. Carr had shaped the itinerary you and Jack had built. You were just grateful your contact had gotten you into Club Midnight. You had heard of it, a few of your interviewees bringing up the club with reverence both for its âprocessâ and for its exclusivity.
Youâd be lying if you said you werenât excited. It had been ages since youâd planned an undercover operation, and your heart was racing at the idea of being back in the field.
At least, youâre pretty sure thatâs the reason.
âAlright, what else?â Jack asks brazenly.
âYou didnât write any of that down,â you reply pointedly.
âI got itâ you know, itâs really not that different from what we do in Surveillance, going under with a wire.â
âItâs entirely different,â you retort. âSurveillance is passive. Sure, youâre wearing a wire, but you just need to be near your target when theyâre saying things. Going under is active, full immersion. You have to create a version of yourself that exists in the world youâre trying to infiltrate.â
Jack cracks a smile and rolls his eyes as he picks up his pen. Itâs cute to see you get so worked up.
âYou know, you really should take this more seriously,â you hiss. âMaybe thatâs why they always sent Sullivan into the field,â you say with a dismissive bite in your voice.
Special Agent Garrett Sullivan.
He was the Lex Luthor to Jackâs Superman. They graduated in the same class at Quantico. Both were assigned to the Surveillance unit at headquarters immediately upon graduation. It seemed every move Jack made, Sullivan was always right there with him. Maybe not ahead of him; but always right in step with him, always keeping pace.
âAnd what does Sullivan have to do with this?â Jack asks, anger bubbling in the undercurrent of his voice.
âNothing,â you lie, relishing in the jealousy thatâs instantly flowing from Solomon at the mention of his other half. You smirk. âJust that, you know, he seems to have more of an aptitude for this kind of thing, thatâs all.â
Jack huffs and jots something down on his notepad. Itâs so childish and stupid, but you smile to yourself at the small victory.
âWhen do we pick our fake names?â he asks, bitter sarcasm still coloring his voice.
âYou should pick a fake last nameâ something youâll remember, but nothing that would be easily connected back to you,â you respond, choosing to ignore his tone. âThe name of your second grade teacher, something like that.â
âWhat about first names?â
âKeep your first name. Youâll react to it naturally, and if anyone recognizes you while youâre under, youâre not at risk of conflicting names.â
âConflicting names?â Jack asks. You sigh at his genuine cluelessness. âSo-rry,â he says, throwing his hands up defensively. âWe canât all be Jane Fonda.âÂ
âRight, well, playing dress up is a little harder than it looks, maybe you should pay attention,â you snap.Â
A puzzled look crosses Jackâs face before you see it click, and his cheeks start to turn his usual shade of embarrassed. You think youâve seen that color more than his natural hue; it suits him.
âConflicting names,â you repeat. âYou go under as, oh, I donât know, Garrett.â
Jack bites the inside of his cheek.
âSomeone calls you Garrett and you donât answer right away. You run into one of your buddies and he calls you Jack. Now you have to explain that Jack is somehow your nicknameâŚlooking suspicious yet?â You drive the words home in your annoyance.
âHowever,â you breathe, catching your temper and forcing it back down. âA lot of these clubs use aliases to protect the anonymity of members. So we should each pick a first name to use while weâreâŚworking.â
Jack fidgets with his pen between his fingers for a second, his tongue between his teeth, lost in thought. He snaps back to reality.
âPeter,â he says, resolute.Â
âIs there any way that could be traced to you?â you ask him.
â...no,â he mutters, shaking his head briefly. Something in his expression alerts your suspicion.Â
 âA friend named Peter, or a family memberâŚ?â you press. âCome on, Solomon, youâve got that look on your face.â
âWhat look?â Jack retorts defensively.
âThat âlosing it all in Atlantic Cityâ poker face of yours,â you huff, rolling your eyes. âRemind me that weâll have to work on that. What is it? Whoâs Peter?â
âNobody,â Jack replies, the blush coming back faintly to his cheeks. You eye him. âItâs uhâŚitâs Spiderman's secret identity. Peter Parker,â he admits at last.Â
âWhat do you usually use?â he asks off handedly.
Youâre speechless for a second.
âWell,â you start, a bite in your voice. You can feel your face getting hot. âI donât usually go to places like this, if thatâs what youâreââ
âOh, shit, sorry, no, I meantâŚyeah, no,â Jack stammers. âWell,â he continues, trying to fight his way out of the awkward fuck up. âI just meant, like, if you donât have one, you could use Mary Jane.â
Your eyebrows shoot up.
âSheâs SpidermanâsâŚsheâs from Spiderman, too.â
âIs there a Spiderman character I could be that would make me less attractive to all the stoners?â you ask with a chuckle. Jackâs eyes flick up for a second in thought, then back to you.
âGwen,â he says at last. âYou could be Gwen.â
You shrug.
âFine. Whatever. Gwen.â
He grins, then starts to fidget with his pen again.
âSo,â he asks you, âdo we need a backstory?â
âYeah, I started working on it already,â you reply, reaching across the table and handing him your mocked-up brief. âItâs pretty straightforwardâ married high school sweethearts looking to try something new. Typical stuff for places like these.â
Jackâs eyes scan the paper, then glance up at you.
âHow long did this take you?â he asks again. You shrug.
âNot long.â
Itâs quiet for a second while he looks over the typed page of notes detailing your fake relationshipâ sure enough, high school sweethearts, married right out of school, before Jackâs tour in Vietnam. He bristles a little, reading that; he knew many guys that had actually been to âNam, and many that never came back. It was something heâd always felt a tinge of guilt over.
He continues reading the brief, impressed at your attention to detail. Youâve written an entire life: the two of you live in a one bedroom in Hellâs Kitchen, no kidsâ by choice, Jack notices youâve specifiedâ but looking to âspice up your marriage.â
âSpice up our marriage?â he asks you quizzically.
âItâs a thing they all say, the couples that go to these places,â you explain, hoping thereâs nothing in your voice that betrays the butterflies in your stomach that started fluttering when Jack said our marriage.
âWhose idea was it?â Jack asks, eyes returning to the paper.
âDoesnât matter,â you reply. He looks back at you. âWe could say it was my idea.â
âRegistering as bi-curious switches?â Jack reads from the document. âDo I even want to know what that means?â
You sigh.
âYou donât want to, but you need to,â you tell him. Youâd been putting this off for a while now, but you do need to prepare him. âSolomon,â you begin, âweâre investigating the whole spectrum of sexual deviance.â
âRightâŚâ
âWell, so, a dominant prefers only to dominate their partner. A submissive prefers only to submit.â
âYeah, I got that part,â Jack says.
âWellâŚin order for us to reallyâŚexplore all our options, I registered us as switchesâ someone who likes to do both,â you finish carefully.
The pink color returns to Jackâs cheeks. You wish he would stop doing that.
âSo, what,â Jack chuckles, trying to appear casual. âThat means sometimes youâre the one beating me up?â
âSomething like that,â you mumble.
âWhat about this âbi-curiousâ part, what does that mean?â he asks, looking back down at the paper. You take a deep breath.
âWell, anotherâŚpart of sexual deviance that weâve been studying isâŚhomosexuality.â
Jackâs eyes quickly lock on you, though he stays silent.
âBi is short for bisexual,â you say in a small voice. âAttracted to men and women.â
Jack slowly lowers the paper, letting your words sink in.
âI said âbi-curiousâ which means weâre just interested in it, not totally committed,â you rush on. âYou can always decline an, um. An interaction.â
You canât read the look on his face. Heâs quiet, but when he finally speaks, itâs not the irate torrent of words you were anticipating.
âOkay,â he says in a low tone. âYeah. Thatâll just, um.â He swallows. âThatâll give us the bestâŚdata.â
âYeah,â you agree, letting out a breath you didnât realize you were holding. âSo, um. I think thatâs it,â you stumble, checking your notes to make sure you didnât miss any important details. âLet me know if you have any questions.â
You start to gather your papers, ready to head back to your deskâ the conference room always gets stuffy, even with just the two of you in here. Jack stays seated, eyes still on the document in front of him, though heâs not actually reading any of the words.
âHow do youâŚâ he starts. You freeze, startled by his sudden yet serene voice. âHow do you keep it from getting tooâŚpersonal?â
Youâre quiet, considering his question. It feels like the silence between you stretches for hours. Finally, you have some semblance of an answer for him.
âYou donât,â you say quietly. âIt is personal. It has to be personal.â
Jack watches you, a newfound softness in his eyes.
âMy SSAâ McFadden, if youâve heard the nameâ he always said, the worst thing you can do while youâre undercover is lie,â you continue, smiling gently, remembering the day he told you that. Another shared smoke break, and heâd said it like it was nothing. âAnd nothing is a lie,â you go on, quoting your mentor, âas long as you believe it.â
Jackâs still staring at you, trying not to think about how lovely you look, even under the harsh fluorescent lights.
âYour body knows when your mind is lying,â you explain. âItâs why polygraphsâ ooh, we should get you on the poly,â you grin mischievously. âItâs why polygraphs measure physical symptomsâbreathing, heart rate. You start to stutter, or blush,â Jack looks back down at his paper. âBecause you know youâre hiding something.â
He looks back at you.
âYou have to create a version of yourself that could exist in that world. You have toâŚtap into the part of yourself that wants to be there.â
You glance at him.
âAnd sometimes that means you have to do someâŚpretty weird stuff,â you admit gently. âBut youâll be okay,â you reassure him. âItâs always easier with a partner.â
The short plane ride was uneventful compared to the nearly vomit-inducing cab ride from LaGuardia to your hotel in Hellâs Kitchen. Staying in the same neighborhood that you âlivedâ in was another of your ideasâ if someone offered to split a cab, or catch the subway with you, you could be sure you were going the right direction.
When you get up to your floor, you find your rooms, 2407 and 2408, eager to get some rest before your trip to Club Midnight. It opens at eight oâclock, but new members were supposed to arrive at seven, to offer a quieter, gentler start to the evening.
And in your case, training. Your first few evenings at Club Midnight were to involve careful training in the intricacies and safe practices of BDSMâ part of the clubâs policy for all new members, which made it perfect for your research. And, you had to admit, youâre grateful that your first target is a place that takes such care in educating those ânew to the lifestyle.â
You turn your key in the lock and push, opening your door. You step inside and drop your duffel bag by the door, turning back to Jack, whoâs still in the hallway.
âAlright, well,â he says. âWhat do you think? Six?â
You nod.
âSure.â
âPerfect, yeah, Iâll just knock on theââ he nods to the door connecting your adjoining rooms. You nod. âRight, cool,â he says. You can hear the exhaustion already in his voice. Itâs been a long day of travel. He crosses to his door, unlocking it. âSee you then.â
You each close your doors. Unknowingly, but in perfect sync, you each lean against your door, sigh, and glance at the tiny digital alarm clock at the bedside.
Fifteen thirty, Jack thinks. Just enough time to take a nap, try to clear his head. He looks down at his right hand quivering gently at his side.
Or have a cigarette.
When you get to Club Midnight, youâre greeted by some of the folks in charge of orienting new membersâ one of the names you recognize from talking to your contact, the others are all new. Immediately youâre struck by the people here, both staff and patrons. Some are dressed eclectically: leather and denim and piercings and tattoos, shaggy haircuts, smelling like pot. But others are dressed plainly, like any other person youâd see in the grocery store. Youâd told Jack to wear anything that wasnât a suit. When he showed you the polo shirt he planned on wearing, you amended your directive to anything that doesnât make you look like a cop.Â
A girl holding a clipboard is circling the room, going up to couples and individuals gathered in the small lobby, speaking to them in a low voice. When she reaches you, she glances down at her paperwork.
âAndâŚPeter and Gwen?â she asks you. You nod. âGreat! Weâre partnering you with James and April,â she says. âTheyâll be out to grab you in a minute, but because itâs your first day, youâll be in a training space with them all day today.â
âGreat, thanks!â you pipe up when itâs obvious Jack is too stunned to speak.
The girl moves on to the next person on her list. After a few minutes, a couple step through the swinging door that leads to the main room and approach you. You tug on Jackâs shirt slightly and nod to them. They greet you with wide smiles.
âHi,â the woman purrs. Her voice is gentle and velvety. âIâm April, you must be Gwen, and Peter,â she says, turning to the both of you.
âYes,â Jack says at last, sticking his hand out for her to shake. She does. The man approaches.
âAnd this is James,â April adds. âWeâll be training you.â
âThanks,â you say, finally starting to feel the nerves kick in.Â
âCome on,â James says, âletâs go somewhere a little more private.â
You take a deep breath as James and April lead you toward the door. You cross the threshold into the main room.Â
Thereâs small round tables, low to the ground, dotted around the perimeter of the room. Theyâre surrounded by benches, a few chairs, but everything is cushioned and soft. The floor is carpeted in a dark shag, and orange lantern shades hang by gold chains from the ceiling. Itâs hard to tell what color the walls areâ a deep yellow, you think. The orange light floods the whole landscape, tinting everything a shade of amber. It smells like cigarettes and perfumeâ expensive perfume, you notice.Â
James leads you down a narrow hallway, the dim light already playing tricks on you. You know it canât be later than 7:15, but you canât feel the time in this place. James opens a door and steps into a private room, holding the door for you, Jack, and April. This room is much like the main room, decorated in the same style. But thereâs a few pieces of furniture in here; several chairs, a small countertop with a sink, and a huge bed.
âPlease, sit down,â April tells you, motioning to two of the chairs. You and Jack sit, and April drags a chair to sit across from you.
âWelcome,â she says warmly. You smile back at her, and find your gratitude at her kindness is genuine. âWeâre glad to have you at Club Midnight.â
âThanks for having us,â Jack says, and you canât believe how stiff and unnatural he sounds.
âWeâre happy to be here,â you correct. Jack glances from you back to April and nods briefly in agreement.
âWell, as you know, the first few days or sessions at the clubâ for all new membersâ involve lots of guided training. Itâs part of our safety policy,â James chimes in. âSo thatâs what weâre here to do.â He looks down at a paper on the counter beside him. âI know you both registered as switches, but it looks like for our first scene, weâre doing Peter dom and Gwen sub. Is that right?â
They had let you choose your roles for your first scene, and you and Jack had both agreed that you wanted to start with a fairlyâŚconventional dynamic.Â
You nod. James reaches back onto the countertop behind him and pulls out two clipboards with pens, handing you each one.
âThe foundations of BDSM are these two things, above all else: safety, and communication,â he says. âThe first page is a surveyâ Gwen youâll be filling out the one for submissives today, Peter, youâre filling out the one for dominants. You can complete the other survey later.â
You nod again. Your mouth is too dry to form words. Just as wellâ your brain feels too fuzzy to form thoughts in the first place.Â
âOnly April and I will read the survey,â James continues. âWe just want to know what you know already, what youâre interested in exploring, and what you want to learn more about.â
You donât take long with it; your research has given you enough of an idea about most of the activities listed on the page. You rank your knowledge of each one first, then turn your attention to the second column, above which reads:
On a scale of 0 to 5 (5 being the highest) indicate your level of sexual interest in each:
You scan the list.
Choking.Â
Bondage.
Degradation.
Free use.
Consensual non-consent.
It goes on forever.
Reading it out of a book is one thingâ studying it like a science, something that other people do, that youâre only researching and learning about from a distance. But this is different. This is about you. What you like. What you want.
You fill it out as quickly as you can, trying not to linger on any one word too long. You notice Jack is working at a similar pace. When you finish, handing your papers to James, he directs you both to the second page. The words âPersonal Statement of Desireâ are typed at the top.
âThis is what we use to model healthy communication for a scene,â April explains. âYouâll be completing them throughout the week until Saturday night, when youâll engage in your first scene with all of the training wheels off.â
âFor now, you should each fill out the page,â James explains. âAnd when youâre done, weâll have a little pre-scene conversation, weâll walk you through a guided start to the scene, weâll leave the room for a bit, and then you can decide if you want us present to guide the aftercare conversation as well.â
Your cheeks feel like theyâre burning. You canât even look at Jack to see if heâs blushing. The idea of having sex with Jack, with your partnerâ even partially, even pretendâ is starting to make you feel lightheaded. Thinking of doing it while the two of them tell you what to do makes you feel even dizzier. You focus on the words on the page in front of you and scribble with your pen, seeing Jack doing the same out of the corner of your eye.
It essentially guides you through a script, having you fill in all the details: names you want him to call you, all the places you want him to touch you, all the ways you want him to touch you. It prompts you to choose a safe word. Then thereâs a section where you list all the places you donât want his hands, all the words that are off limits, and any fantasies or kinks you absolutely do not want introduced to the scene.
That list is pretty short.
All in the name of research, you think to yourself.
After about ten minutes, you hand your sheet to April so she can look it over; Jack gives his to James. You didnât realize sexual deviance involved so much paperwork.
April reviews your paper, James reads Jackâs, and your mind races.
Jackâs going to dominate you.
The thought sinks into your brain as you stare at the huge bed, April still scanning your page. When she finishes, she smiles up at you, handing it back.
âThis looks great,â she says.
âSame here,â James says to Jack, returning his paper as well. âYouâll need these as we step through the beginnings of the scene. Are you guys ready to get started?â
Neither of you say anything.
âUhââ Jack stumbles. April laughs, a bright sound in the dim room that reminds you to take a breath.
âItâs okay to be nervous,â she tells you. âWhatâs important is to be honest about how you feel. In fact, letâs do a quick check in before we begin. How are you feeling?â she asks you. You answer honestly.
âNervous,â you admit.
The whole truth, of course, is that it feels like your heart is pounding out of your chest, that your entire body feels hot, that you canât even look at Jack without passing out.
âOkay,â April says, not dismissing your feeling, but not dwelling on it. âAnd you?â She turns to Jack.
âNervous,â he echoes. April smiles warmly.
âThatâs what weâre here for,â she reminds you. âBut now that we know we both feel nervousâŚdoesnât that take some of that awkwardness out of the room?â
You release your shoulders, gently rolling them back. It does feel better knowing that Jack feels as apprehensive as you do.
âNow,â April says gently. âThere are a few play spaces in this room,â she notes. âThe bed, of course, being the most traditionalâ and for most people, the most comfortableâ pick for a first scene. But the chairs are also an option, the counterâŚdo you have any strong preferences?â
All the color has drained from Jackâs face.
âJustâ the bed is fine,â he says, sounding a little breathless. You nod in agreement.
âOkay,â April replies, keeping her voice soft, low, comforting. âGwen, why donât you take a seat?â
âDo you want me to lie down?â you squeak. You wish you didnât sound so pathetic. You can hear Jack exhale gently. What you donât know is that the tone of your voice is what makes Jack breathe a little deeper, desperate to ease the tightness in his chest and the feeling that the floor might collapse from under him.
âNot yet,â April tells you. âWeâll have our pre-conversation on level ground.â
You kick off your shoesâ more out of habit than anything elseâ and sit on the bed, wriggling so youâre sitting with your knees up to your chest near the head of the bed.
âOkay, Peter?â April motions for Jack to join you. He takes off his shoes too, then puts one knee up on the bed, followed by the other, so heâs resting on his heels, kneeling in front of you. You look up at him.
âLike we said, weâre only going to help you initiate and guide the beginning of the scene, cover any safety basics you need to know, that sort of thing,â April says. âBut youâll have a chance for a little privacy once we get you set up here.â
They both talk about this like itâs something so normal, but your heart is racing watching Jack. You feel certain he can hear your heartbeat, even at this distance.Â
âWeâre gonna start just by reading our statements of desire, clarifying our preferences and boundaries, and reviewing some safety measures,â James adds. âDo either of you have a preference on who goes first?â
Youâre both silent again.
âWhateverâs, um, you know,â Jack stumbles. âWhatever is normal, I guess.â
Normal. Nothing about this is normal.
âItâs considered courtesy for a dom to initiate, at least on the first go around,â James says gently. Jack draws in a shaky breath, and you wonder if heâs regretting opening his mouth. But he nods.
âOkay, Peter,â James instructs Jack. Your head is already spinning trying to remember all the new names, including Jackâs aliasâ another reason you hate using fake first names. You wonder if it would just be easier to start calling him Peter in your head, too. âRead over what you wrote, quietly, to yourself,â James continues. âWhen youâre ready, youâre going to tell Gwen what you want from the scene. You can follow the script exactly as written, you can make it your own, whatever works for you, but you have to hit everything on that page.â
You watch as Jackâs eyes drop to his paper and quickly scan it. He takes a few deep breaths, then you see his feather-light lashes flick up as he lands his eyes back on you.
Itâs really happening. This is the precipice. The final moment that asks you if you really want to cross this line, surrender yourself to this. You lock eyes with Jack. Together, without meaning to, you both take a deep breath in.
âI want to put my hands all over you,â Jack says breathlessly. âIâŚwantâŚI wanna take all your clothes off and look at you.â
Youâre surprised by the relative innocence of his desire. You were expecting something darker, something out of one of your books.Â
âGood,â James says quietly. âWhat else?â
âI wanna taste you,â he says in a low voice, his eyes dropping to your body and dragging up your form until heâs looking back at you again. âAnd I want you toâŚresist.â
The word makes your breath stop in your throat.
âOkay, good,â James says again. âLetâs clarify, what do you mean by resist? Do you want her to hit you?â
âNot yet,â Jack answers automatically, blushing at his quick response. âI mean, no. NotâŚâÂ
He sighs, running a hand through his hair.
âI want you to say no,â he says in a small voice. His cheeks are burning their usual shade of pink. âAnd I want you toâŚtry to get away, try to push me off.â
Jack draws in a sharp breath. Having to say what he wants, having to tell you what he wantsâŚit makes him feel so vulnerable. Letting the words sit in the room, feeling the weight of what heâs asking forâŚto ask for anything at all is foreign to him.Â
âGood,â James says at last. April nods.
âGwen?â she encourages you.Â
âThat, I want that,â you breathe. Your head feels like it weighs nothing, like youâre floating, not really here.
âRead your paper,â she corrects you gently. âDonât rush into submission before weâve set some boundaries, okay?â
You swallow thickly. Your mouth feels too dry to form words. You read over the paper in your hands one more time. The script does feel a little formal, especially after Jack spoke to you soâŚhonestly.Â
You take a deep breath, closing your eyes.Â
The part of yourself that wants to be here.Â
You listen to her.
You let her use your mouth to say:
âI want you to make me cum until I canât think.â
Jack draws in a sharp, shaky breath.
âAnd IâŚâ you continue. Your cheeks warm as you brace yourself to ask for your next request. âI want you toâŚsay nice things to me.â
âLike what?â April pushes you softly. Your attention is only locked on Jack.
âLikeâŚI want you to call me pretty,â you whisper. âAnd tell me you want me. AndâŚI want youâŚto tell me if Iâm doing a good job.â
It feels like a unique form of torture, asking Jack to praise you. This man who scoffed about you behind your back to his colleagues, who probably makes lewd jokes about you at the bar with his buddies, who fuels your vitriol dailyâŚasking him to call you pretty makes you feel so pathetic.Â
He nods.
âI can do that,â he says breathlessly.
âGoodâŚgood, guys,â April tells you. âAnything else, Gwen?â
âCan youâŚâ you glance down at Jackâs hands, still resting gently on his knees. You stare at the veins that lace across his hands and swallow, feeling the lump in your throat. âI want you to choke me.â
April nods. âGood,â she says again.Â
You and Jack stare at each other in the silence that lingers in the room. Itâs hard to tell where you end and Gwen begins now. You wonder if he feels the same.
âLetâs do this,â James says in a low voice, as if heâs afraid to break the quiet. âWeâll guide you through some of the initial physical contact, review how to choke your partnerââ
You watch Jackâs eyes scan over your body.
âAnd then weâll give you two some space, okay?â
âSounds good,â Jack muses. You can tell heâs on that autopilot mode he goes into when youâre deep into research and you ask him if he wants a breakâ physically present but with his mind somewhere else.
James walks you through a discussion of your boundaries. He has you each clarify your safe word. You tell Jack all the things that are off limitsâ you donât want him to call you mean names or to hit you. At least, not yet; youâre certain your research will bring you there eventually. Most importantly, you donât want him to do anything that you havenât talked about yet.
âAll the stuff you mentionedâŚâ you start, blushing at how awkward it feels to talk so frankly about this. âThatâs fine. But donâtâŚyou know. Donât try anything without asking first. Please.â
He nods, his eyebrows crinkling together.
âOf course,â he says gently. He brings his hand to one of your knees, rubbing circles with his thumb. A breath shudders out of you. âIs there anywhere you donâtâŚwant me to touch you?â
âNo,â you admit quietly. âNo, youâŚeverywhere.â
He nods, then itâs his turn to share. He doesnât want you to mark him in any wayâ bites, scratches, hitting, nothing that will linger on his skin.Â
âAnd, um,â he adds, looking down. âDonâtâŚdonât try to kiss me.â
Thereâs an awkward hesitation in the air as you try to rationalize his request.
âSome people, especially couples, sometimes prefer to keep romance and BDSM separate,â April explains, seeing the confusion in your expression. âItâs totally normal. Your BDSM relationship does not need to extend to your romantic relationship. Some people even like to take their rings off while theyâre in a scene.â
You glance down at your left hand and it clicks. Your ring is fake; Jackâs is real.
âWhat do you want to do?â you ask him. You have less skin in this game. You want to let him decide.
âCan- can we leave them on?â he stammers. You glance up at him.
You hate him.
You hate how good he looks. Hate that you can see his anxietyâ and something else, you canât quite make out whatâ in his face. Hate that you can see the freckles along the very tops of his cheeks, hate that you can see the way his throat moves when he swallows.
When you look into those deep blue eyes that you hate so much, you soften. He looks scared. And Jack would never admit it, but heâs fucking terrified. Itâs why he wants to keep his ring on; he doesn't want to think about all the things he would do to you if he was allowed to let go of this tiny piece of metal that tethers him to his wife.
You nod.
âOkay,â James says. âExcellent work so far, guys. Are we ready to talk about the choking?â
The two of you nod, both silently grateful to have something to focus on that isnât Jackâs marriage.
âAlright, Gwen, can you lie down?â James asks you. You reposition yourself until youâre on your back, staring up at the ceiling. You close your eyes and take a few deep breaths, trying to slow the rapid fluttering of your heart.
âYou okay?â Jack whispers. You nod, eyes still closed. You appreciate his concern, but you canât let your mind linger on him.
âThen Peter, you have to get on top of her,â James says. âJust put yourâ there you go, exactly.â
Jack rests a knee on either side of your hips, straddling you. His hips are hovering over you until James tells him to relax all the way. You silently remind yourself that, according to your cover, the two of you are married and not having sex for the first time. There will be no way to explain that just the weight of Jackâs hips on yours makes you gasp, so you instead settle for a deep breath in through your nose.
âOkay, now take just one hand and rest it on her neck,â James continues. âDonât add any pressure yet.â
Jack brings his right hand up and gently places it on your throat. He can feel the blood pounding through your veins underneath your skin.
âAlright, this is important,â James goes on. âYou donât want to press down on her windpipe. You want to squeeze the sides of her throat to constrict blood flow to the head. Thatâs what weâre after.â Jack nods. âGwen, are you ready to try it?â
You nod too, and you can feel Jackâs fingers twitch on your skin.
âAlright, give it a go,â James tells him.
Jack follows his orders, squeezing his fingers around your throat. Your head feels like itâs pounding. Your breath is ragged as you inhale what air you can. Physically, you can still breathe fine, but youâre panting enough that it feels rushed and desperate. The feeling of his hand around your throat, making you dizzyâŚit feels good. Your eyes flick open and onto his face above you. Looking into his eyes, the same blue eyes that roll during your never-ending arguments, it makes you rub your thighs together. Youâre certain he can feel you squirm. You need a second. You need to think. You need his hands off of you.Â
You tap his forearm twice with your hand, then wrap your fingers around his wristâ a tactile gesture drilled into both of you at Quantico. Automatically, Jack withdraws from you, releasing your throat and sitting back.
âAre you okay?â he asks you, worry saturating his voice. âDid I hurt you?â
You shake your head, sitting up again.
âNo- no, I justâŚit was good. I just need a second,â you respond, hoping you donât sound as desperate as you feel.
âYou two have excellent communication,â April notes, saving you. âI can really tell that you have a good relationship.â
It almost makes you laugh.Â
âHow are we feeling?â April asks the both of you. You look between Jack and her and nod.
âYeah- yeah, IâmâŚI think Iâm good,â you say.
âYeah,â Jack echoes.
âAre we feeling ready to start the scene?â she questions gently. You both nod and answer in the affirmative once more.
âHow you initiate a scene is entirely up to you,â April continues. âSome people like to set a very specific cue, visual or verbal, to confirm that both partners are ready to begin. A lot of people even just use a simple âIâm starting the scene now.â Do you want to set a cue?â
âI donât know,â Jack starts. âDo we really need toââ
âI think thatâs a good idea,â you pipe up. The thought of Jack putting his hands on you, grabbing you, manhandling you without warning, makes your stomach feel like itâs doing somersaults.Â
âWell, what do you want the signal to be?â he asks. He sounds more relaxed now, more like the Jack that always asks you questions like that instead of contributing any useful ideas.
âI donât know,â you retort. âSomething.â
âFine, letâs just do the basic one, âIâm starting the scene,ââ Jack suggests, irritated.
âCanât we find anything lessâŚclinical?â you huff.
âThen what do you suggest? âLetâs fool around?ââ Jack snips, falling into your familiar bickering pattern. Your cheeks feel hot at his words and your eyes drop quickly. Jack studies your face, then locks eyes with you when you look back at him through your lashes. âOhâŚyou like that, huh?â he purrs in a low voice. âThen letâs fool around, baby.â
He rests a hand on your knee and again rubs circles over your skin with his thumb. You wonder if itâs something he does with his wife. His eyes briefly dart over to James, who nods in turn. Jack continues, gently pushing your knee aside. Without thinking, your other leg mirrors the one under his touch until youâve fully parted your legs.
Jesus fucking Christ. Parting your legs for your coworker. You try to push the thought out of your mind.
âI wanna touch you, can I touch you?â he asks, obviously trying to catch his breath. Your answer doesnât register in your brain before it comes out of your mouth.
âPlease,â you beg. âPlease touch me.â
He grins.
âWhere?â he teases you. âHere?â he asks, lacing his hand with yours. You can feel the cool metal of his wedding ring. You try to let go of his hand, to get him to touch you where you really want him.
âNo, noâŚlet go,â you whine.
âWhere, baby?â he asks innocently.
âEv-everywhere, everywhere, fuck, just put your hands on me,â you babble. You sound so desperate, so patheticâŚyou feel your cheeks warm in embarrassment.Â
âThen I think we gotta get rid of some of this, sweetheart,â he says, tracing one finger along the neckline of your blouse and then down towards the waistband of your skirt. His voice is smooth and velvety and bends you to his will without struggle. You hurriedly untuck your blouse from the elastic thatâs hugging your waist and pull it over your head. You reach for the eye hook fastening the side of your skirt.
âDo you want me to take this off too?â you ask him. You canât believe yourself. Itâs like a switch has flipped in your brain. Every voice that was screaming at you to slow down, to back out of this, is now not only silenced, but seems to have changed its tune altogether, instead urging you to get closer to Jack. To give him every part of yourself.
âYeah,â he tells you, his voice dropping into something lower and gentler. âWanna see how pretty you are, baby.â
Your hands canât move fast enough. You undo your skirt and awkwardly shimmy it down your legs and off, tossing it aside next to your top. Jack stares at you, really stares at you, the girl whoâd done nothing but piss him off for the last few weeks, his eyes lingering on your cleavage.
You canât think straight. Your chest is heaving with every breath, which youâre sure is only putting on a better show for him.Â
âWha- what do I do now?â you say in a tiny voice to April, still lingering with James a ways back from the bedside.
âAsk him for what you want,â April tells you.
âTouch me, please,â you whine to Jack. âPlease, Iâll do whatever you wantââ
Jackâs mind races as he watches you unravel before him. Thereâs something in your eyes, something that heâs not sure if youâre fakingâ you are the best of the undercover unit, after all. But he can tell that something isâŚdifferent. Shifted within you.
âTake a deep breath, Gwen,â April instructs you, her voice a little louder and firmer. âReset yourself.â
You press your eyes closed and draw in a deep breath. It serves to steady your heartbeat just a bit, and helps you slow your mind.
âPeter,â James chimes in. âPart of a domâs job is to help guide the emotional experience of the sub as well. If you notice her slipping like that, do what we just did. A soft timeout, just a reset, until everyone is in a good headspace to continue. Yeah?â
âGot it,â Jack breathes, nodding slightly. Heâs still watching you. âThenâŚare we good?â
âAsk her,â James tells him.
âAre you okay?â he asks, gentler than you were expecting. You open your eyes, finding Jack again, and this time, you donât feel anxious, or nervous, or embarrassed. You feel safe.Â
âYeahâŚyeah Iâm okay,â you reply. âWe can keep going.â
He blushes at that.
âCan I touch you again?â he whispers. You nod, then shiver when he brings his fingers to just barely graze over the skin of your midsection. It tickles and you squeak. His brows shoot up as his eyes snap back to your face. He dances his fingertips along your skin, moving to your arms, your neck, your chest. He repositions his leg so one knee is resting between your thighs, then he leans over you. He brings his hand up to cup your face.
âYouâre so pretty,â he mumbles as his thumb strokes your cheek. âLove lookinâ at you, baby.â
His hand slides down and gently rests around your throat, his fingers slick with your sweat. When he starts to squeeze, that hot, cloudy feeling returns to your head. You can breathe, but you feel like you canât. You feel like youâre standing atop a high ledge being held there only by his grip.
You squeak and squirm under him until he slots his knee between your thighs. Your breath catches in your throat and you release a pathetic, strangled cry.
âFeels good, huh?â he grins. âItâs alright, sweetheart, go ahead. Talk to me.â
âP-p-p-â you sputter, your airflow still restricted by his grasp. He relaxes his hand until his fingers are gently tracing lazy patterns along the skin of your neck. âPlease.â
You grind your hips against Jackâs knee, chasing the stimulation. Without thinking, you reach out and claw at his still-clothed shoulders.
âNot fair,â you whine. âYouâre not evenângggh, Jaâ PeterâŚâ
âWhat?â he smirks.
âYouâre still dressed,â you pout.Â
Jack wants to take your hand and rest it on top of the bulge in his pants. He catches himself just in timeâ itâs one thing to tease you and touch you, but to admit heâs turned on by watching you come undone for himâŚ
There would be no coming back from that.
As if reading his mind, you reach out towards Jackâs belt buckle before he snatches your hand.
âFucking. Donât,â he growls, leaning over you. You let out a tiny cry at the way heâs gripping your wrist. His eyes are steely and cold. The sudden snap from teasing to commanding makes your heart race. âYou wanna be a good girl?â he asks you, his voice breathy, but still firm. You nod.
âThen fucking behave.â
He wants to follow it up with âyou stupid bitch,â but remembers your request.
âSweetieâŚâ he coos, his tone softening again. Your mind flashes to several weeks prior, Jack picking up the phone at the desk across from yours.
Hi, sweetie.
You whimper.
âI wanna put my mouth on you,â he breathes, impossibly close to you. You want to beg him to do it, to do anything, just to make this feeling stop, this violent, burning desire that aches in your limbs. But you remember what he wants. You let the intensity of your feeling seep into the words you donât mean.
âNo!â you exclaim.Â
âCome on, sweetie,â Jack purrs, digging his fingers into your wrist. The pressure of his fingers makes you squeal in surprise. âLet me have a little taste.â
âNo, Jaâ Peter,â you wince. âLet me go.â
âJust let me make you feel good, sweetheart, come on,â he presses, grinding his knee up into you. You roll your hips, chasing the friction. âPromise Iâll take care of you, baby.â
âPeter, stop,â you plead, desperation in your tone.
The number of times heâd begged Linette to let him kneel between her legs, only to be met with rejectionâŚit made him feel like a freak.Â
Jack drinks you in with his eyes, watching you whine and wriggle and try to twist away from him. He grips your throat again and squeezes.Â
Then he imagines youâre his wife.
When he looks at you, he doesnât see Linetteâs face. But he lets himself imagine that the ring on your left hand is real, and that he put it there.
He imagines you, as his wife, begging him to stopâŚand forcing your legs open anyway. The memory with Linette strobes through his mind, intercut with the fantasy of you, until he canât tell which version of himself is realâ the Jack who retreats at his wifeâs protests, or the one who devours you despite yours.
April and James share a look, then quietly exit, closing the door behind them. The only sound in the room is yours and Jackâs heavy panting as he leans over you on the bed. Heâs so close to you that you can see the way his pupils are eclipsing the blue of his irises. Still on autopilot, Jack gently curls his fingers around the column of your throat one more time until you squeak. The noise shakes him out of his haze.
He coughs, sitting back on his heels and taking his hands off of you.Â
âTheyâre, um. I guess we can stop now,â Jack pants, one hand rubbing at the back of his neck. He canât even look at you. His face is burning.
You lie there quietly for a moment, trying to catch your breath. The abrupt end to the moment halts your heart. You blink quickly, then squeeze your eyes shut.
A part of you feels relieved, that you no longer need to wonder how far youâre willing to go to keep your cover. But another part of you feels crushed. Rejected. Unwanted. You feel like a pop bottle thatâs been shaken furiously then put back in the fridge. The stinging feeling in your chest burrows in deeper as you turn your head to the side, desperate to put any distance between you that you can right now.Â
Jack watches your chest rising and falling, still transfixed on you. His mind swirls with all the things he still wants to do to you. Your begging and protests are seared into his brain. Heâs not sure how he can ever look at you or have another conversation with you when you both return to the office.Â
As he stares at you, a thin sheen of sweat on your chest, he remembers what you wanted.
I want you to make me cum until I canât think.
Right now, he just wants to satisfy your request.
He swallows hard, then quickly sits up and stands from the bed, leaving you lying there. He fishes around in his pocket, then produces his cigarettes and his Zippo.
âYou think theyâll let me smoke in here?â Jack asks, hoping his voice doesnât sound as shaky as his body feels. His trembling fingers bring a cigarette to his mouth and he gently takes it between his teeth. He turns away from you so you donât see him using both hands to steady the lighter as he lights up.
He takes a long drag then exhales the stream of smoke, gently closing his eyes. You still canât speak. Your clothes are still on the floor. Youâll have to stand up, in your bra and your now-soaked panties, and bend over in front of him just to get dressed. Jack just leans against the counter, smoking his cigarette.
You feel so stupid. This is the same Jack that thought you were just an accessory to the men doing the real work. The same Jack who belittled you and questioned your every move, doubting your competency. You canât stand him, and yet here you are, a deep aching in your chest because he pushed you away from him.
You scramble to get dressed. Jack doesnât look at you. Heâs worried heâll stop you.
The rest of your evening at Club Midnight is tense. You scribble in a tiny notepad while Jack snaps pictures of the room with the small camera youâd tucked into your purse. You donât talk. When April and James come to collect you, you know they can sense the change in both of you. They donât poke at it though, and let the two of you leave for the night after doing a final check in with them.
The cab ride back to the hotel is torturous. You have nothing to say to Jack, but sitting in silence somehow feels worse. When you finally emerge from the car and head into the hotel, Jack invites you to join him at the hotel bar. You decline, partially for the reason you give him: that you want to go upstairs, shower, and go to bed right away. The other reason is that you truly feel like youâll throw up if you have to have a conversation with him now. You take the elevator up to your room while Jack lingers in the small hotel bar, sipping a bourbon and smoking another cigarette that still isnât doing anything to ease the shaking in his hands.
You shower and change into the soft terrycloth shorts and oversized t-shirt you sleep in. You finally settle into the only mildly uncomfortable hotel bed. You try your best to clear your mind as the events of the day unfold again in your head. You turn off the lamp on the bedside table and lie there in the darkness until you can feel the weight of your eyelids and quietly float off.
You wake in the night, twisting in the covers and blinking in the darkness. Red numbers glare at you from the alarm clock on the hotel nightstand: 2:36 am. You sigh, then roll over onto your back to stare up at the ceiling. Your mind wonât stop cycling through flashes of today.
Jack over you. Jackâs hand around your throat. Jackâs knee grinding against you. Jack staring at you in just your bra and panties. Jack calling you pretty.
You squeeze your thighs together, humming lightly. You bring your hand down to the waistband of your shorts, your fingers gently playing with the tie. You can still picture Jackâs cold blue eyes in your mind, tracing up and down your body with that cruel, all-consuming gaze. Shivering, you draw your hand lower, below the elastic around your hips, until you find your clit.
You sigh softly as you gently rub soft, slow circles over yourself. You picture Jack hovering over you, that mean, commanding look in his eye. You think you want him to be meaner next time.
Next time. You donât even pause to acknowledge how insane the thought is.
You continue to tease yourself, the sensation of heat building in your tummy.Â
You think about next time.
So pretty, stupid girlâŚ
Iâm n-not st-stupidâŚ
No? Well what else would I call the dumb bitch who drools when she thinks about having my cock in her mouth?
You whine and dip your hand lower, gathering some of the slick thatâs already started leaking from your entrance. You work your hand faster over your sensitive spot, the feeling in your body starting to feel less like pleasure and more like tension.
You bring your hand to your neck and squeeze, fuzzing your own vision. You recall the feel of Jackâs fingers around your throatâ the rough callouses, the cold stinging feeling of the golden band around his finger in contrast to the heat of his palms.
âJ-Jack,â you breathe. âJack, please.â
Shhh, itâs okay, baby, I know what she needs. Just turn this off, babyâŚyou donât need to think about anything. Isnât it easier to just be my dumb little cockslut?
You twist your head against the pillow and moan. On the other side of the wall, a still-drunk Jack listens to the faint sounds of your whimpers. His head is still spinning from the bourbon, so he doesnât think twice before spitting on his hand and taking his length in his hand, quickly chasing any kind of stimulation.
Ending things as quickly as you did had left Jack with a disgusting, ravenous feeling in his chest. All he wanted in that moment was to pin you down while you cried and begged him to stop. To press his tongue to your center and drink you down as he pleased you, making good on his promise to make you cum until you couldnât think.
His own desire terrified him. He had to stop.
But now, he listens to the sounds of your breathy moans through the cheap drywall and minimal insulation and chases his release without hesitation.
You twitch your hips against your hand, the electric feeling in your body continuing to spread. You can feel it in your chest, at the base of your skull, in your thighs as they shake and quiver, as if youâve just run a marathon. You squeeze your throat again, and the dizzy, floaty feeling returns to your mind. You sigh in your bliss.
Jack bites his lip and breathes through his nose, doing his best to stay quiet.
You rub a few more circles, fast and pressing hard to your clit.Â
âJ-Jack, Jackâ you whimper. âPl-please can I cum?â
âDo it, baby,â Jack mutters on the other side of the wall.
Youâve been such a good girl, sweetheart. Cum on my tongue, baby, do it.
You unravel, the spring in your stomach snapping and filling your whole body with sparks. You choke out a cry, trying desperately to be quiet.
But as Jack hears your orgasm hit you, he chases soon after, wincing and tugging on his cock a few more times until he paints his hand and his bare stomach.
You lie there for a second, panting, sweat sticking strands of your hair to your temples. You blink at the clock. 2:42am.Â
A whole week of this.Â
A whole year of this.
You donât know how much you can take.Â
Your eyes flutter closed, and your mind is two weeks in the past, in the conference room with Jack.
âWell, here, it says, âunusual or bizarre imagery or acts are necessary for sexual excitement,ââ he reads from his notes. âSo maybe part of this is aboutâŚneeding it. Maybe youâre only deviant if you, yâknowâŚneed it.â
Your eyes flick open, back into the dark room of the present. You gently rub at the stinging skin of your neck.
Why did you do that?
You release your throat and quickly sit up in bed. Your fingers are still sticky and glistening with you.
Why did you do that?
You try to shake the thought from your mind. You plant your feet on the floor and cross to your tiny bathroom to clean yourself up. Afterwards, you hold one of the small glasses still sitting upside down on the counter and stick it under the running faucet. You gulp down the entire glass, then go to fill it again. When you finally return to the bed, the alarm clock still glares at you. 3:01am.
You lie back and stare at the ceiling. You can still feel the burning of your own fingers digging into the sides of your throat.
You close your eyes. You try not to think about it.
You try not to think about him.
At some point, the world slips into blackness, and youâre finally free of it all. The low buzz of the window air conditioner lulls you into a dreamless sleep.
thank you for reading! please reblog if you like what you read; it keeps writers engaged in fandom spaces and creating cool shit for you! check out my masterlist here. read part one here.





