Recently acquired Japanese Black Pine developing into a semi-cascade. I have a nice, slightly bowled piece of stone I'll transfer it into next spring.
seen from South Korea
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seen from Canada
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seen from Côte d’Ivoire
seen from China
seen from China
seen from Poland
seen from China
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seen from Poland

seen from Switzerland
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seen from United States
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Recently acquired Japanese Black Pine developing into a semi-cascade. I have a nice, slightly bowled piece of stone I'll transfer it into next spring.

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Merging Jianfa & Daofa in Your Swordplay:
Practitioners of Jianfa looking to explore the depths of Chinese swordsmanship, incorporating Daofa, the art of the saber, can add a more assertive, power orientated flavor to your swordplay.
This journey is not just a weapons switch up; it's about expanding your mindset, augmenting your skill set, while broadening your approach to swordsmanship.
In this guide, we'll navigate through the transition, focusing on practical techniques and insights to enhance your martial arts skills.
The Jian, with its straight, double-edged blade, epitomizes precision, agility, and adaptability, demanding a level of finesse and fine movement.
In contrast, the Dao, featuring heavier cuts, is a single-edged blade, representing power and efficiency in combat.
Uniting Daofa with Jianfa involves more than learning to handle a different sword, it means embracing a different approach in swordplay.
The Dao's point of balance is more forward than the Jian’s. This provides for more powerful cuts and thus a significant shift in technique. Daofa focuses not on the quick, wrist-led maneuvers that are the essence of Jianfa, instead focusing on powerful, elbow-driven techniques.
This style engages larger muscle groups for stronger and more impactful strikes, a key aspect in effectively wielding the Dao.
Starting with Pi Cut from Stirring Deflection
Begin your transformation with a drill common to both Jianfa and Daofa, the Pi cut from a stirring deflection. This provides a familiar base while introducing Dao's unique handling characteristics.
Chan involves a binding or wrapping movement, where the blade circles the body. It's a deflecting technique where the flat of the blade is used to deflect an incoming cut on one side of the body and then continues the motion to circle the blade around the torso, behind the back. This allows for a follow-up cut from the opposite side.
Deflecting with a Chan movement, the empty hand moves inside the blade, close to the chest, and can be employed to momentarily control the opponent’s sword arm as one advances forward. Training this technique introduces practitioners to the closer, more direct combat style found in Daofa. In contrast, Jianfa's prefers maintaining a distance that provides space to maneuver.
After gaining familiarity with the Pi and Hua cuts, it's insightful to progress to the distinctively heavier Kan cut. The Kan is and unique to saber systems, not being present in Jianfa.
Following this, the Duo cut would be the next logical cut to add. While the Duo cut is also present in Jianfa, it’s not made use of as frequently when wielding the straight sword.Training Daofa’s use of the Duo reminds us of why we are evolving our swordplay, merging the mindsets of Jianfa and Daofa, mixing more aggressive and assertive actions into our sword work.
In practice, although the timing of the Duo cut may appear similar to its Jianfa counterpart, it requires a considerably larger window of opportunity, reflecting the bolder and more direct approach of Daofa.
This exploration into the Duo cut provides practitioners with a new perspective on the rhythm shift from the more measured Jianfa to the dynamic and forceful Daofa.
The Pi cut can be likened to the power needed to trim a leaf off a tree, the Kan cut to chopping a thick branch, and the Duo cut to the robust action of felling an entire tree or splitting a log. This progression not only illustrates the escalating power inherent in Daofa techniques but also underscores the distinct tactical mindset required for this style of swordplay.
The Gua cut, though mechanically akin to the Liao cut in Jianfa, takes on a unique role in Daofa. It focuses an aggressive sweeping action to proactively capture the line, reflecting Daofa's assertive and power-oriented nature of Dao swordplay.
Incorporating shield work, especially with durable circular cost effective riot shields, provides insight into how the Dao would have been wielded on the battlefield. This practice not only enhances sword skills but also offers a better understanding of strategic defense and offense in historical combat contexts.
You can use a rattan Tengpai, but these are a lot more costly than a riot shield, which are far cheaper and will hold up to virtually anything you can throw at it during swordplay.
These individual cut drills can be combined into dynamic semi-fixed sparring routines, crucial for experiencing the reactive and adaptive nature of Daofa and preparing for unpredictable combat situations.
Merging Jianfa to Daofa offers an opportunity to evolve your understanding of Chinese swordsmanship, introducing new techniques and strategic thinking. It also adds tactical options to your swordplay, making you less predictable. This journey, embraced with dedication and an open mind, not only enhances your swordplay skills but also enriches your overall approach to swordsmanship. Enjoy the growth and mastery that come with learning the powerful art of the Daofa.
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All of the drills and cuts discussed in this guide can be found in the Daofa sections of the Academy of Chinese Swordsmanships Online Archives. Available to all members of the Daofa and Sword Scholars Study paths.
Visit www.chineseswordacademy.com for more details.
A few more of the Trees lining the entrance way to Bonsai Exhibit at Hoshun-In in Kyoto.
Did a little fine wiring this past week on one of my “Snow Rose.” Experimenting with getting more depth of field with my cell phone camera. Tweaked in Pixelmator Pro. Better, but quite what I’d like. Happy with the direction this little trees is going though.
Cascade Japanese Maple Summer 24 Update.

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LíngLóng Ponderosa Pine
凌龍黃松~
Having a bit of fun, experimenting with how the light plays on the pine and walls as it streams in during the early morning.
Every morning is a bit different…
Let me know which you prefer? If there is one you like more than the other.
Rainy morning… my “Drooping Pine.” A little more work to do, but taking shape. Have to think of a more poetic name than drooping pine…
Cascade Japanese Maple Re-Wire 8/24~
I’ve often made the error of leaving the wire on too long on my Japanese Maples. This time, I might have taken it off a bit early. I noticed that the fine branches hadn’t held their shape, so I re-wired them.
Since I had it in to work on, I thought I might experiment with a bit of camera work. On an overcast day, I had a light shined on the tree at different angles. I thought I might get a nice round spotlight effect. Obviously I didn’t, but did get some interesting shadows. Anyway, let me know what you like, or don’t…