#samelove

I get a feeling that Paul keeps tracks with some of his most personal lyrics away from centre stage: released as bonus tracks on separate editions of albums, as additional tracks on various formats. This goes back to ‘Same Love’, a track written in 1987 but only released as a b-side of the 1997 single ‘Beautiful Night’. A track so glorious that, by any rational standards, it should have been front and centre of an album release.

The usual proviso applies that the lyrics might just be words to go with a tune but, really? The song deals with thoughts of rekindling a past love, with all the complications and uncertainties that would go with that. “Though it may not be as good as new, well, still, it must be better than the pain that I went through”. Listen to how he sings the word “pain”. If he’s not being real there, he’s a much better actor than he’s given credit for.

But what about a few of his by the way tracks from more recent times? Let’s look at ‘Demons Dance’ and ‘Struggle’.

‘Demons Dance’ was recorded during the sessions for ‘New’ but was only released in October 2014 as part of the Collector’s Edition of New. The Paul McCartney Project blog tells us that during his Twitter Q&A on October 30 2014, Paul was asked what was the meaning of ‘Demons Dance’ and what inspired it. He swiftly batted that away with “Demons Dance’? Lord knows what that’s about!” Well, quite. None of the regular tactic of saying that the lyrics have no particular meaning.

The song’s narrator has a desire for a connection with someone, and the feelings that go with this are so strong he likens them to his personal demons. This goes deep. Only by connecting with this person, can he get peace of mind.

“I can't wait much longer 'til you tell me baby, there’s some chance we'll get together maybe, sooner or later I'll be in with half a chance”

This has been a long term feeling and he’s desperate for some message of reciprocation. Only that can ‘exorcise’ his demons. The guy’s got it bad. “Girl I want you to do it, I’ve been waiting so long”. Yep, this goes way back.

Do you write lyrics as intense as this if you don’t really feel them? I’m going with nope.

What about ‘Struggle’, first released on the Japanese version of ‘New’? This one doesn’t hang about getting to the point: “ Want to get you in my heart again, want to love you once more”, it begins. It sounds like the same narrator we heard in ‘Demons Dance’. Again, and even more explicitly, this is addressed to someone the narrator used to be with.

“If you wanna love, if you wanna fight, it doesn’t really matter, I want you tonight”. So maybe this past relationship had its ups and downs, was a bit volatile. “I can think of something when I get you home tonight”, he adds. See previous post for the possible importance of “home tonight”, a phrase that turns up in five Macca songs.

“It’s the same old story, it’s happening again”, he declares. This longing is something that has been a feature through the years for the narrator. It has peak periods of intensity.

“Anytime you want me, I’m not hard to find”. This person is out of his current orbit but could contact him easily enough.

“We can work it out together, we'll get through this somehow”. Yeah, we can work it out…..

It ends with “It's the same old story, it's happening again. Life’s eternal struggle”. It may ebb and flow but this feeling isn’t going away.

Jumping ahead to tracks from the Egypt Station sessions, we’ve previously had a look at ‘Get Enough’. One of his most emotionally raw lyrics. Snuck out on streaming platforms as the clock struck 12 at New Year 2019.

Then there’s ‘Sixty Second Street’, released on subsequent editions of ‘Egypt Station’. Set to a pretty tune, this is a lighter take than the other tracks we’ve looked at but, again, describes a desire to connect with someone. Our narrator wants to meet up with this person, just a minute of their time is all he needs. Mind you, he then suggests they “grab a bite”, so maybe a bit longer. A lighter take, yes, but meeting up with this person would make his life complete, so it’s a big deal.

Amit most érzek, az ugyanaz a szerelem, mint az a 16 éves koromból maradt plátói, viszonzatlan.

Nem változott semmi csak az emberek, meg hogy néha viszonozták.

De érzésre ugyanolyan. Megnyomorít, fáj, és nem múlik el akkor sem, ha elhagynak, ha már akit szerettem nem is áll szóba velem.

Kiirthatatlan, mindent besző, és hiába vagyok mással, azt érzem ez az érzés semmit sem változik.

Nem nő, nem fakul, nem lesz kisebb se.

Végig elkísér.

Azóta velem van mióta először éreztem.

Már nincs kétségem afelől, hogy nincs több fajtája a szerelemnek. Egy van, csak a tárgya változik. Térben időben nem lehet behatárolni.

Létezik, ennyit tudok.

Halhatatlan, megfoghatatlan és képessé tesz arra, hogy emlékezni tudjak azokra, akikkel már nem beszélhetek, akiknek már nem tudom megfogni a kezét.

Álmaimban kísértenek tovább az elvesztett, elszalasztott szerelmek.