LET’S FREAKING GOOOOOOOOO!!!! 🎉🎉🎉🎉🎉🎉
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LET’S FREAKING GOOOOOOOOO!!!! 🎉🎉🎉🎉🎉🎉

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Yeah I don’t know why people are panicking about it not being spicy.
If it is cool if not as long as it’s a good movie and domestic .
Yeah. Firstly it's just an unfounded claim and secondly so what if the movie's not that explicit? Anything done should be serving the stories and the character, that has to be the priority. The first movie had two more heated scenes that alluded to sex, but the actual sex scene was incredibly quiet and gentle, and THAT WORKED.
So yeah.
Someone who attended the RWRW special screening a couple of weeks ago said it was not spicy at all.
Huh.
I highly doubt that. Don't test screening audiences have to sign an NDA that forbids them from literally saying anything about the movie until it's released? So who the hell is yapping
Plus, Taylor, Casey and Jamie have all said that RWRW is going to be spicier than the last. That's the actor who has to act out the scenes, the screenwriter who wrote the scenes, and the director who planned the scenes.
Oh, and if this is comparing it to HR, don't. Stop comparing the two, they're not comparable.
Prompt Me!
Have food, will write ficlets. My askbox is open (including anons). I will do hollanov, firstprince, or dealer's choice if you like.
(^^click there^^)
Casey talking about RWRW!!

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Queer History in Red, White & Royal Blue (Masterpost)
in 2023, ahead of the release of the film adaptation of Casey McQuiston's Red, White & Royal Blue, i wrote a series of posts giving context to references they used in the novel. while we wait for the release of the second film, i spent pride month reposting the posts that contextualise the things alex mentions in chapter 7 when coming to understand his connection to the queer community and history as someone who is newly identifying as a bisexual man. the tag i used was "elio is talking about queer history".
this post exists as a masterpost that collects all the links to the individual posts.
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Stonewall
SCOTUS decision, 2015
Walt Whitman
Laws of Illinois, 1961
The White Night Riot
Paris is Burning
David Wojnarowicz - Photo from the '80s
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if you enjoyed this series, reblogging not only this post but the individual posts too is vital to helping them reach beyond just my followers. please take a second to share the posts around, it's so important for queer history to not be lost - especially as we see an uptake in suppression of queer existence. pride month is a perfect time to learn more about our history.
David Wojnarowicz - Photo
this is part of a series for pride month giving a base level of information about the queer history mentioned in red, white and royal blue by casey mcquiston. the masterpost is here. if you want to follow the series, i am using the tag "elio is talking about queer history".
This post will cover the AIDS pandemic, which means there will be discussion of an incredibly large number of deaths, as well as government neglect of AIDS patients due to homophobia. There will be talk of the grief from the queer community & the ways it was weaponised to protest in an attempt for fundamental change. This is not a light topic, please take appropriate care when reading. As this post is going to have a few different topics in, so I decided to actually start with a read more, rather than arbitrarily place it partway down, I'd do a list of what is covered in this post & then have it all behind the cut.
So, in order, this post covers: David Wojnarowicz; AIDS; ACT-UP. In the additional reading section is a section subtitled "NAMES AIDS Memorial Quilt". This is worth looking into if you aren't already aware.
Paris Is Burning
this is part of a series for pride month giving a base level of information about the queer history mentioned in red, white and royal blue by casey mcquiston. the masterpost is here. if you want to follow the series, i am using the tag "elio is talking about queer history".
Please note the following topics are metioned: murder, AIDS - and death due to complications, sexual violence, sex work, racism, queerphobia.
Paris is Burning is a documentary film, released in 1990, that focuses on the 1980s ball culture of Harlem (New York) and the communities of gay & transgender African-American &Latino people involved in that culture. It offers an exploration of race, class, gender, and sexuality in the US at that point in time. The AIDS crisis was growing in severity, and impacted many of the people involved with the documentary. Many of them have since died due to AIDS complications - including Angie Xtravaganza (age 28), Dorian Corey (age 56), and Willi Ninja (age 45).
Documentarian Jennie Livingston interviewed key figures in the ball world, and the film features monologues from many of which addresses their understanding of gender roles, subcultures of both the ball world and the queer world, as well as sharing their own life stories. It also provides an introduction to slang terms used within the subculture, such as house, mother, shade & reading. Interspersed with this is footage of colourful ballroom performances. The documentary also looks at how AIDS, racism, poverty, violence, and homophobia impacts their lives. Some of those involved became sex workers to support themselves, at great risk to their safety - one member is found strangled to death, seemingly by a client. The 'Houses' of the ball culture provide safety and security to those disowned by queerphobic parents, as well as those largely ostracised by mainstream society.
The documentary did have some criticisms - notably for reinforcing stereotypes, having a white filmmaker, and for not properly providing compensation - but it has remained important as a depiction of ball culture, the most prominent display until Drag Race began to popularise the concept to a wider audience.
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Ball culture - also known as the Ballroom Scene/Community, Ballroom Culture or just Ballroom - takes its origins from a series of drag balls, including those organised by William Dorsey Swann (the first person known to self-describe as a drag queen) in Washington DC, during the late 1800s. These drag balls were masquerade themed and took place to defy laws which banned people from wearing clothes of the opposite gender. Many early attendees were formerly enslaved men, and the events were held in secret. While balls were integrated during a time of racial segregation, non-white performers regularly experienced racism from the white judges and performers. This prompted Black and Latino performers to create their own spaces within the subculture, and the modern culture grew out from Harlem in the late 1960s, spreading to other major cities soon after.
The structural and cultural issues facing the community in 1980s New York - including poverty, racism, homophobia, as well as sexual violence and AIDS - didn't stop Ballroom from thriving, acting not only as an escape from real life but also offering those involved a support system that was not often present in other areas of their lives. The culture included a system of 'Houses' - headed by an elder queer person (although often not much older than those in the family), either a 'mother' (mostly gay men or trans women) or a 'father' (mostly gay men or trans men) - which would become a surrogate family for young queer Black and Latino youth who were estranged from family, homeless, and/or struggling to get by. House members would often take on the surname of their house parent, and the houses would compete together in balls - often with a specific style identifiable as belonging to that group.
Drag ball culture works to resist the dominant cultural norms people experience from wider society. The performers create a space to challenge gender roles and heteronormativity through subversive outfits, slang, and actions. It gives them a space to feel supported and to work through their abuse they experienced as members of minority groups.
The balls not only provide a community, but also provide spaces for education. Aware of the prevelence of AIDS and the lack of support, in 1990 the Gay Men's Health Crisis (GMHC) launched the Latex Ball to distribute health information to those involved in ball culture. Offering free HIV testing and prevention materials, it attracts thousands of people from around the world and is still active to this day.
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The importance of Paris is Burning continues to grow as the years pass. It was a rare film that focused on the lives of queer people of colour, whose charisma and humanity shines through in their witty to-camera interviews and their fierce routines and performances.[source]