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The last day, I had the strangest realization. I post to my Tumblr things that I consider "free time drawings" or "drawing for fun". So I´ve posted only a few things about my comics or my animation jobs. Means "real life work". But I have so much extra from all my projects and...well. If my dear followers don't mind, I can post it :D So here is study material for my adaptation of the theatre play RUR, deeply inspired by Zlín industrial area and Zlín museum :)
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Všechna česká divadla by do svých programů měla zařadit RUR od Karla Čapka. Lidé by si měli vzpomenout, co se může stát, když budou na AI závislí.
I **TRIED** to animate Lyca being cute a **WHILE** ago but never finished it
Thought it could make some content idk
Kastenlok RUR zu Gast bei der Märkische Museums-Eisenbahn e.V., Plettenberg/Herscheid (Sauerländer Kleinbahn)
Henschel & Sohn, Cassel, No.5276; Baujahr.1899
RUR box-type locomotive on track at the Märkische Museums-Eisenbahn e.V., Plettenberg/Herscheid (Sauerland Light Railway)
Henschel & Sohn, Kassel, No. 5276; built in 1899
Something about Baghra refusing to teach or meet with David because he reminded her too much of her father.
Something about Baghra's mother refusing to touch or care for her, because she was one of her father's abominations.
Something about Alina having more power over the The Stag's Amplifier, despite her not being the one to kill it. It being the only amplifier David connected to her.
Something about "Morozova was the Bonesmith, one of the greatest Fabrikators who ever lived, and a man who tested the very boundaries of Grisha power, but he was also just a man with a wife." Well David was chosen to fuse Alina's amplifier to her collar bones because he was a powerful Durast. Something about Genya being David's only distraction from his work.
Something about the last name Kostyk having Salvic ties to the word bone. Something about the name David having Hebrew roots to mean "Dear" so you could interpret his name to literally mean Deer Bone
Something about Ilya Morozova having healing abilities, and something more about David falling in love with A Tailor who bled the line between Fabikator and Corporalki.
Something about David telling Genya, with blacked or corrupt scars running over her body and telling her she doesn't need fixing, well Ilya Morozova never tried to fix Baghra, a making of his own corrupt magic (merzost)
Something about David being distracted by his work, and not noticing Genya for the majority of the first book..something about Ilya being absent and consumed by his work.
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Klein aber oho por Johann Horstkamp Por Flickr: Die erst im Früherbst letzten Jahres nach langer Aufarbeitung fertig gestellte Kastenlok "Rur" der Selfkantbahn weilt derzeit als Gastlok bei dem 125 Jahre-Fest auf der Brohltalbahn. Sie schlägt sich dort auf den für sie ungewohnt steilen Strecken sehr tapfer, was natürlich auch dem meisterlichen Können der Lokmannschaft zu verdanken ist. Hier donnert sie aus dem bekannten Tönissteiner Tunnel mit einem Foto-Gütezug, wobei "donnert" wörtlich gemeint ist: Der Sound im Tunnel war deutlch lauter als bei der Stammlok SM11.
Something I like about the 1920 Czech play Rossum's Universal Robots (R.U.R.) is in the beginning when they're talking about the scientist and the engineer.
The old scientist figured out a way to artificially create life. He then dedicated himself to trying to recreate man, perfectly, to prove that no higher power need be involved to explain our existence. He spent 10 years making one man who died in three days, as well as the rest of his life, with no success.
His nephew, the engineer, came along and asked "if you can't make a man faster than nature can, what's the point?" and "why bother with any of that at all? Let's see how stripped down and efficient a laborer we can make"
I just remember and mull over this bit of backstory sometimes.
R.U.R. The Karel Capek Classic by Katerina Cupová, translated by Julie Novàková. Rosarium Publishing, 2024. 9788986614687. 264pp. Includes a sketchbook at the end.
I've tried to read translations of Capek's 1920 play, R.U.R., a few times (it's famous for introducing the word "robot"), but this graphic novel adaptation is the first version I've finished. Cupova's adaptation pulled me through because the book is just beautiful to behold. (So beautiful that even when I couldn't quite follow the story's jumps and such, and when its dated treatment of the female characters in particular annoyed me, I could focus on the art.)
R.U.R. stands for Rosarium's Universal Robots, a factory churning out emotionless, humanoid workers. Director Domin opens the book with a big speech. Helena Glory wants a tour of the factory; these are never granted, but he shows her around anyway because she's the President's daughter. She's an activist who believes robots are people, despite a lot of evidence to the contrary. She soon reveals herself as a representative of the League of Humanity, who are out to free the robots; she believes people need to show them a little love. The director wants to marry her. She initially refuses. And then the story jumps forward a bit, to when society is falling apart and those onboard are trying to ride out what may be the end of human civilization.
