#rossio square

Rossio, Lisbon (No. 4)

From the Pombaline reconstruction dates the Bandeira Arch (Arco da Bandeira), a building at the south side of the square with a baroque pediment and a big arch that communicates the Rossio with the Sapateiros Street. The Rossio became linked to the other main square of the city, the Praça do Comércio, by two straight streets: the Áurea and the Augusta Streets.

After a fire in 1836, the old Inquisition Palace was destroyed. Thanks to the efforts of writer Almeida Garrett, it was decided to build a theatre in its place. The Teatro Nacional D. Maria II, built in the 1840s, was designed by the Italian Fortunato Lodi in neoclassical style. A statue of the renaissance Portuguese playwright Gil Vicente is located over the pediment of the theatre. Some of Gil Vicente's plays had been censured by the Inquisition back in the 16th century.

In the 19th century the Rossio was paved with typical Portuguese mosaic and was adorned with bronze fountains imported from France. The Column of Pedro IV was erected in 1874. At this time the square received its current official name, never accepted by the people.

Between 1886 and 1887 another important landmark was built in the square: the Rossio Train Station (Estação de Caminhos de Ferro do Rossio). The Station was built by architect José Luís Monteiro and was an important addition to the infrastructure of the city. Its neo-manueline façade dominates the northwest side of the square.

Rossio, Lisbon (No. 2)

The Rossio became an important place in the city during the 13th and 14th centuries, when the population of the city expanded to the lower area surrounding the Lisbon Castle hill. The name "rossio" is roughly equivalent to the word "commons" in English, and refers to a commonly owned terrain. Around 1450, the Palace of Estaus, destined to house foreign dignitaries and noblemen visiting Lisbon, was built on the north side of the square. After the Inquisition was installed in Lisbon, the Palace of Estaus became its seat, and the Rossio was frequently used as setting for public executions. The first auto-da-fé took place in 1540.

In 1492, King John II ordered the building of one of the most important civil and charitative infrastructures in old Lisbon, the All-Saints Royal Hospital (Hospital Real de Todos os Santos). The Hospital was finished in 1504, during the reign of King Manuel I, and occupied the whole eastern side of the square. Old pictures show the façade of the Hospital to consist of a long building with an arched gallery. The portal to the chapel of the Hospital, facing the Rossio, had a magnificent façade in manueline style.

Rossio, Lisbon (No. 1)

The Rossio [ʁuˈsi.u] is the popular name of the King Pedro IV Square (Portuguese: Praça de D. Pedro IV) in the city of Lisbon, in Portugal. It is located in the Pombaline Downtown of Lisbon and has been one of its main squares since the Middle Ages. It has been the setting of popular revolts and celebrations, bullfights and executions, and is now a preferred meeting place of Lisbon natives and tourists alike.

The current name of the Rossio pays homage to Pedro IV, King of Portugal. The Column of Pedro IV is in the middle of the square.

Public Art, Lisbon (No. 5)

The Monument to the Restorers (Portuguese: Monumento aos Restauradores) is a monument located in Restauradores Square in Lisbon, Portugal. The monument memorializes the victory of the Portuguese Restoration War. The war, which saw the end of the House of Habsburg and the rise of the House of Braganza, lasted from 1640 to 1668. The monument was designed by António Tomás da Fonseca and erected in 1886.

Thinking

Columns