I honestly havenât felt like this is a distinction I make? There are characters that I find harder to write than others, but I donât think that has anything to do with their genders, but more background, motivation, etc.
13. Which of your characters would you want to be stuck in an elevator with?
Letâs go with Charles Xavier - heâd be fun and nice and could call for help.
21. What do you do if you come to a fork in the road (where your story could go one of two different ways)?
Scream a lot. Iâm not very fond of discarding potential - usually it doesnât matter, if Iâve plotted things out far enough ahead that you only get minor forks in the road that youâve anticipated, but when they get dropped on my head? Yeah, not happy. Grudgingly choose one I guess.
23. Do you research things in your story? If so, how?
Yep, though the extent varies from story to story. Methods have in the past included a) ask a friend/acquaintance who speaks the language/knows more about the topic/etc. (a really good option), b) books, and c) the internet.
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1. Describe [yourself] how you would describe a character youâre introducing.
Oh god, thatâs mean! Um. Maybe:
A young woman came down the street with sure steps, short brown hair barely a contrast to slightly frumpy clothes in unremarkable colours. She didnât seem to be focusing on her surroundings much, a distracted frown creasing her brow, but even with a book in her hand she managed to avoid collisions with the stream of students coming the other way. A moment later, she had disappeared into the crowd.
... this is terrible. Iâm going to stop now *hides face*
11: Weirdest thing youâve ever written/thought about writing/etc.?
Honestly, I think what Iâve written so far is pretty non-weird, at least as far as fandom overall is concerned... I guess that Hobbit fanfiction I wrote in which Thorin was the arkenstone for weird mystic reasons?Â
... that sounds way stranger than it felt at the time.
16:Â Do you have structured ideas of how your story is supposed to go, or make it up as you write?
Depends on the story. Short fics I tend to not plan too much, I just start out with an idea or one scene and the story develops around that. Anything longer than 5k, I tend to have plan for. I donât usually end up adhering to it, but there is a plan :P
Even when Cesare is in rags, his face smeared with grease and dirt, his beautiful sword and scabbard traded for a short sword belonging to some wretch in the street, Micheletto recognizes his lord. He would know Cesare dead or in chains, or seated on a throne, or hollowed out by fever. Itâs something about his eyes, how dark they are, how brightly they burn, how they pull at something deep in Michelettoâs heart. He could never mistake the look in those eyes for anything else. And yetâŠ.
âYou have a poor reckoning of a smith, my lord, if you believe one would go about as filthy as that.â
Cesareâs mouth pulls into a displeased look. âWell itâs not as though Iâve had much practice at it,â he says, wiping at some of the dirt heâs smeared across his face. Then he makes a sharp gesture with his head. âCome here, then, and disguise me properly.
âOr, perhaps I should dress as an urchin instead,â he says, voice lilting, as Micheletto cleans some of the dirt from his face. When Micheletto looks up, Cesare is grinning. Itâs a joke.
âPerhaps,â Micheletto says. He steps back to examine his work. âThere. Although a beard would be better.â
Cesare claps a hand over Michelettoâs shoulder. âIt will have to do. We need to move quickly.â
In these days following Alexanderâs death, nothing is less certain than survival. From the papal throne, Della Rovere hunts them down with a bloodhoundâs single-minded determination; Micheletto still hears stories from the maids and the servant boys about the new popeâs rages. Cesare cannot be caught.
But they are being followed. It is not for certain, but Micheletto can take no chances. It would be so easy to make a mistake, now, both of them haggard with exhaustion and long nights of riding. Micheletto thought they might be safe in Milan, but these days they are not truly safe anywhere.
âMy lord,â he says to Cesare, and tilts his head very lightly behind them.
When Cesare sees the man, he swears, whirling around again so suddenly he is sure to attract his attention. Which is perhaps why Cesareâs next move is to seize Michelettoâs face in his hands and kiss him.
Cesareâs mouth is soft and dry, his breath hot. Itâs a hard kiss, meant to distract, not arouse, but as with all things Cesare throws himself into it wholeheartedly. Micheletto feels Cesareâs palms against his neck, the blunt scratch of his nails; he feels the heat of Cesareâs body pressed against his own. Over Cesareâs shoulder he sees the manâs gaze turn from them, and then the manâs body as he disappears into the crowd.
âIs he still watching?â Cesare asks, the question a hot gust of breath against Michelettoâs face.
Halloween prompt: didn't Tartt describe Francis Abernathy as a cross between a student prince and jack the ripper? I'd love to see this quote taken literally.
At night, the campus was silent. The sky swallowed the green hills and the girls playing tennis and the sweet apples rotting on the ground. It devoured the clock tower, wreathed in ivy; it devoured the white birch trees, thin and tall and striped, like someone had taken a whip to them. There would be snow in a month or two, but for now the air was cool, not cold. It still smelled like summer. I left my shutters open to let the fresh air in, and slept under blankets.
âYou shouldnât do that, you know,â Judy said one afternoon, standing beside me at the bathroom sinks. She was putting on mascara, and I was washing my hands.
âDo what?â
âLeave your windows open at night like that. People have been killed.â
I snorted. âIâm sure.â
âIâm serious.â She put away her mascara and brought out a tube of lip gloss. Her face was, in fact, deadly serious, and in spite of myself, in spite of knowing betterâshe was only trying to freak me out; it was hazing; it happened all the time, I told myselfâall the hair on the back of my neck went up. âI mean, I know youâre a transfer but come on.â
âWait, you meanââ
âTotally. Like, three guys got killed last year. No oneâs bit it this semester yet, but,â she shrugged, and the implication was clear: it was only a matter of time.
âWhy arenât the cops doing anything about it?â I asked, dumbfounded. âThree peopleâs a lot.â
âYouâre telling me. The last guyââ she glanced around the empty bathroom, then leaned forward to whisperââwas cut to fucking shreds, okay? Like, for real serial-killer sort of shit.â
âFuck.â
But what was I supposed to do with this information? I closed my windows at night. I locked them too for about four days, and then, with no news of any awful deaths on campus, started leaving them open again. This was a dorm, after all; I was one of ten different rooms in this wing alone. Why would anyone go after me, if they were going after anyone? Whoever was killing peopleâbecause there was no doubt in anyoneâs mind that the killer was a studentâhad likely graduated.
And besides, I was more interested in the Greek students.
A murderer was strange and unknowable, but if I was at the right place at the right time, I could see the Greek students, and hear them talking; once, coming out of the registrarâs office, I nearly ran head-on into the redhead. Francis, was it?
âSorry, sorry,â I said.
He was wearing his greatcoat, black and stark against his bright hair, his spooky redhead pallor, and when he stepped out of my way it was much more graceful a movement than my own awkward stumble. He had a cigarette in one hand but it was unlit.
âExcuse me,â he said politely, but his gaze on me was fleeting and distracted, and after a frozen moment I realized he was only waiting for me to get out of his way.
Once Iâd gone past him, and the doorway was clear, I realized Iâd been holding my breath. Like a wish, or a magic charm: if I donât breathe, I wonât let it in. Whatever âitâ was.
I was still standing there when he came out again a minute or two later, and I felt him stop, surprised, in the doorway.
âDid you forget something?â he asked. His voice was light and friendly enough, and I could hear Boston in the way he pronounced his words.
âIâno. Sorry, I just wanted to appreciate the scenery a little.â I made a weak gesture toward the lawnâwhich, though impressive enough, was only grass and a cluster of oaks to the west edge. Francis looked out over it, then toward me. For a moment it seemed he was going to laugh, or at least smile, but I only caught the edge of it as he turned away, with an amused little huff.
.
A local man was murdered maybe a month later, a farmer. And I wouldnât have thought anything of it, since we didnât have much contact with the surrounding town, but they found him hacked to pieces, and something of it recalled that conversation Iâd had with Judy when I first came to Hampton. Three students murdered. Some real serial-killer type shit, she had said.
The police were out in the countryside for days, but nothing ever came of that investigation, either.
.
I saw Francis watching me, sometimes, smoking in the windows of the Lyceum, and once or twice I ran into him in town on the sidewalks, going from a cafe I liked there to the thrift store, which was where I did most of my shopping. Sometimes he nodded to me; sometimes he didnât seem to see me at all.
It was almost a month after that, though, that I really spoke to him again. It was late, and I heard footsteps crunching by outside my window (we had had several inches of snow the night before, and I had seen Bunny throwing snowballs at some of the freshmen on the quad that afternoon). A dedicated insomniac, I was still awakeâso of course I looked. And it was him. Him in his long coat, which billowed out behind him as he walked. He looked like he was in a hurry.
So of course I followed him.
Through the darkened rows of the dorms, across the shadowed quad. I was afraid he was heading toward the parking lot, and that I would lose him, but he turned at the last second into one of the buildings near the tennis courts. It was no building I was familiar with; I thought it might be one of the hard sciences buildings, biology and chemistry and the like, though Francis had about as much business going in there as I did.
The inside of the building was even darker than the outside, of course. Long black hallways, relieved only by long white rectangles of moonlight thrown across the floor.
I found him sitting, quite casually, in a chair at the end of one of the first-floor hallways. It had been a minute or so since I had lost him, and the sight of him there made me stop dead. He was sitting squarely in one of the patches of moonlight, his back to the last room in the corridor. Â
He looked up, and saw me. âCome for the show, have you?â he asked drily. He was smoking, with long, deep breaths, with obvious contentment.
I blinked at him. âExcuse me?â
He made a sharp gesture toward the room behind him, and I noticed, with an icy shock of trepidation, that the door was open. Just a crack; I couldnât see anything through it, but for some reason that made it all the more terrible. Francisâs eyes on me were calm and steady and very, very blue. He had always struck me as a particularly animated person, with nervous hands and a tendency to ramble, but this was not the person I had spoken with several times in the hall; this was not the person I had seen debating, with great spirit, with Charles in the stairwell of the Lyceum. Here, in the moonlight and the shadows, he looked quite strange.
I swallowed. Audibly. âUm.â
Francis raised an eyebrow. âNâaie pas peur, mon petit chou.â
âSorry?â
He sighed, heavily, and gestured again. âGo in, then, if youâre going to.â
Carefully: âWhereâs Henry?â He had always seemed to me the most level-headed of the bunch, if the least approachable, and it would have been reassuring to know he was waiting just inside the door, or around the corner.
But Francis only shrugged, and said, âHow should I know?â
âAre you sure you want me toâI meanââ
I knew. I knew what was behind that door. It was so clear, suddenly, that I had to wonder how I hadnât seen it before, that no one had seen it before. Perhaps it was only that Francis didnât look capable of such things, that he came from a family with money, that he was educated, and polite, and had a fondness for cats. Perhaps that was what had duped meâthat and his air of mystery, which was, even now, terribly exciting.
âOh, do go in,â Francis said finally, sounding almost exasperated.
Damn the word limit in the reply function. I liked how utterly uninteresting Andy is, 'an planet without an atmosphere', and how Tartt still makes me care about him. Hobie! Who doesn't want a cool uncle like Hobie. I can see Theo/Boris work in the way you described, but Kitsey (if Theo/Kitsey does happen) and Boris' wife make this arrangement too complicated for me. I know neither Kitsey or the wife sound like the commitment type, adultery is a personal squick, that's all.
DO YOU THINK BORISâ WIFE IS REAL THOUGH? Iâm really very unsure about it.Â
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that just reminded me, I need to read your goldfinch fics. I recently finished the book, and tbh, I prefer The Secret History to it. I ship Theo/Boris in the sense that I want them to have desperate, life-affirming sex in Amsterdam, then go their separate ways after. I don't see them working in the long run as a couple. The characters I enjoy most are the minor ones: Mrs Barbour, Andy, Hobie.
I love Boris. Heâs the true heart of the book, I think, and I think he and Theo could work long-term? But it would be an erratic long-term, Boris coming in from wherever only every so often, basically a friends-with-occasional-sex sort of deal. Really I can see Theo with Kitsey, actually. Everything she said about them being together is true. Tom Cable aside, theyâre good for each other.
But yeah, Hobie! And Welty! And all those little pieces of their lives we get, the piano lessons, Hobieâs dad sending people to beat him up, the cases of wine - I can take or leave Andy, to be honest, although I like the idea of his tragedy, and the hole he left in Theoâs life that Theo wasnât even aware of until Andy was dead. I have this image of Theo going to Andyâs and Mr. Barbourâs graves - because he never does this in the novel! why? - and rambling at the headstones, then leaving because itâs too cold and heâs not high enough for this, (I even wrote a bit that probably wonât ever make it into anything), and the contrast to Boris is interesting too. Theyâre the only two friends Theo ever has, and theyâre so different, but they somehow perform the same function in his life.
Daffodil:Â What's the most thoughtful present you've ever received?
Huh, thatâs actually a really hard one? I think Iâll go with this really nice notebook one of my friends gave me for Christmas this year because it was the exact thing I needed at the time and I hadnât even told them. Itâs also really pretty...
Rhododendron:Â What's the scariest dream you've ever had?
That would be giant-ass spiders trying to eat me. Though I also used to have a recurring dream as a kid that involved a tyrannosaurus rex chasing me around my miniature neighbourhood.
Azalea:Â What's a movie you cried while watching?
The not so secret secret here is that I cry at most movies that have anything vaguely sad in them because the soundtrack gets me every.damn.time (sad music is my Achilles heel). Anyway, the first one that comes to mind is Atonement.