I don’t care if you ship the most toxic, depraved, morally bankrupt mess imaginable. Just draw it yourself. You post AI ‘art’? Blocked. No second chances.

#batman#bruce wayne#tim drake#dick grayson#batfamily#batfam#dc fanart




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I don’t care if you ship the most toxic, depraved, morally bankrupt mess imaginable. Just draw it yourself. You post AI ‘art’? Blocked. No second chances.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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how am i just noticing this bdsm typa shit
Super fan Rick and Morty are just yumeshippers
I don't think C-137 is Morty's actual dimensional number.
Because he and Rick don't come from the same dimension, and it's never stated that C-137 is the dimensional designation that Morty (and Rick Prime by extension) comes from. Rick says that it's HIS dimensional designation, and since he created the Citadel it's not like they could've given him a new number, right? Rick would've told them to fuck off. So if C-137 is Rick's original dimensional number then that means that C-137 is the dimension where Beth and Diane died, meaning that Rick doesn't have an original Morty. C-137 Morty never got to exist.
But, when Morty refers to himself as "C-137", it's directly after he's typed in the coordinates for his original dimension on the portal gun to take Summer there. But, in that moment he's also speaking to Ricks, Ricks that he knows are from the Citadel and that he knows know who his Rick is, and pretty notoriously at that. So I think when he identifies himself as "Morty C-137", he's not identifying himself as the Morty of that dimension, but rather identifying himself as "Rick C-137's Morty".
So what the hell is Morty's original dimensional number??
I wonder why all the ricks decide to stay old men. Like of course they’ve got cybernetic enhancements and such, but even with that there’s no true need to stay 70 some odd years in appearance aside from helping to keep up some masquerade of normalcy assuming a Rick lives with his family.
This also applies to mortys , too. I wonder if all the infinite mortys were born on the same day ? And if so, is it a citadel holiday ? Do some mortys like being 14? Do some ricks purposely plateau their mortys age or de age them for whatever purpose ? It would seem to me keeping all the mortys as kids would make it easier to control them and we all know ricks love control.

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They just got done invading EARTH🤡🥊
Itz been a bit since I've done any digital art so here's sumto feed U guyz :o)
Also ship name for these idiots is Sudy or Rorty
This song is them, actually most of alex g's music reminds me of these goofs..
(There) ...is what Heidegger called the hope for authenticity—the hope to be one’s own person rather than merely the creation of one’s education or one’s environment. As Heidegger emphasized, to achieve authenticity in this sense is not necessarily to reject one’s past. It may instead be a matter of reinterpreting that past so as to make it more suitable for one’s own purposes. What matters is to have seen one or more alternatives to the purposes that most people take for granted, and to have chosen among these alternatives--thereby, in some measure, creating yourself. As Harold Bloom has recently reminded us, the point of reading a great many books is to become aware of a great number of alternative purposes, and the point of that is to become an autonomous self. Autonomy, in this un-Kantian and distinctively Bloomian sense, is pretty much the same thing as Heideggerian authenticity. For members of the literary culture, redemption is to be achieved by getting in touch with the present limits of the human imagination. That is why a literary culture is always in search of novelty, always hoping to spot what Shelley called “the shadows that futurity casts upon the present”, rather than trying to escape from the temporal to the eternal. It is a premise of this culture that though the imagination has present limits, these limits are capable of being extended forever. The imagination endlessly consumes its own artifacts. It is an ever-living, ever-expanding, fire. It is as subject to time and chance as are the flies and the worms, but while it endures and preserves the memory of its past, it will continue to transcend its previous limits. Though the fear of belatedness is ever present within the literary culture, this very fear makes for an intenser blaze.
-- Rorty, The Decline of Redemptive Truth