#romchat ama

Ooh I love this ask. I'm going to focus on directors who have a distinct aesthetic versus those who might be more adept at directing actors or structuring and pacing a show's narrative. I'm also only going to list directors who mainly work on full-length dramas versus minis.

Zeng Qingjie

If you haven't already checked out Zeng's other work, I'd highly recommend doing so. His dramas are romance novels in visual form and no one uses light and framing to capture intimacy like he does. He also gets major points from me with how he centers women characters and their feminine desire.

Check out: Blossom, A Familiar Stranger, Butterflied Lover

Yang Fan

As someone who loves horror just as much as romance, Yang's beautifully macabre visuals make my heart sing. His use of shadow is striking and atmospheric, and I love how good he is at designing compositions that evoke dread. And special shoutout to the genuine creepiness of his prop design, especially the masks.

Check out: A League of Nobleman

Guo Jingming

I have a love/hate relationship with Guo who in a way reminds me a lot of showrunner Ryan Murphy. His work is stunning, theatrical, and deliciously gay...but also a bit of a mess when it comes to plotting. He always puts on a show, however, and I think his strength as a director is how he wields dramatic cinematography and lavish production design to give his stories an escapist quality.

Check out: Fangs of Fortune, My Journey to You, The Yin-Yang Master: Dream of Eternity

Li Mo

Li's visual style might be the most subtle of all the directors I'm listing here but it's also one of the most emotionally resonant. His stories often take place against the backdrop of big city life and the way he uses space and scale really captures the emotional highs and lows of trying to "make it" as a young person.

Check out: Fake It Till You Make It, Days of Remembrance Past

Cao Dun

If you enjoy sprawling historical epics, Cao's work is where it's at. His use of high contrast, lower saturation, and sweeping camera movements across grand landscapes immerses the audience in the high stakes grittiness of the era he's trying to portray.

Check out: Longest Day in Chang'an, Tribes and Empires

Xin Shuang

Xin is by far my favorite director in the industry and I think it's because he knows how to translate his musical sensibilities into meticulously calibrated visual storytelling. Every shot has meaning and every scene has a lovely rhythm, the camera trained on the right subject with the right framing for the right amount of time before moving in just the right way. It gives his work emotional layers and delicately pitched tension.

Check out: The Bad Kids, The Long Season

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And before I close out, here are a few other directors who are newer to me but I'm excited to watch more because of their strong visual storytelling...

Wang Zheng (Ripe Town)

Yao Xiaofeng (Tender Light, War of Faith)

Zhi Zhu (An Ancient Love Song)

Zhang Ting (Legend of the Magnate)

Alen Fang, Wang Duo, and Hong Yao!

Alen Fang

In the sea of puppy and prince-like MLs that dominate idol Cdramas nowadays, I love how Alen Fang represents a different archetype that is comedic but still charming and manly for lack of a better word. Reminds me a bit of late 90s/early 00s Hugh Jackman and Brendan Fraser.

Wang Duo

No one does brooding and tragic like Wang Duo. I've fast forwarded through entire dramas just for his scenes and he always plays villain roles so sympathetically I can never hate his characters. Flawless eyebrows as well.

Hong Yao

And that we'd get a return to the real world!!!

And that the unreliable narrator realised that maybe he was an unreliable narrator, lol

I need more of this show.

Speaking of colour and colouring, I really liked this shot, with the light on his face.

I am @colourme-feral by the way 😂

I need this show to be six seasons and movie tbh

Re coloring: Yes! I love how we see the colors in this episode becoming lighter and more saturated but the lighting is still unnaturally flat until we see the previews of Ep. 5.

Side Note: In the final scenes of the Parallel World there was also a return of the camera language from the real world like the shallow depth of field that isolates Kano from the other people in the frame, the disembodied effect of the camera panning, and then of course those slow, soul-crushing push-ins. This just isn't the right world for Kano despite what things might look like on the surface and you can really sense his increasing dissatisfaction.

And if you'll indulge me...once again I have to praise this show's clever use of editing to represent Kano's unreliable narration:

His Ep. 4 flashback to when Ogami gave him the chocolate (right side) is different than what we saw of the same interaction through his original perspective in Ep. 1 (left side). We now see the concern on Ogami's face as he hands him the chocolate and on top of that the edit in the order of the dialogue makes his warning about burnout sound like it's coming from a place of concern rather than annoyance. These are such small differences but they make the moment more intimate and kinder. Kano's newfound self-awareness causes him to finally see the past as it happened versus an interpretation tinged by his own feelings of frustration and inadequacy!

And lastly that side lighting in the final scene when they're back in the real world??? That side lighting made me feral because...

Look at how soft and open that lighting revealed Ogami's face to be. Against the dark it's like a spotlight on the feelings Kano never gave him the opportunity to confess.

And Ogami don't think I didn't clock how you looked at your hand on Kano's arm like you couldn't believe you were finally touching him!!!

Ooh I LOVE this ask. Ok, I'm going to exclude a lot of those classic Kdrama thrillers and limit myself to either pure horror or thrillers with strong horror elements.

In the mood for occult horror? A League of Nobleman (2023)

I never understood why this drama didn't get more international attention when it first aired because it's creepy, has gorgeous visuals, and is hella gay (with plenty of poly potential) even without it being written as a BL. Think of it as a Chinese gothic historical crime drama with serial killers, magic, and a beautifully brooding villain. Heads up though the ending is a bit of a hack job most likely because of censorship.

In the mood for zombies? Kingdom (2019)

I'm not a huge fan of gruesome horror but what I thought was so smart about this Kdrama is how it utilizes the Joseon historical setting to heighten the stakes and terror of the story. This is not present day where characters have access to high-powered weapons or scientific tools to try and stop the zombies so you truly feel the characters' vulnerability and fear. It's also a great choice if you're someone who doesn't want any semblance of romance in the main storyline.

In the mood for erotic dark romance? Somebody (2022)

This is technically a crime thriller BUT there are several sequences that are a masterclass in horror storytelling and I still vividly remember them years after. I also think because this is a love story between a serial killer and the woman who abets him, there's an intrinsic sense of horror with how aroused she is by his violence and psychopathy. Side Note: this Kdrama has some implicit ideas about neurodivergence, mental health, and disability that the writers should have unpacked a little bit more lol

In the mood for tragedy? The King of Pigs (2022)

Another thriller but honestly with how awful some of the humans are in this drama who needs actual monsters. This is a hyper-violent exploration of the impact of bullying and the failure of societal institutions to stop it. (The Glory and Weak Class Hero have nothing on the unrelenting grimness of this Kdrama.) By the end, I had sobbed so hard I felt empty. It's brilliant, and I never want to see it again.

In the mood for cosmic horror? The Summer Hikaru Died (2025)

This was hands down my favorite drama of 2025 and probably has cracked my Top 10 Shows of All time list. It's an atmospheric and visceral examination of grief, disconnection, and queerness against the backdrop of Japanese cosmic horror. I'm not someone who's particularly into animation but this is such a great example of what makes the medium unique. It has the most creative use of sound and editing I’ve seen in a while as well.

Bonus: In the mood for horror comedy? Marry My Dead Body (2022)

This is a movie and not quite horror but it's such a refreshing blend of genres I wanted to add it. I'd categorize it as a mystery-comedy-action movie, and it's about a homophobic police officer who enters a traditional Taiwanese “ghost marriage” with a gay ghost and tries to solve the mystery of his death. It’s equal parts whacky and heartwarming.

Other Recs

I haven't gotten around to watching the following yet but they come highly recommended to me by people I usually agree with so I'll also share:

The Guest (S. Korea)

Priest (S. Korea)

Strangers in Hell (S. Korea)

Enigma (Thailand)

Spirealm (China)

the unpopular character that you actually like and why more people should like them

it's absolutely criminal that the fandom has been sleeping on...

Unpopular character

So I dropped The Princess Royal midway for various reasons but I thought the FL, Princess Li Rong, was a fascinating character. People always lament idol dramas lack complex women characters but then lambast FLs who don't fall in their narrow (and painfully gendered) definitions of "likable". She was a complex woman, prickly and haughty but also loyal and self-reflective. (That said, I don't think actors Zhao Jinmai and Zhang Linghe have good chemistry so part of me wonders if that also fed into the fan dislike of the character?)

Bonus pick would be Sheng Yi from Flourished Peony. An incredibly tragic and realistic portrayal of women in abusive relationships and yet so many viewers blamed her for her understandable trauma response to her own abuse???

Slept on IPs

So many but off the top of my head I'd say:

A League of Nobleman if you want crime that is gay and gothic

The Worst of Evil if you want crime that is gay-ish and noir

The King of Pigs if you want crime that is gay-ish and so emotionally devastating you never want to watch it again

D.P. if you want crime that some people claim is gay-ish even though you don't really see it but it's still amazing because it unpacks masculinity and the military complex

Karma, Somebody, and As You Stood By if you want crime that is NOT AT ALL gay but is tense and riveting

LOL yes I have strong opinions about this topic. The IP holds a very special place in my heart because the 2001 Taiwanese version is the first non-American show I ever watched! (Even though my parents are immigrants, we rarely watched telenovelas or Spanish language programming at home.) It's also the show that indirectly got me into fandom because one of the first fanfics I ever read borrowed the show's plot. Shout out to ff.net's rinoaJ.

Even though I don't actually love the story itself, I've made it my life's mission to watch and compare every version* because we all have to have a fandom quirk. Here's my personal ranking of everything that has been released:

Hana Yori Dango (Japan): Best chemistry between the leads and the FL’s character writing and Inoue Mao's performance is my favorite version because she's strong but not overly abrasive, and endearing but not overly cutesy. Also: fantastic pacing, great soundtrack, and overall the best cast in terms of acting (although you do have to get used to the zany style). Aesthetically, not the best, however, and the drama feels VERY outdated in terms of the more let's say "problematic" tropes.

F4 Thailand: Boys Over Flowers (Thailand): Best thing about this version is how they updated the storyline and characters to be less "problematic". Fewer triggering scenes and the ML actually demonstrates healthy growth. I also enjoyed the acting as it's the most natural of all the versions and the cast feel like real teens on screen with Vachirawit Chivaaree playing the ML being particularly good. The cinematography has some lovely touches, and the show gets my pick as the best portrayal of the F4's friendship--they actually seem like friends who like each other!

Meteor Garden (Taiwan): RIP Barbie Hsu. I'm probably over-inflating because of nostalgia BUT it's the original idol drama--you have to give it props. It's the soapiest but there's something about the rawness of early Taiwanese idol dramas that hits on an emotional level. It's also the only version that ever managed to get a few tears out of me (every time the ML sobbed "Shancai, Shancai" 😭 ). Finally, early 2000s Vic Zhou brooding--need I say more?

Meteor Garden (China): This is the only version that I felt captured the richness of F4's lifestyle (sets, clothes, etc.). But hands down the most frustrating characterization of the FL. The character was bizarrely passive and boring.

Boys Over Flowers (S. Korea): I could NOT STAND this version when it first came out even as it exploded on the internet and created absolute Kdrama mania in the late 2000s. The only good thing about it is it gave Lee Min-ho his big break. Overall stiffest acting, especially from the totally miscast FL actress. Draggy as well and could have been cut down several episodes. Iconic soundtrack, however--"Almost Paradise" the ear worm that never dies.

Most annoying ship fans

I have stronger opinions about fans of specific characters (oh Jiang Cheng and Jin Guangyao how that batshit fandom ruined you for me) and actors (Liu Yuning's stans are the Cdrama equivalent of Swifties I said what I said) but I'll focus on ship fans I've personally had terrible interactions with in the wild. Sorry in advance I can't bother to look up the names of some of these characters:

Love Is Sweet main couple fans: refuse to entertain any critical analysis of the ML's behavior because "this is a romcom" and "it's not too deep". I put fans of the couples from Are You the One and Perfect Match in the same category. I like to keep my brain on when I engage with media but I guess go on with your bad selves.

Story of Kunning Palace's Ning'er/Zhang Zhe fans: Ship who you want to ship but if the only reason you're militantly against the canon OTP is because you didn't think the romance storyline makes sense on a thematic and character level I question your media literacy.

There should be more fic/art

I'd love to see more crossover crack fics for Cdrama fandoms! Those used to be super popular when I was writing fanfic in the 2000s and I would love to see something like two ships going on a double date and chaos ensues.

For example, The Double's Fangfei/Duke Su and SOKP's Ning'er/Xie Wei at a TGI Fridays. Duke Su and Xie Wei would hate each other but they’d still show up to date nights for the girls because they’re both whipped (metaphorically and probably literally).

Oh, I am! But I was slammed with a work emergency yesterday and I want to finish the last two episodes of Nirvana in Fire before really diving into SL.

That said, I have already started a very important data project and will share the results soon: