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Am I in love? --yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.
Roland Barthes, A Lover's Discourse: Fragments
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Henri Cartier-Bresson, Roland Barthes, 1963
"Come geloso io soffro quattro volte: perché sono geloso, perché mi rimprovero di esserlo, perché temo che la mia gelosia finisca col ferire l'altro, perché mi lascio soggiogare da una banalità: soffro di essere escluso, di essere aggressivo, di essere pazzo e di essere come tutti gli altri."
O teórico Roland Barthes descreve o punctum dumha fotografia como aquela qualidade da imagem para punçar-nos, o que fai que nos emocionemos. Sabes o que che pica a ti, numha foto?✨ . . . #rolandbarthes #fotografiagalega #portraitphotography #fotografiafeminista #ruralgalego #galiza #umaqualquer #retrato (em Galiza) https://www.instagram.com/p/CBTES-tHvbn/?igshid=1kp6e1ecq2nbg
"Confesso di esser incapace di provare interesse per la bellezza d'un luogo, se non c'è gente dentro (non mi piacciono i musei vuoti); e reciprocamente, per scoprire quel che c'è d'interessante in un viso, in un profilo, in un abito, per assaporarne l'incontro, ho bisogno che il luogo di questa scoperta abbia, anch'esso, il suo interesse ed il suo sapore." - Roland Barthes . . . www.seunanottedinvernounlibro.it #libro #libri #libreriaonline #libreria #book #books #bookstagram #cit #citazione #seunanottedinvernounlibro #saggi #saggistica #libriusati #librirari #instabook #instabooks #bookshop #bookpride #letteratura #rolandbarthes #einaudi #einaudieditore https://www.instagram.com/p/CJEZ7p9ntAc/?igshid=1efjfks3zlh24
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love and leaving // part one | see more on instagram
Pianist Thelonious Monk at The Village Gate , Oct. 1968 . Photo by Bernard Gotfryd.
French writer Roland Barthes talked about the punctum as the detail in a photograph that makes it all click and resonate. It is an element of mystery and revelation, conveying meaning and aesthetic satisfaction. In this case, there are just too many — the light from the door framing Monk’s bulk, the sign at the back, the open upright piano, the shadow of the lightbulb near the ceiling, the nonchalant cigarette and the fat ring, the fully-buttoned double-breasted jacket or simply Monk’s patient and piercing gaze.
“Am I in love? -- Yes, since I am waiting. The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.”
