Pi-Slices • Robinhood Illustrations (2024-2026) // Credits + More

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Pi-Slices • Robinhood Illustrations (2024-2026) // Credits + More

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This medieval-inspired double-pointed hennin was most likely made for the 1965 televised version of Rodgers and Hammerstein’s musical 𝑪𝒊𝒏𝒅𝒆𝒓𝒆𝒍𝒍𝒂, where Pat Carroll wore it as the stepsister Prunella. The piece appears to have fallen into disrepair over the years and was likely used several times before being seen again in 1993 in 𝑹𝒐𝒃𝒊𝒏 𝑯𝒐𝒐𝒅: 𝑴𝒆𝒏 𝒊𝒏 𝑻𝒊𝒈𝒉𝒕𝒔, worn by Matthew Porretta as Will Scarlet O’Hara. See more photos of this costume at: Bit.ly/Acces190
the vanishing ownership class
robin hood stimboard! for my baby <3
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"Do-da do-do-do-da-do doot."
Alan-A-Dale

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Crochet bookmark
Regina Mills & Robin Hood: #OutlawQueen
The Happy Ending She Was Denied
because i don’t think i will ever — ever — accept what Once Upon a Time did to Regina and Robin.
we watched her fall. we watched her destroy. we watched her claw her way back to the light.
Regina Mills didn’t just get a redemption arc. she earned it. painfully. relentlessly. honestly.
and then the show gave her love.
not obsession. not revenge. not manipulation.
love.
Robin wasn’t dramatic destiny. he wasn’t a curse. he was steady. grounded. kind.
he chose her knowing exactly who she had been.
that mattered.
yes, the Zelena-Marian storyline was messy. yes, it was soap-opera levels of chaotic. Zelena impersonating Marian, Regina pushing Robin away out of selflessness, the pregnancy reveal — fine. villain drama. we can survive that.
but destroying Robin’s soul?
that wasn’t drama.
that was cruelty.
because killing a character is one thing. erasing them from existence — no afterlife, no return, no magic loophole — is another.
Hook could come back because his soul still existed.
Robin? annihilated.
and what hurt the most wasn’t just losing him.
it was what that loss represented.
Regina had done the work. she had changed. she had chosen good, even when it cost her everything.
and the narrative decision seemed to say:
you can be redeemed. you can be powerful. you can be crowned the Good Queen.
but you don’t get the happy ending.
and that’s where i’ll always disagree.
if the intention was to show that Regina wouldn’t fall back into darkness after losing him — that her growth was permanent — then fine. that’s a powerful message.
but why did that lesson have to cost her everything?
why did her love story have to be the sacrifice?
especially when the season itself revolves around Emma going to the Underworld to save Hook.
so one heroine gets to defy death for love.
the other has to accept eternal loss.
tell me that doesn’t feel unbalanced.
Robin was never a villain. never morally grey for the sake of shock value. he was good. almost painfully good.
and he died not for redemption. not for destiny.
but for plot mechanics.
and that’s the part i can’t forgive.
Regina became the Good Queen. she was crowned. celebrated. respected.
and alone.
and i will never be convinced that loneliness was the only narratively satisfying reward for her transformation.
she deserved a partner who saw both her darkness and her light.
she deserved a future.
so yes.
i will forever rewatch their scenes. i will forever think “what if.” and i will forever believe that some characters deserved better than the lesson they were used to teach.
ok. now scream with me.
was it powerful storytelling? or unnecessary punishment?