Hermes Society
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Digital Illustration, 2025 Gorchart
I should stop reading books that destroy me :')

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seen from United States
Hermes Society
more or less.
Digital Illustration, 2025 Gorchart
I should stop reading books that destroy me :')

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my brother's keeper (poem from here)
don't mess with babel fans there's like 3 of us
i went through this book in 3 days 🥹 fanart / face studies
edit: fixed!
comm me to draw your fave characters ..

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“…all of Oxford shone like an illumination, and he was falling in love.”
I can’t explain how much I love these two ❤️🩹
after everything, afterall, i’m most astonished at the audacity of letty calling robin “birdie.”
that’s ramy’s word, not hers. but she uses it knowingly. she knows the power of words, of language, of translation, and yet she’s choosing to steal a word that’s not hers, a word that has meaning and history and love, a word that not even victoire dared use bc she knew it wasn’t hers, that it belonged to ramy and robin alone, all for her own advantage.
she used it time and time again without permission. she used it while ignoring all protests because she sees language as a tool to use, a weapon to wield. all to get ahead. letty’s another cog in the apparatus of white colonialism, exploiting that which doesn’t belong to her.
Some people seem to misunderstand that Kuang is painting Robin’s self-sacrifice as noble, when I really didn’t read it that way. If anything it’s emphasized that he was looking for an opening, a justifiable reason to take the ‘easy way out’, as Ramy put it. He even admits that Ramy was right. Robin’s death is a tragedy not because it’s righteous self sacrifice but because he couldn’t overcome his own itch to martyr himself rather than live in shame and grief and discomfort, yet persevering. People think the protagonist has to be on a pedestal to be worthy of being the protagonist, but Kuang really doesn’t try to put Robin on a high horse. Before they join the effort to stop the war against China, before they seize Babble, Robin is a coward. He’s frightened, complacent, and indecisive. Afterwards, before the Westminster Bridge falls, he’s reckless, combative, impatient, and borders on uncompromising because he’s now fully converted to Griffin’s philosophy of violence. But he’s never some knight in shining armor. He’s not some shining voice of reason or revolutionary strategy. He’s just a scared boy. That’s what he is. That’s what he’s always been.