Robert Silverberg
Downward to the Earth
Aaaaand drumroll please, for the biggest disappointment of the year. Oh, how this book was hyped up to me for so long. "Silverberg's best," they all said in unison. To be fair, I can see how this might've been mind-blowing back in 1969, flying off the coattails of the Hippie Revolution when the concept of doing psychedelics and *gasp* having empathy for others was a radical new idea. In 2025, its peace and love kumbaya bullshit is simply outdated and shallow. That isn't to say that this novel doesn't have its merits, but before I go there, I just thought it was so funny how the edition of this novel I read included a foreword from Silverberg himself where he writes about how much he hated writing this novel and how he thought it sucked only until it gained a positive critical reception, and then he changed his mind about it. Feelings about your own work can change, I get it, but I think its positive reception had much more to do with its themes being culturally relevant at the time than it actually being like... a well-crafted story. All I'm saying is that perhaps Silverberg's original intuition about his own work was correct, but I digress.
The story takes place on a post-colonial planet of... uh... Elephant and Monkey people (a tone-deaf allegory for indigenous people even in the 70s)... and as our main character Edmund Gunderson returns to his old post to embark on a journey of spiritual atonement, he reflects upon the changes in the world and of his own guilt surrounding his implication in the former slavery and exploitation of the Nildoror species (who are actually highly intelligent and communicative, surprise!). Some of the sights and sounds he sees on his journey are actually beautiful, and I think Silverberg did a great job of allowing the moral depth of the main character's quest to reveal itself in tandem with the physical steps he takes along the way, but almost everything else about the book sucked. The prose is average at best; the characters are two-dimensional despite Silverberg's best attempt to portray them as flawed individuals; the whole thing really comes off with the same energy of a college-aged white boy who travels to Thailand to convert to Buddhism and then comes back to California as a spiritually enlightened grifter with a career in self-help courses and drop shipping plastic utensils. Silverberg's attempt to be culturally and spiritually profound, while ultimately good intentioned, was completely lacking in intersectional nuance and at times felt straight-up smug in its self-righteousness. I actually laughed out loud at the ending because it was so dumb.
To make matters even worse, the plot was riddled with logical inconsistencies and contradictions (stuff like Silverberg setting clear limitations for a character and then just completely forgetting two pages later and letting them do whatever the fuck they want), and it lacked any sort of real stakes to keep me invested. There are straight-up exemption clauses built into this hugely pivotal deal between Gunderson and the Nildoror during the story that just removes any sort of risk or accountability for the main character, and I can't comprehend why Silverberg would shoot his plot in the foot like that. Again, there are small moments of goodness in here, but it's all on the surface. Silverberg's naive optimism kept him from delving any deeper into the complex issues presented in this novel than a feel-good story about forgiveness. No amount of ayahuasca can turn you into Jesus, man.