Another day, another technical foul, damn sheed chill out, we need you in the game ! lol.
Finally back in Championship Territory, the Twin Towers of the Paint went out every night to assert their dominance, accompanied w/ a fro an
seen from Netherlands

seen from United States

seen from Ukraine
seen from United States
seen from Brazil

seen from Netherlands
seen from United States
seen from China
seen from United States
seen from United States
seen from China
seen from Ukraine
seen from Türkiye
seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from Qatar

seen from Brazil
seen from Germany
Another day, another technical foul, damn sheed chill out, we need you in the game ! lol.
Finally back in Championship Territory, the Twin Towers of the Paint went out every night to assert their dominance, accompanied w/ a fro an

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The critic laughs, 1971–2 #RichardHamilton https://www.instagram.com/p/CpLB0KxKZxa/?igshid=NGJjMDIxMWI=
Untitled from Five Tyres remoulded, Richard Hamilton, 1971, MoMA: Drawings and Prints
Abby Aldrich Rockefeller Fund for Prints Size: sheet: 23 5/8 × 33 7/16" (60 × 85 cm) Medium: Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype
http://www.moma.org/collection/works/407941
A Portrait of the Artist by Francis Bacon, Richard Hamilton, 1970-1971, Brooklyn Museum: Contemporary Art
Size: Sheet: 32 1/8 x 27 1/4 in. (81.6 x 69.2 cm) Image: 21 5/8 x 19 3/4 in. (54.9 x 50.2 cm) Medium: Silkscreen on collotype
https://www.brooklynmuseum.org/opencollection/objects/97848
We’re keeping our fingers crossed that we’ll be able to re-open @pallanthousegallery next week subject to tomorrow’s announcements about the tiers. Our team have been busy these past few weeks installing our new exhibitions including ‘Richard Hamilton: Respective’ which explores the influence of Marcel Duchamp and international modernism on Hamilton’s work. Here’s a picture I took of our Head of Exhibitions Louise Weller with the Duchamp/Hamilton collaboration ‘Oculist Witnesss’. So there’s much to look forward to once we reopen. #richardhamilton #modernbritishart #pallanthousegallery #behindthescenes #marcelduchamp #exhibitions (at Pallant House Gallery) https://www.instagram.com/p/CIB1s8AFnXj/?igshid=1v3tukc92zqk5

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This is a collage depicting 2020, inspired by Richard Hamilton’s more recent works. When studying Hamilton, I discovered that in 1992 he had digitally remade his well-known 1956 collage, ‘Just what is it that makes today’s homes so different, so appealing?’. In this remake, he changed the collage so that it captured the issues and pop culture within the decade. Inspired by this, I decided to create an interior collage that captures the issues prevalent within 2020. Looking back, the images I chose in February were a great snapshot in time. Because so many more problems developed throughout the year, it is interesting to look at the events of February and how they escalated.
I decided to show an image representing the coronavirus crisis in China, because at the time I felt that it had a large amount of coverage in the media, but many people seemed ignorant to the fact that it could affect them. Other symbols include the framed photograph of Harvey Weinstein which has slightly fallen. This was to represent the fall of Weinstein in the midst of sexual abuse claims at the time, and how Hollywood gives rich men, like Weinstein, too much power.
Richard Hamilton, My Marilyn, (detail), 1965, Tate Modern, London. Photo by Simon de Pury
Richard Hamilton - Study for a fashion plate - b
1969 - collage, email, paillettes
68,1 x 49,7 cm. - collection particulière