Dec 10, 2025
Pink angel wings on white background, gold and light blue
Angel Tattoo #angelwings #kawaiiaesthetic #religiousiconography #uniquecomposition #lens
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Pink angel wings on white background, gold and light blue
Angel Tattoo #angelwings #kawaiiaesthetic #religiousiconography #uniquecomposition #lens
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Demon tattoo dripping on scythe, wood engraving style
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Little Morsel #4: Make Empathy Great Again
This morsel was written before the events surrounding Charlie Kirk’s death. It is not a reaction to that news, nor an attack on any individual. It is a meditation on empathy—how it's weaponized, politicized, and quietly removed from the national bloodstream.
If you're reading this as partisan critique, take a deeper breath. This isn’t about left or right. It’s about iconography and hypocrisy. About how we’ve taken the face of a refugee messiah and airbrushed him onto a border wall. About how a painting of compassion can trigger more outrage than the policies that inspired it.
This piece isn't satire for sport. It’s elegy disguised as sarcasm. It’s reverence dressed in irreverence. It’s a reminder that realism, when done right, doesn’t just depict pain—it reflects power. And sometimes the most dangerous thing you can do is simply refuse to look away.
If empathy is weakness, then Jesus was the weakest man who ever lived.
Try telling that to the people foaming at the mouth over some paintings.
Rigoberto A. Gonzalez paints migrants like saints — not metaphorically, not coyly, but full-tilt baroque: chiaroscuro lighting, Renaissance poses, the kind of reverence once reserved for martyrs and monarchs. His migrants aren’t statistics. They’re sacred.
And for that, he’s been crucified.
Not by critics, but by the same folks who hang crosses from their mirrors and scream about “values” while voting to criminalize compassion.
Biblical Realism in the Age of ICE
In 2020, Gonzalez’s Immigrants Crossing the Border Wall Into South Texas was named a finalist at the Smithsonian’s National Portrait Gallery. It shows a family mid-crossing: a man clutches a child, a woman carries a baby in a sling. Hands reaching. Bodies climbing. Faces praying. (photo below)
The lighting is divine. The brushwork, reverent. It could be the Flight into Egypt, the Crucifixion, the Deposition — but updated. ICE instead of centurions. South Texas instead of Golgotha.
The reaction? Predictable as a Fox News chyron:
“Woke.” “Divisive.” “Propaganda.”
Translation: empathy is illegal here.
The Light That Exposes
Gonzalez’s obsession with light began on a ranch in rural Mexico, where kerosene lamps replaced electricity and Rembrandt danced on adobe walls. He doesn’t paint with glow. He paints with exposure. His light doesn’t comfort — it convicts.
It’s the kind of light border agents use to flush out bodies in the dark.
It’s the kind of light González uses to remind you those bodies have souls.
Jesus, Without Papers
Imagine Jesus at the border: sandals dusty, robe weathered, no passport, just stories and scars. ICE moves in. Riot shields. spears or Tasers. Brass armor or Tactical gear. One agent asks,
“Do you have papers?”
“I am the Word,” he replies.
They arrest him anyway.
The crowd cheers.
They wear red hats. They quote scripture. They mistake cruelty for conviction.
This isn’t a metaphor. This is a mirror.
In a country allergic to nuance, empathy is contraband.
Let’s keep smuggling it in.
Well, that’s today’s little morsel.
Next Edition is Little Morsel #5: The River That Forgot Its Name (also written before Charlie Kirk shooting)
— The Baker (Photo of painting below: The White House identified the piece titled Refugees Crossing the Border Wall into South Texas as one of the artworks and exhibitions it deemed objectionable. Rigoberto A. Gonzalez)
Religious Healing Symbols
Religious healing symbols have been used for centuries to invoke a sense of spiritual connection and to promote healing. These symbols can be found in many different religions and spiritual practices, each with their own unique meanings and uses. <<You Can Interested Religious healing symbols Click Here>>
One of the most well-known religious healing symbols is the cross. The cross is a symbol of Christianity and is often used in religious healing rituals. The cross represents the crucifixion of Jesus Christ and his ultimate sacrifice for the sins of humanity. Christians believe that the cross has the power to heal and protect, and it is often used as a symbol of hope and faith.Another popular religious healing symbol is the Om symbol. The Om symbol is an ancient Hindu symbol that represents the ultimate reality and the ultimate consciousness. It is believed to have the power to heal and protect, and it is often used in meditation and yoga practices. The Om symbol is also believed to help connect individuals with their inner self and the divine.The Star of David is a symbol of Judaism and it is often used in Jewish healing rituals. The Star of David represents the connection between God and the Jewish people. It is believed to have the power to protect and heal, and it is often used as a symbol of hope and faith.The Ankh symbol is an ancient Egyptian symbol that represents life and immortality. It is believed to have the power to heal and protect, and it is often used in Egyptian healing rituals. The Ankh symbol is also believed to help connect individuals with the afterlife and the divine.The Hamsa symbol is a symbol of protection in the Islamic faith. It is often used as a symbol of protection and healing. The Hamsa is believed to protect against the evil eye and to bring good luck and happiness.The Om Mani Padme Hum is a Buddhist healing symbol. It is believed to have the power to heal and protect, and it is often used in Buddhist healing rituals. The Om Mani Padme Hum is believed to help connect individuals with the Buddha and the divine.In conclusion, religious healing symbols have been used for centuries to invoke a sense of spiritual connection and to promote healing. Each symbol has its own unique meaning and is often used in specific religious or spiritual practices. Whether it's the cross, Om symbol, Star of David, Ankh, Hamsa or Om Mani Padme Hum, these symbols are believed to have the power to heal and protect, and to help connect individuals with their inner selves and the divine.
The multi-national auction house Heritage Auctions will sell a series of antique Russian icons at its upcoming auction on December 9. The authentic pieces come from the collection of the American actor Eugene Iglesias and include images of Christ the Pantocrator, St. Nicholas, and Madonna and Child, among others. You can take a look at some of the highlights and learn more about the upcoming auction on our blog. Photo courtesy of Heritage Auctions
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The featured antique icon of the Resurrection represents the Baroque style in Russian iconography. The shapes of heavily built figures, expressive colors, and natural motifs on a silver oklad are some of the visible traits of the movement. The icon was painted in Central Russia in the middle of the 18th century when Baroque started falling behind under the pressure of the Classical era. In some sense, this invaluable part of our collection is the remnant of the past glory. Find out more about its composition and the secrets of its oklad in our latest blog post.
The Orthodox Resurrection icon that you can see in the picture is of special importance. Apart from traditional scenes of the Rising from the Tomb and the Harrowing of Hades in the center, it features the yearly Menaion, a compilation of the images of the saints venerated in a particular month. What makes this icon unique is that you see an actual yearly calendar, which explains the dense and overcrowded composition of the work. The piece is believed to have been made in one of the workshops in Palekh in the second quarter of the 19th century.
The featured icons are painted by Michael Mirianashvili, a 36-year-old Georgian artist specializing in portrait art and icon painting. He first learned about iconography in his student years when the young painter became a member of a parish. At the time, the temple that he attended was being painted, which allowed Michael to meet a professional fresco painter and become his assistant. Nowadays, the iconographer aims to find more clients and sell his works globally. Whether you need a high-quality copy of a famous antique icon or want a custom piece for your family, his services will be right up your alley.