Ana had been fumbling around in her deerskin handbag for her keys when he said those words. Even at seven in the morning, it was pitch dark out, and underneath the light of the street lanterns the fog was thick, palpable almost. His breath came out in visible puffs. She glanced at him from her peripheral, half of her arm swallowed up by her bag.
Heâd scraped his throat then, embarrassed, and took out his pack of cigarettes, flicked open the lid and pulled one out.
âLong-distance relationships arenât all that,â Ana teased back, watching how he struggled to light his cigarette. She finally managed to snatch her keys up from somewhere deep down her deerskin bag and unlocks her car with the press of a button. The taillights flared up in the darkness. The bright red gleam shimmered onwards in the morning mist. Gabe rolled his eyes and took a long, slow drag from his cigarette, tilted his head backwards and blew the wisp of smoke towards the dark sky.
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Let me see you
Stripped down to the bone
Let me see you
Stripped down to the bone
Metropolis
Has nothing on this
You're breathing in fumes
I taste when we kiss
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Something short I drabbled on the widowreaper discord some time ago when it was confirmed that Reaperâs part of Talonâs leadership. Put two and two together and you might come to the conclusion that Reaperâs behind Widowmakerâs brainwashing. What a nice what-if to explore really.
He looks down on her, the light reflecting off his bone-white mask, and continues, "But he created from nothing and I have something--well, Â someone to work with. Don't I?
3
She's past the breaking point, halfway between who she was and who they want her to be.Â
He carefully puts the plate down on the table. Her eyes gleam wetly in the fluorescent lights when she looks straight into the sockets of his mask.Â
"It's pretty good," Reaper says, motioning to the food. "Trust me."
4
Before Widowmaker's brought in for debrief, Reaper takes her aside. Her body doesn't show any signs of emotional trauma, her face is blank, expressionless aside from the arch of an eyebrow.Â
Reaper wonders what she will look like after the biomedical engineers have gotten their grubby hands on her.Â
"Welcome home," he says, a tad too wry, a tad too... expressionate;Â and he clenches his hands into fists when heâs realized his mistake, gloves crinkling loudly, claws pricking into the leather.
Widowmaker regards him for a split-second, not knowing what to make of his words, before giving a curt nod in return.
5 Â Â
Gabriel Reyes looks at Widowmaker for the first time without a mask and expects... violence.Â
But she doesn't react, merely assesses him and closes the distance between their bodies. Her eyes are unnaturally bright, even in the dark.Â
For a brief moment, Gabe considers turning away from her and all this tension and chemistry thatâs built up between them. From fuck-ups to successes with blood and murder and gunpowder in between. Â
He thought he helped build a weapon but Widowmaker's turned out to be so much more.Â
"I'm sorry," Gabe croaks, the apology slipped out in the space between them before he fully knew what he was saying.
+ 1
Widowmaker laughs in that haughty, chilling way she has and puts her hands on his broad shoulders. As if she couldnât think of one reason why she should suddenly start to care.
Her face is dangerously close to his when she replies, "I'm not."Â
And a knife between his ribs would've been kinder than the searing kiss she gave him. Â Â Â
An Archive of Our Own, a project of the Organization for Transformative Works
Itâs the funniest thing Gabeâs seen in days and he barks out a laugh, shaking his head. âLet me rephrase that,â he says. âYouâre the only one getting off tonight. Not me.â
She accidentally bumps the tip of her pump against the coffee table.
Thereâs a touch of nervous excitement to her voice that brings out her accent even more. âYouâve got an interesting approach to the concept discipline, Gabriel,â she says while drumming her fingertips into the meat of her thighs. âIt sounds a bit like punishment.â
âDo you remember the rules?â He asks then, choosing not to comment on her remark, toying the tip of his tongue against the back of his teeth.
guns, venom mines, transmutation, seduction, intimidation, etc, etc.
ao3Â | day1Â | series
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Widowmaker stirs on the sofa, softly, and slowly blinks her eyes open; the roomâs discolored in the glow of the dying sun, the reddish light cascading through the large windows behind her. She settles upright, kicking a couple of pillows off the couch, and hauls a hand through her long, loose hair.
âYouâre up⊠finally,â Reaper says, coming into the sitting area of their hotel suite in full gear.
He walks over to the circular table and unceremoniously plops down in the armchair, starts removing his heavy boots when she shifts into a sitting position, sleepy-eyed still, and massages the spot between her brows. She stretches her arms over her head and rolls her neck, gazing absentmindedly at the bouquet of yellow flowers on the table. One of the open windows in the bedroom thuds shut loudly, probably from the wind.
âEPFCGâs are in position,â Reaper informs her as he takes off his right gauntlet. âSombraâs working to overload the broadband network. Get ready.â
Widowmaker gets up, maneuvers past the low pouf thatâs wedged between the coffee table and the television set, and goes to the walk-in closet. Itâs empty aside from a couple of fluffy bathrobes and the disguises Talon selected for them when they checked in. She kneels and drags a blue, hard-cover suitcase from underneath the shoe shelf, enters the number combination, zips it open and takes out her bodysuit. Her helmetâs hidden in a polka-dotted hat case, her boots and the Widowâs Kiss in another trunk.
Her eyebrows furrow together when she finds that trunk empty of her rifle.
Widowmaker hears his padded footsteps on the floorboards â heâs probably in his socks â and turns towards the open doorway of the walk-in closet when he leans against the frame.
Sunlight cuts red along the contours of his body; Reaperâs stripped down to his undersuit, arms crossed over his chest, head tilted to the side, towards the row of windows lined above the king-sized bed. She slings her bodysuit over her shoulder, gathers her helmet and boots in her arms and nudges past him. When sheâs put everything on the console table in front of the bed, she tugs the shirt she was sleeping in over her head.
He moves to catch the shirt she throws at him, one-handedly, gives it a once-over, and asks, âIs this one of mine?â
âWhereâs my sniper rifle?â Widowmaker counters his question with one of her own, and unbothered with her current state of undress, settles down on the foot-end of the bed, reaching for her pouch with hair elastics.
âPillows,â Reaper replies curtly before ducking into the walk-in closet, disappearing from her sight, as she does her hair in a high ponytail. She raises an eyebrow at the four pillows propped against the headboard â lumpy and so obviously hiding something â and then stares off the side: at the two shelves that serve as a nightstand, the pink peonies in the glass vase, the nightlight, the white shutters that are folded open, the twilight sky outside offset by the brightly-lit Taipei 101.
Sheâs pulling the leggings of her bodysuit up her calves when Reaper returns, changed in a hoodie and a pair of sweatpants.
âI cleaned your gun,â Reaper says gruffly, pushing his thumbs down softly on her collarbones. She remains stone-faced at the admission, trying to ignore his body heat from this close-by. âAttached a muzzle brake so we donât get any room service.â
âI couldâve done that myself,â she responds matter-of-fact, moving away from him to put on her helmet.
He makes a beeline for the nightstand at the other side of the bed, explaining, âRecon wore you out worse than the flight. So, I figured there was no harm in letting you sleep a couple of hours more.â Picks up the remote for the stereo installation and studies the buttons. His eyes glint red, like the visors of her helmet â man-made, inorganic, machine-like â and he turns to the speaker in the upper right corner of the room, showing off exposed parts of his cranium, skin and shadow shrouding around his head.
âYou must really like me,â Widowmaker quips, adjusting the helmet atop her head â the weight a comfort â and fastening the clasps over her cheekbones.
Reaper scoffs, but doesnât offer any rebuttal, pointing the remote control at the speaker and pressing down on the âplayâ button until the light flickers green. He skips through the selection on the holographic screen thatâs projected in front of him, while she opens the window â noise from down below filling the silence of the room â and props herself on the broad stone sill behind the headboard.
Glancing through her scope, she has a clear shot at the platform, decorated with blue balloons and flowers. Talon made a good choice with this hotel suite.
Guitar music, underscored by simple handclaps, drowned out the white noise from outside. It was an old song, Widowmaker knew somehow from the arrangement and the vulnerable voice of the singer, but how old she couldnât say for sure. She hadnât expected Reaper to pick music this mellow to suppress the sound of her gunshot.
She doesnât comment and buckles the straps of her gauntlet, but her expression mustâve given away her surprise somehow, because Reaper speaks up again, clarifies: âItâs the only American album on the list that isnât complete shit.â â Â anything you want, you got it. anything you need, you got it. anything at all, you got it, the singer croons on the track, echoed by backing vocals, baby... â
âI didnât ask, mon chĂšr,â Widowmaker responds with a switchblade smile, shifting so she sits cross-legged in front of the open window.
Reaper grunts, puts the remote control back and grabs the bottle of water from the nightstand. He settles down against the headboard and reaches for the tail-end of her ponytail, rubs a few split-ends between his fingertips. She knows heâs thinking of giving her a haircut soon. Itâs getting cooler in the room and the white shutters rattle from the draft. She tilts her head to the right, propping the stock of the Widowâs Kiss against her shoulder and getting into position to snipe.
âCeremony starts in five, main target gets on stage somewhere in the next fifteen to twenty minutesâŠâ He pauses to take a big gulp of water and ahâs. âPower goes out. Communicationâs dead. You take the shot.â
âVery well,â Widowmaker acknowledges, waiting to activate the visors in her helmet until the right time.
âSombra will be waiting in the bus stop at the entrance of the hotel for you,â he mutters gruffly, takes another sip of water. âYouâll head off to the second target together while I take care of things here. Pack. Check-out⊠Anything you want to keep?â Thereâs a snide edge to his voice when he asks her.
âI liked the hat case.â Her statement is punctuated by a wry chuckle. They both know Talon doesnât allow her any personal possessions, aside from her equipment, aside from her gun.
Widowmaker doesnât know what importance this information has for him, because it isnât the first time heâs sneaked in a question like this. She caught him mending tears in one of her bodysuits after a mission before too and blew it off as one of his many idiosyncrasies, something to keep his ever-shifting hands busy. Her finger reflexively caresses the trigger of her sniper rifle, cleaned thoroughly, and it dawns on her that she hasnât even checked her ammunition yet.
She trusts him, the realization hits her hard, with her equipment, with her rifle, with her weapon of a body.
Suddenly her words â you must really like me â didnât sound so funny anymore.