i love romance. she's unsure of her own feelings bc desire is forbidden so she falls back on the security of rejection but of course rejection of him is a rejection of her own curiosity & thus of herself...romance is literally good



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i love romance. she's unsure of her own feelings bc desire is forbidden so she falls back on the security of rejection but of course rejection of him is a rejection of her own curiosity & thus of herself...romance is literally good

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marquis magazine #13
Little Enea and his puppy wearing some matching t-shirts Hope you've had a good day! -R
Ahhhhhhh thank you so so so much they're the cutest <33333
btw I hope you had a good day and things will get better for you soon, much love <33
Maybe this is silly, but once you've unlocked the story (for prisms) and the costume (if you want it), is there any point in leveling or keeping R-level cards? I have enough different SR to fill out my teams so what's the best use for all these Rs?
Special practicing and max levelling any card yields 20 prisms, so if you can at least do it with N’s and R’s its definitely worth it. Past doing that and getting the memorial boards/moments if you want to, it really depends on each player!
I have always liked to keep a collection of all the rare cards in the game max levelled and idolised etc until I run out of space to do so. If you want to do the same then do, but otherwise selling R’s once you’ve unlocked everything for them can also be beneficial. It really depends what you want to do! You can also use them to fill teams and build bond with your best boy.
Pretty in pink. 4 10mg r’s. There went $40. Smh. I hate this shit yo. I wanna be home in Florida. Not stuck on the west coast where I don’t know fucking anyone and I have no legit connections. So mf wack!!! 😭 I felt it for ab 2 seconds. Literally. I need my boyyyy.

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春日彩香(@kasuga_official)@ Flesh!
JENKINS: I feel like the first 80–85 minutes or so of the film is the telling of a story where the characters are advancing in age: eight, ten, twelve years of age at a time in each chapter. So we’re rapidly building this portrait. For example, the two longest shots in the film are when Chiron is in the parking lot outside the diner. He pulls up in his car, gets out, puts on his shirt, combs his hair, and then starts walking across the parking lot towards the door. Then there’s the shot of the door’s bell ringing that shifts to a gliding camera shot. It’s a very Hou Hsiao-Hsien–influenced shot that is a camera movement perpendicular to the action in one continuous moment. Then there’s that close-up when Chiron sees Kevin’s face for the first time and then we match it. From that point on the character has been built and now the character has to finally make a choice. He must decide who he is going to be as the film shifts into real time. I think the diner scene really resonates with people because you’ve grown so accustomed to the character advancing through time but now Chiron has to sit there opposite someone who’s actually allowing [him] the space. The world is always projecting this idea of who a black man is while there is always the performance of black masculinity. You see Chiron dealing with that over the course of the film. Then he walks into Kevin’s home, the diner, and Kevin dominates that space but in a very tender way, a very gentle way. So, you’re right. This is when the cycle of questions begins but they are never asked aggressively and there’s never really a single or direct answer to these questions.
one step ahead: a conversation with barry jenkins