Nose ornament. Quimbaya. 400-700 CE.
Dallas Museum of Art.
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Nose ornament. Quimbaya. 400-700 CE.
Dallas Museum of Art.

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Quimbaya, Pre-Columbian Ceramic And 12 Karats Gold Figure Statuette. South America, Colombia Tomb Guardian Circa 13th Century AD Antiquities
Find It Here; https://www.etsy.com/AllureAuctioneers/listing/4482582740/
Ancient Pre-Columbian Ceramic Statuette Of A Tomb Guardian. Colombia, Quimbaya Culture, Dated As Circa 13th To The 15th Century AD. A Petite Pottery Slab Figure Modeled In Buff Clay, With A Flat, Rectangular Head And A Compact Seated Body Rendered In A Simplified, Stylized Form With Indicated Genitalia. The Nose Is Pierced To Receive A Crescent-Shaped Nose Ring Of Approximately 12karats Yellow Gold Purity, Alloyed Primarily With Copper And Minor Silver Content. These Slab Figures Are Characteristic Of The Quimbaya Region Along The Cauca River And Are Commonly Found In Funerary Contexts, Where They Were Placed In Shaft Tombs Alongside Ceramics And Metal Objects, Likely Serving As Protective Or Companion Figures For The Deceased. The Quimbaya Civilization, An Ancient Indigenous Culture In Present-Day Colombia, Thrived In The Fertile Valleys Of The Cauca River, Spanning Modern Departments Of Quindío, Caldas, And Risaralda. Known For Their Exceptional Goldsmithing And Intricate Ceremonial Practices. The Quimbaya People Were, At Their Height, A Wide-Spread Civilization That Stretched Across The Northern Andes, And Was Even Present In Ecuador And Peru. Archaeologists Estimate That The Quimbaya Civilization Emerged At Some Time Around 500 BCE, And Lasted Until The Spanish Conquest Wiped Them Out In The Early 17th Century AD. The Quimbaya Were Among The First People In The Andean Region To Develop Sedentary Society And Agriculture. Funeral Rituals Were Central To Quimbaya Culture. The Dead Were Interred In Sarcophagi Made From Hollowed Trunks, Accompanied By Elaborate Offerings, Including Gold Artifacts, Food, And Personal Items. These Practices Reflected Their Belief In Bodily Resurrection And A Well-Prepared Journey To The Afterlife. Tombs Were Often Monumental, With Burial Mounds Adorned With Symbols Of Fertility And Rebirth. Gold’s Sacred Status Made It A Crucial Element In These Ceremonies, Symbolizing The Deceased's Spiritual Elevation. Dimensions, Size: 3.25 X 4.75 inches, equivalent to 8.3 X 12.1 cm. Metal Testing: Gold, Quality: 51% (Equivalent To 12 karats); Silver Quality: 8.9%. All measurements are approximate. Condition: Excellent, and intact with manganese mineral deposits on the surface.
Provenance: Private New York, USA Collection; Ex-Lands Beyond Time, New York. Currently At Private NYC, USA, 2026.
En el museo arqueológico
Quimbaya, Colombia, Cauca Valley and Central Cordillera, Seated Figure, n.d. x
breastplate in the form of a jaguar-man | c. 1 BCE - 700 CE | tolima and quimbaya culture fusion (found in modern-day quindío, colombia)
"It probably personifies a jaguar-man, as suggested by the fretworks on the body which seem to depict the spots on the skin, the prominent mouth showing his teeth and the spread out posture of the body as if lying on his abdomen. The face, looking human, presents two longitudinal bands of face paint crossing the eyes." x
in the museo del oro, bogotá collection

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Lime Container (Poporo)
Quimbaya, 1st–7th century
In Andean South America, there is an indigenous tradition for the ritual use of coca leaves. In Precolumbian times the chief method of using coca was to place a quid of leaves into the mouth and add a small amount of powdered lime, made from calcined seashells. Standard coca-chewing paraphernalia included a small bag for the leaves and a container and a spatula or spoon for the lime. The utensils could be quite elaborate and made of precious materials. Lime containers from Colombia, known as "poporos," were often cast in gold in the form of nude human figures or as flasks incorporating raised nude images on each side. Both figures and flasks exhibit great elegance of conception, manufacture, and finish. The shouldered bottle here, adorned on either side with a female figure, still contains powdered lime.
Bird Pendant
Quimbaya
300 BCE–700 CE
source
Seated Figure
Quimbaya
700–1600 CE
source