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The Spring 2023 cover of Wonderland turns a nearly shared kiss into a bold, intimate fashion image. Black and white keeps the focus on touch, expression, and the closeness between the two women, while embroidered fabrics, jewellery, and the visible tattoo add texture without distracting from the moment.
There is something refreshing about seeing queer-coded affection presented so directly on a fashion magazine cover - not hidden in symbolism, but treated as beautiful, stylish, and entirely natural.
Photographed by Bartek Szmigulski for Wonderland, Spring 2023. Styling by Yasmin Williams. Hair by Louis Byrne.
The original was elegant. Someone decided it also needed evidence.
William Andrew Loomis’s Two Women is already a beautifully composed illustration, but this edited version adds a wonderfully playful twist: the lipstick marks were not part of the original artwork. They seem to have been added later, turning a quiet moment of closeness into a tiny visual joke.
The blonde looks delighted, while her very serious companion appears determined to behave as though she knows absolutely nothing about those kisses. A sweet piece of queer-coded humour, created with just a few red marks and one perfectly controlled expression.
Based on Two Women by William Andrew Loomis. Lipstick marks appear to be a later, unofficial edit.
Duncan MacRae and Florian Neuville appear in a portrait that turns a simple styling gesture into something intimate and almost ceremonial. The oversized silk bow, crisp tailoring, and controlled black-and-white light give the image a refined, slightly theatrical mood.
What makes the composition memorable is the contrast between stillness and touch: one model looks directly into the camera while the other adjusts the bow from behind. Fashion often finds a subtle queer charge in moments like this, where care, elegance, and male closeness are allowed to remain visible without explanation.
Duncan MacRae and Florian Neuville photographed by Taylor Hall O’Brien for JON Magazine, 2014.
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