Favorite QL Characters of 2024
Thanks for tagging me, @wen-kexing-apologist! And thanks to @abstractelysium for getting the ball rolling with some solid end-of-the-year prompts.
Mitsuya Ayumu, Mr. Mitsuya's Planned Feeding/Mitsuya Sensei no Keikakuteki na Edzuke
I love it when a character really has their shit together in some admirable ways but also has big things to learn. Mitsuya has so many things about life figured out, which is part of the reason Ishida first gravitates toward him. But for all his wisdom and competence in some areas, in others, he's been avoiding facing his fears and challenging himself for way too long—until meeting Ishida starts to change things. I have a particular love for this character as a middle-aged BL-watcher. Mitsuya has ten years on me, but he's still way closer to my age than most BL leads. I hadn't realized how much I wanted—maybe needed?—to see an older protagonist in a BL until I watched this series.
Of course, Yamazaki Masayoshi's performance, and his considerable personal charms, helped a great deal too. His approach to the role was so naturalistic that it seemed like important attributes of Mitsuya's, like his self-acceptance and vulnerability, must be things Yamazaki shares. Who knows, maybe he does. But conveying these things onscreen remains a matter of acting talent and the result is a joy to watch regardless.
There's a moment that really exemplifies this. Although I wasn't pleased that the show didn't include a kiss, there was a moment right when Ishida was about to kiss Mitsuya (before they were interrupted) that I absolutely adore. Ishida makes one last declaration of his feelings and asks if he can stay with Mitsuya, who assents and says, "Enough. I surrender." And he does. He doesn't turn into a "blushing maiden." He doesn't go all floppy (not that there's anything wrong with that). It's a different kind of surrender. When Ishida grasps his shoulders and moves closer, Mitsuya tilts his head a little, looks down, and gives a little shy smile. Then Ishida touches his face and he closes his eyes and lets his head fall further to the side and there's just this quality about him in that moment that is so soft and trusting and unhurried—vulnerability and confidence coinciding again, Mitsuya at his best—that evokes something sexier and more romantic than any number of BL kisses I've seen this year.
Hatano, Zettai BL 2024 (Zettai BL ni Naru Sekai VS Zettai BL ni Naritakunai Otoko)
Regular readers may have noticed that I have a bit of a fixation on this character. I collaborated on a fansub largely because I wanted to see his scenes get translated. I wrote a four-part series of posts about him. Part of the reason for this is undoubtedly that he was played by one of my all-time blorbos, Sekoguchi Ryo. But Hatano also just stands out among the other Zettai BL characters. I mean, there's a reason the series of posts I wrote about him was called What's Different about Hatano. Of all Mob's suitors (and there are a lot of them), he's the only one besides Kikuchi who manages to get to know Mob and spend time with him. He's also the only one of Mob's suitors, period, who shows some awareness of Mob's other life as the main character of a show about living in BL World (albeit in an ambiguous way). And then there are all the other reasons why his approach to pursuing Mob and the way he's situated in relation to Mob make him unique...well, it's all in the posts.
Hatano's uniqueness in the Zettai BL-verse isn't the only thing I appreciate about him, though. At the end of the day, he just makes things happen and keeps things interesting. He pulls off the BL-within-a-BL storyline with aplomb. And I enjoy the way he has this icy, unflappable, unattainable persona with his peers but falls apart and turns into a flustered, agitated wreck around Mob.
Of course, I think Sekoguchi Ryo was wonderful in this role. A big part of playing Hatano is acting like you're in a dramatic scene when you're in a comedy, but sometimes a scene needs the level of deep commitment one would offer in a drama and sometimes it calls for something with a slight undercurrent of irony (without detracting from the genuineness of the character). Sekoguchi walks that line pretty much perfectly. He both sold me on Hatano's sincerity in funny scenes like the fantasy sequence where he responds to Mob's efforts to pawn him off on another teenager by curling up in his lap (!) and broke my heart in the fake angle kiss scene. But I wouldn't have expected any less.
Hayama Asami, 25 ji Akasaka de
I have to admit, I went into 25 ji Akasaka de wanting and expecting to like Hayama. After all, he's played by Komagine Kiita, another favorite actor of mine. (Komagine and Sekoguchi Ryo starred together in Kikai Sentai Zenkaiger and their characters had a well-developed shippy relationship there, which has a lot to do with how much I like them both.) But I'm pretty sure I would have been fascinated with Hayama even without that bias. I love a good mid-series point-of-view revelation, and Hayama had a doozy of one. He ended up being one of the most psychologically complex characters I saw in BL this past year. I'm also a sucker for pining, and Hayama pines with the best of them. The episode 9 scene where Shirasaki hits on him with the pretense of needing acting help, forcing him to choose between pushing away the person he wants or being intimate with him in a way that's apparently meaningless, is a contender for the angstiest scene of the year. And I always enjoy when a character who's a huge pining, angst-y mess on the inside seems all cool and together on the outside (see above re: Hatano). With all this, it's no wonder I love Hayama.
I don't think it's just my bias talking when I say I think Komagine knocked this performance out of the park. He impressed me immediately with his versatility, since Hayama is almost the complete opposite of his cinnamon-roll-on-speed character from Zenkaiger. He kept impressing me, after which the point-of-view switch episode was another step up. But it was the opening scene of episode 9 that really showed me what he was capable of. Komagine's performance was so subtle, immediate, and affecting that my respect for him went through the roof.
Shirasaki Yuki, 25 ji Akasaka de
Yep, I'm including both leads from this series. That's just how strong the series as a whole is, in my view.
Shirasaki has gotten a bad rap at times. It's understandable—Hayama is a (justifiably) beloved character and Shirasaki puts him through the ringer. Personally, I think he did pretty well given where he was at the beginning of the series and the circumstances he found himself in—including a carefully devised misunderstanding plot that, as @ginnymoonbeam demonstrated in a post on the subject, was written in such a way that his conclusions about Hayama were reasonably well-founded and not just the result of insecurity gone wild or something even more senseless (as occurs in a lot of BLs that are written with less care). But even if you think Shirasaki is a dick, he's still an interesting, vividly-drawn character who's frequently relatable even as he makes choices viewers find frustrating.
One of the aspects of Hayama's point-of-view reveal that I enjoyed the most wasn't about Hayama himself, but the side of Shirasaki that Hayama is able to see more clearly. When Shirasaki's point of view dominates the story, he emphasizes his insecurity. But when Hayama's does, we can see that Shirasaki has a kind of deep conviction about things that can come out in the form of a strident confidence that helps to balance out his self-doubt and self-effacement.
I may be partial to Shirasaki for another reason. I'm going to preface this by saying that this is just my take on this, and a rather tentative one at that. But since it's a real factor in my feelings about Shirasaki, I think it's worth mentioning. I have some significant people in my life who have autism and I've been exploring whether I may belong in that category myself (combined with my already-diagnosed ADHD, just to make things extra complicated). At the very least, I have quite a few attributes in common with autistic folks. You can probably guess where I'm going with this. To me, Shirasaki seems pretty autism-coded. He has strong opinions, to the point where they could seem rather black-and-white, but another way of looking at this is that he has carefully considered his stance on things and once he forms his views, he sticks to his guns. He's really observant about people in some ways, but comes off (to neurotypical folks, at least) as dense in others. (Boy, does that ever sound familiar.) These ways of thinking, and the social weirdness that they can sometimes entail, are very relatable to me and not something I see represented in media all that often, even when characters seem to resemble autistic folks in other respects.
I still yell at the screen sometimes when Shirasaki makes mistakes in this show. But at the end of the day, I think he's a well-written and engaging character, and I have an abiding fondness for him.
I should mention that this character wouldn't be nearly as compelling if Niihara Taisuke hadn't done such a good work in this role. Shirasaki is sensitive as hell and not great at masking, so his face is an open book a lot of the time. Niihara does a great job of giving the audience something to read there.
Fukaya Kai, Perfect Propose
Just as I went into 25 ji with an agenda to like Hayama, I went into Perfect Propose with an agenda to like Hirokuni. I loved Kaneko Shunya in Ultraman Trigger and was excited to see him in this role. And I did like Hiro very much, and I was impressed with Kaneko's portrayal. But what I wasn't expecting was how much I would like Kai.
Part of it is just that Kai is a type of person I don't see very often in BL specifically or media generally. He's a direct, forthright guy, but doesn't show a ton of affect in his face or his voice. Whereas a lot of BL lead characters are pretty neurotic, Kai generally doesn't waste much thought on things that aren't truly important to him. He doesn't always share what he's thinking and feeling, but he also doesn't beat around the bush. One of the most striking examples of this is the time he offers to jerk Hiro off to help with his insomnia, but he also shows this tendency in other ways that grab the viewer's attention a bit less. Kai does have his share of insecurities, even if he doesn't show them very often. But his abiding faith in Hiro and their potential to be good partners to each other is sincere. Being so direct and so steadfast means that Kai is remarkably trustworthy, something that Hiro eventually grows to understand.
So Kai doesn't resemble a lot of BL lead characters. But he does resemble real people I've known in my life. I think part of the reason for this may be subtle gender coding that comes into play in BL writing. It's not inherently feminine to express your emotions, of course, nor is there any contradiction between masculinity and emotional expression. But there are more stoic types of masculine presentations that we don't see portrayed in a sympathetic light in romance plots that often, and stoic masculine people can have a particular kind of charm.
I'd be remiss if I didn't mention Nomura Kota's performance in this role. It's really restrained in a way that actually seems like it would require a lot of effort, particularly when you see in promotional settings that Nomura is much more animated than his character. Not that he shows that effort onscreen—he just seems like Kai.
Tanaka Kazuhito, Living with Him/Kare no Iru Seikatsu
In the end, this series didn't really do justice to this character or to Sato Ryuga's admirable performance in the role. It seems to have fallen victim to some adaptation pitfalls, from what I've heard. But when this show worked, Kazuhito was fascinating, complex, and endearing, and Sato brought him to life with a combination of restraint and subtle intensity that got stuck in my head between episodes.
characters whose shows I watched for the first time this year
Ai Di, Kiseki: Dear to Me
What is left to say about this dude that hasn't already been said? He's one of the most highly concentrated characters ever to appear in a BL. If a typical BL lead were a glass of fountain soda, Ai Di would be yanking the tube out of the back of the machine and drinking straight syrup. And he wasn't even one of the leads! But he's not reliant on screen time. In a system full of gas giants, he's a little neutron star whose gravitational pull draws audience members' attention to him so strongly that his supporting character status becomes irrelevant. He's the littlest meow meow, the babiest girl, the most chaotic gremlin. A walking ball of trauma whose picture should be in textbooks next to the definition of disorganized attachment. And I haven't even gotten started on the outfits. I was a bit behind the zeitgeist when I watched Kiseki early this year, but I made up for lost time by getting an intense case of brainrot and engaging in some seriously excessive rewatching. Like so many other Kiseki appreciators, a big part of my interest in the show was driven by Ai Di.
It's impossible to talk about this character without acknowledging the seriously remarkable job Louis Chiang did in this part. I don't think Ai Di would have been nearly as fascinating if a different actor had played him. Chiang showed so many sides of Ai Di and every single one of them was so vivid and fascinating. That much-discussed intimate scene is his pièce de résistance, but it's just the tip of the iceberg. I'm sure I'm not the only person who is watching with great interest to see what Chiang does next.
I didn't know what to expect going into Love in the Air, which is part of the reason I didn't watch it sooner. The second half of the series ended up blowing me away in a lot of respects. It has its issues, certainly. Sometimes the portrayal of Sky's trauma history and its present-day effects verges on being sensationalistic enough to feel exploitative, though it never crossed that line for me. But for the most part, I found that it resonated with my experience as a survivor of partner abuse and sexual violence to a remarkable degree.
Sky was written well, with a rare degree of understanding of interpersonal violence and the effects of trauma. But the character wouldn't have worked nearly as well if not for Peat's sensitive, nuanced performance. In a show with a lot of oversized characters, Peat wasn't afraid to dial things down in a way that ultimately made a bigger impression.
I'm going to be thinking about this one, and probably rewatching it, for a while!
Daichi, Ossan no Pantsu ga Nandatte Ii Janai ka!
For the first part of Ossan no Pantsu, Daichi functions primarily as a way for Makoto to learn and become a better father, partner, and boss. For a while there, he's in danger of becoming the gay equivalent of a "magical Negro," albeit one so adorable and wise beyond his years that it's tempting to ignore the fact that he occupies such a role in the story. Then Daichi turns out to have his own challenges—significant but ultimately manageable problems that Makoto sometimes exacerbates, but eventually helps with, rendering their relationship less one-sided. But it's only in the final arc of the show that we see that Daichi has been carrying around a much more profound wound than was hinted at before that point—and now Makoto, thanks in part to Daichi's help, is able to provide real support as he copes with its effects.
This progression works well to support Makoto's journey through the story and then afford him an opportunity to prove how far he's come by returning the favor, but it never felt contrived to me. After all, I've run into my share of overfunctioning young people who have done an admirable job of making up for the support they didn't get from one or more of their parents and ended up with a lot of valuable perspective that belies how much unresolved hurt they're carrying around. It's a type of person one is more likely to run into in queer communities given the risk of parental rejection that comes with it, so it's no coincidence that Daichi fits that bill completely.
Nakajima Sota seems a bit green to me in this role, like he's still working through a little bit of stiffness. He's charming enough that I hardly noticed this while I was watching OnP, though, and he seems to show growth as an actor just through the course of the series. He's a great fit for the part regardless, bringing a degree of warmth and charismatic sparkle to it that helps to justify why a stubborn middle-aged man would put so much stock in the opinions of a college student.
