my absolute most favorite thing in the new knives out is the fact that blanc was able to piece everything together because as a self-respecting gay man, of course! he would know what a Fabergé is. and he knew that a True Diva would also know what a Fabergé is.
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watching pluribus rlly exposes me for the weak-willed person that i am bc if i had a beautiful brown eyed lady come into my home to be nice to me and tell me random fun facts and cook with me and to read my wips with enthusiasm and remember all of my ocs with bright fond clarity then hyeah . id be gone too
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with all the rave & confusion & disappointment i've seen about 28 years later i have yet to see some well-deserved flowers for the young fathers, which is a damn shame!!!! i hope im not the first to do it because the story is by all intents & purposes married to its music, & the score makes up so much of the series. godspeed you, with their bleak sonic atmosphere, sketched the first film a world laid waste. young fathers aptly paints this one as a newborn screaming their way into it. godspeed you's music was the long drive home after a funeral. young fathers' was a baptism. if u haven't yet, i urge you to look into the band's history & discography. with what 28 years later is trying to say, i'm deeply stoked that they chose the young fathers to be the artists to sing it.
new rosalia.............divinize is a claudia song.....porcelena is armand's and dm........mio cristo piange diamanti has loustat all over it..........................................iwtv editors if u hear me............................hello
this might just be me and my personal beef with rudyard kipling, but i feel like i gotta put it out there for the uninitiated: the poem "boots" as heard in 28 years later's trailer and original score was written by one rudyard kipling.
rudyard kipling also happened to be the same guy behind the poem "white man's burden". read it if you haven't yet; it's a straightforward piece that requires little to no cliffsnotes. the skinny is: it was published some time in 1899 (post-spanish-american war) when america was debating on whether or not it should pursue its colonization of the Philippines (along with former spanish colonies Puerto Rico, Guam, and Cuba, as per the 1898 treaty of paris). it was written specifically to persuade america into annexing the Philippines and, therefore, subjugating the Filipino people. kipling even had his buddy, then-NY governor theodore roosevelt, read the poem for this very purpose.
In November 1898, Rudyard Kipling sent his poem "The White Man's Burden" to his friend Theodore Roosevelt**, who had just been elected Governor of New York. Kipling's aim was to encourage the American government to take over the Philippines, one of the territorial prizes of the Spanish-American War, and rule it with the same energy, honor, and beneficence that, he believed, characterized British rule over the nonwhite populations of India and Africa.
In September he had written to Roosevelt: "Now go in and put all the weight of your influence into hanging on permanently to the whole Philippines. America has gone and stuck a pickaxe into the foundations of a rotten house and she is morally bound to build the house over again from the foundations or have it fall about her ears."
the poem concluded on a ""cautious"" note regarding the perils of imperialism, but it essentially glorified the enterprise as a "moral and divine mission" to civilize the "non-white, primitive" populace of the world ("your new-caught, sullen peoples/half devil and half child" the poem read).
anyway. im not entirely sure that the people behind 28 years later had been cognizant of this particular bit when they decided to use kipling's "boots", but it does add an interesting texture to the anti-imperialist reading of the film— what with all the imagery alluding to the myth of (and nostalgia towards) the "glorious, infallible british empire" weaved into what the narrative wanted to show us about toxic masculinity and christo-patriarchal institutions, and the extent to which the powers that be will commit to just to keep that myth alive.
**a side note that may only be funny to me: roosevelt actually thought that the poem was ass but he was like, yeah. man. i get it. "poor poetry" was what he called it, but thought that it had "good sense from the expansion standpoint". lol.